| 作为隐喻的封闭空间--是枝裕和电影《无人知晓》的空间解读 |
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| 引用本文： | 郑泽,雷晓艳.作为隐喻的封闭空间--是枝裕和电影《无人知晓》的空间解读[J].传媒观察,2020(4):68-73. |
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| 作者姓名： | 郑泽 雷晓艳 |
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| 作者单位： | 湖南工业大学文学与新闻传播学院 |
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| 摘 要： | 电影的空间不仅是物理空间,更有着寓言性的特点,同时个体行为和社会关系得以在其中展现。影片《无人知晓》通过对孩子们生存空间的不断变化揭示出主体不断寻求自我身份的认同的过程。本文综合分析了导演多重建构的封闭空间,包括箱子、住宅、城市空间,试图发掘是枝裕和导演对封闭空间广泛、多层次的运用中所蕴含的导演创作意图。
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| 关 键 词： | 《无人知晓》 封闭空间 隐喻 身份认同 |
Confined Space:Metaphor in Films |
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| Authors: | Zheng Ze Lei Xiaoyan |
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| Abstract: | The space of film is not only physical but also allegorical,in which the individual behavior and social relations are displayed.The film "Nobody Knows" reveals the process of the subject’s constant seeking of self-identity through the ever-changing living space for children.This article comprehensively analyzes the confined space constructed by the director,including box,residence and urban space,trying to explore the creative intention contained in Hirokazu Koreeda’s extensive and multi-level use of closed space. |
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| Keywords: | Nobody Knows confined space metaphor identity |
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