| 语言的舞蹈——20世纪90年代女性诗歌写作修辞分析 |
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| 引用本文： | 欧阳小昱.语言的舞蹈——20世纪90年代女性诗歌写作修辞分析[J].广东教育学院学报,2007,27(1):41-43. |
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| 作者姓名： | 欧阳小昱 |
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| 作者单位： | 广东警官学院公共部 广东广州510230 |
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| 摘 要： | 20世纪90年代,中国大陆女性诗歌写作出现有别于80年代中后期的较为明显的特征,对于语言的迷恋,对于日常生活场景、意象的关注,新抒情风格等新的创作观念、写作倾向,使得这一时期的女性诗歌在写作修辞方面表现出独特的风貌。
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| 关 键 词： | 语言 女性诗歌写作 修辞 |
| 文章编号： | 23750469 |
| 修稿时间： | 10 23 2006 12:00AM |
The Dance of the Language——Analysis of Poetry Writing Rhetoric of Female Poets since 1990s |
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| OU YANG Xiao-yu.The Dance of the Language——Analysis of Poetry Writing Rhetoric of Female Poets since 1990s[J].Journal of Guangdong Education Institute,2007,27(1):41-43. |
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| Authors: | OU YANG Xiao-yu |
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| Institution: | Public Department of Guangdong Provincial Officers College, Guangzhou, Guangdong, 510230, P. R. China |
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| Abstract: | In 1990s,female poetry writing in Chinese mainland displays obviously different characteristic from that of the late 80's.Some new writing ideas,such as addicting to the language,concerning with the daily life,field and image,and the new lyric style etc.show the special appearance of the rhetoric style of female poets in this period. |
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| Keywords: | language poetry writing of female poets poetry writing rhetoric |
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