| 论《乐记》对《乐论》的继承与发展 |
| |
| 引用本文： | 洪永稳.论《乐记》对《乐论》的继承与发展[J].黄山学院学报,2007,9(6):109-111. |
| |
| 作者姓名： | 洪永稳 |
| |
| 作者单位： | 黄山学院,文学院,安徽,黄山,245041 |
| |
| 摘 要： | 中国古代第一篇音乐美学专著《乐记》是在荀子《乐论》的影响下产生的,它从"情感与艺术"的关系、"礼乐关系"及"中和之美"的审美理想三个方面继承和发展了荀子《乐论》的美学思想。
|
| 关 键 词： | 荀子 《乐论》 《乐记》 礼乐关系 中和之美 |
| 文章编号： | 1672-447X（2007）06-0109-05 |
| 收稿时间： | 2007-01-15 |
| 修稿时间： | 2007年1月15日 |
On The Book of Music to The inheriting and Development of Music Theory |
| |
| Hong Yongwen.On The Book of Music to The inheriting and Development of Music Theory[J].Journal of Huangshan University,2007,9(6):109-111. |
| |
| Authors: | Hong Yongwen |
| |
| Abstract: | The book of music, the first music aesthetic monograph in China ancient times was written under great influence of the music theory of Xunzi. The former inherits and expands the thought of the latter in three aspects: the relation between emotion and art, the relation between rite and music and beauty of Goldon mean. |
| |
| Keywords: | Xunzi Music Theory The Book of Music The Relation Between Rite and Music The Beauty of Golden Mean |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
