| 论苏联文学与20世纪40年代后期中国文学的关系——以丁玲《太阳照在桑干河上》为例 |
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| 引用本文： | 张月新.论苏联文学与20世纪40年代后期中国文学的关系——以丁玲《太阳照在桑干河上》为例[J].安徽广播电视大学学报,2013(2):97-99. |
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| 作者姓名： | 张月新 |
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| 作者单位： | 河北师范大学文学院,石家庄050024 |
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| 摘 要： | 从"左联"到"十七年",苏联文学对中国文学的影响一直存在,并呈现影响扩大趋势,且为20世纪40年代后期中国文学转折的发生提供了思想和方法上的指导,丁玲《太阳照在桑干河上》就是"苏联文学的光明梦"在中国文学40年代转折时期片面继承与强化的最好例证。
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| 关 键 词： | 苏联文学 光明梦 文学转折 |
The Relationship between Soviet Literature and Chinese Literature in Late 1940s-Taking The Sunshines on Sanggan River as the Example |
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| ZHANG Yue-xin.The Relationship between Soviet Literature and Chinese Literature in Late 1940s-Taking The Sunshines on Sanggan River as the Example[J].Journal of Anhui Television University,2013(2):97-99. |
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| Authors: | ZHANG Yue-xin |
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| Institution: | ZHANG Yue-xin (College of Chinese Language and Literature, Hebei Normal University, Shijiazhuang 050024, China) |
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| Abstract: | From the ＂Zuo Lian＂ to ＂17 years＂ literatures, Soviet literature has great and long-time influence on Chinese literature. It provides ideas and methods to Chinese literature turning in late 1940s. Dingling＇s novel The Sunshines on Sanggan River is the best example which shows that ＂the promising dream of Soviet literature＂ has been partially inherited and strengthened in Chinese literature turning in 1940s. |
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| Keywords: | Soviet literature promising dream turning of literature |
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