| 中国现代小说史编撰体例中的“作家论”模式 |
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| 引用本文： | 张海生,吴玉玉.中国现代小说史编撰体例中的“作家论”模式[J].十堰职业技术学院学报,2008,21(3):88-90. |
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| 作者姓名： | 张海生 吴玉玉 |
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| 作者单位： | 北京语言大学,人文学院,北京,100083 |
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| 摘 要： | 夏志清的《中国现代小说史》开创了中国现代小说史编撰体例的"作家论"模式,这一模式于二十世纪八十年代在杨义的同名著作中得以拓展和完善,九十年代以来的现代小说史编撰实践中这一模式继续得以继承,并呈现出新的视角和尝试。通过对这三个阶段具有代表性的小说史著作的分析评价,以勾勒出"作家论"模式的演变趋向。
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| 关 键 词： | 中国现代小说史 编撰体例 作家论 模式 |
On Writer Pattern in Writing Style of History of Modern Chinese Fiction |
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| ZHANG Hai-sheng,WU Yu-yu.On Writer Pattern in Writing Style of History of Modern Chinese Fiction[J].Journal of Shiyan Technical Institute,2008,21(3):88-90. |
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| Authors: | ZHANG Hai-sheng WU Yu-yu |
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| Institution: | (College of Humanities, Beijing Language and Culture University, Beijing 100083, China) |
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| Abstract: | The History of Modern Chinese Fiction by C. T. Hsia created a writer pattern in the writing of History of Modern Chinese Fiction, and this pattern was expanded and perfected by YANG Yi in 1980s, then this pattern was inherited with new perspectives in recent 20 years. The evolution trend of this pattern was outlined through analysis and evaluation of representative works of these three stages. |
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| Keywords: | history of modern Chinese fiction writing styles writer patterns pattern |
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