| 想望城市:论新世纪文学中农民的城市审美想象 |
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| 引用本文： | 杨高强.想望城市:论新世纪文学中农民的城市审美想象[J].涪陵师范学院学报,2011,27(3):90-93. |
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| 作者姓名： | 杨高强 |
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| 作者单位： | 重庆师范大学文学与新闻学院; |
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| 摘 要： | 乡土叙事的城乡二元对立模式建构了乡村与城市互为想象的两种镜像,并且形成了乡村仰视城市、城市俯瞰乡村的一般审美传统。随着城市化进程的发展,城市与乡村之间由对视发展为对话,二者互为开放和拥抱的同时,农民对于城市的想象也发生了根本性的转变,想象姿态和审美情感的渐变在新世纪文学中表现得尤为突出,及时捕捉这些新鲜的信息有助于我们更好地塑造新的农民形象,全面把握文学在社会转型时期的律动与特征。
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| 关 键 词： | 新世纪文学 乡土小说 农民 城市想象 想象姿态 审美情感 |
Longing for City: Farmers' Aesthetic Imagination of City in the New Century Literature |
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| YANG Gao-qiang.Longing for City: Farmers' Aesthetic Imagination of City in the New Century Literature[J].JOurnal of Fuling Teachers College,2011,27(3):90-93. |
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| Authors: | YANG Gao-qiang |
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| Institution: | YANG Gao-qiang(School of Literature and Journalism,Chongqing Normal University,Chongqing 400047,China) |
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| Abstract: | In the narration of rustic novels,the mode of binary urban-rural opposition has constructed two mirror images where one imagines the other and has formed a general aesthetical tradition in which the village looks up to the city while the latter looks down on the former.With the progress of urbanization,the opposition between the two has developed into dialogue.While they are open to and embracing each other,farmers' imaginations about the city have undergone a fundamental change which is remarkably embodied... |
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| Keywords: | new century literature rustic novels farmers imagination of city pose of imagination aesthetical emotion |
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