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谈苏轼"随物赋形"与"自成文理"的艺术自然美学观
引用本文:夏玲.谈苏轼"随物赋形"与"自成文理"的艺术自然美学观[J].培训与研究,2006,23(1):15-18.
作者姓名:夏玲
作者单位:湖北教育学院中文系 武汉
摘    要:苏轼关于艺术自然美学观的形成,大致是从他对待自然的态度开始的,因而有“物有可观,皆有可乐”的哲学认识,并由此进而在一些文章中提出主体对待自然的方式“不可留意于物”的自然审美原则,再进而从人与自然的审美关系中探求文艺创作的“随物附形”、“自成文理”的自然文艺美学观。

关 键 词:苏轼  自然观  自然审美  文艺自然美学观
文章编号:1007-1687(2006)01-0015-04
收稿时间:06 30 2005 12:00AM
修稿时间:2005年6月30日

Discussion the Aesthetic Views of Art and Nature of "the Entrust Drift with Thing" and "Unity and Coherence Form Nature "from Sushi
XIA ling.Discussion the Aesthetic Views of Art and Nature of "the Entrust Drift with Thing" and "Unity and Coherence Form Nature "from Sushi[J].Training and Research-Journal of Hubei College of Education,2006,23(1):15-18.
Authors:XIA ling
Abstract:Sushi formed the aesthetics outlook for art and nature, since his manner about nature roughly. So, he had philosophy understanding of" the looking at thing 'and 'glading to thing". In some articles, he advanced appreciation of the natural beauty to"not care about the thing"about main body, and he seeked the ae-thetics outlook of art nature of" the entrust drift with thing'and 'unity and coherence form nature"of literary and artictic creation from aesthetics connection between person and nature.
Keywords:Su shi  natural outlook  appreciation of the natural beauty  the aesthetics conceptions of art and nature
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