| 中国山水画艺术的发展、现状和前景 |
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| 引用本文： | 陈起.中国山水画艺术的发展、现状和前景[J].涪陵师范学院学报,2002,18(3):51-52. |
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| 作者姓名： | 陈起 |
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| 作者单位： | 重庆市美术家协会，重庆400000 |
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| 摘 要： | 中西化的交汇为美术发展提供了一种思维张力，孕育着丰富的艺术风貌。中国特有的民族审美观决定了中国山水画的美学面貌。明清以来人画家将笔墨及其表现力推向高峰的同时，又把权威笔墨神圣化，使之丧失活力。当代水山画家有借鉴与创作的充分自由，其探索自由多样又茫然无序。山水画如何对待人与自然的关系，艺术家应负起一份责任。
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| 关 键 词： | 中国 山水画 文化交融 艺术风貌 民族审美观 美术发展 美术创作 |
| 文章编号： | 1008-9594(2002)03-0051-02 |
| 修稿时间： | 2002年1月8日 |
The Devoloping Situation and the Prospect of Chinese Landscape Painting |
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| CHEN Qi.The Devoloping Situation and the Prospect of Chinese Landscape Painting[J].JOurnal of Fuling Teachers College,2002,18(3):51-52. |
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| Authors: | CHEN Qi |
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| Abstract: | The fusion of Chinese culture with western cultures provides a new thinking method and gestates more sumptuous artistic styles and features. Chinese ethical aesthetics is the determinant of aesthetical visage of Chinese landscape painting. Artists since Ming and Qing dynasties have peaked the expressiveness of Chinese brush and ink and at the same they have also apotheosized their authority and thus devitalized them. Modern artists are free to do their work and refer to others' works. Their freedom in exploration is diversiform but out of order. Artists should be responsible in dealing with the relationships between nature and human beings while producing Chinese landscape painting. |
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| Keywords: | landscape painting cultural fusion artistic style and feature vista |
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