| 明代题跋集录体美术文献的产生——以《铁网珊瑚》为中心的考察 |
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| 引用本文： | 韩进,朱春峰.明代题跋集录体美术文献的产生——以《铁网珊瑚》为中心的考察[J].图书情报工作,2010,54(19):141-144. |
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| 作者姓名： | 韩进 朱春峰 |
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| 作者单位： | 1. 华东师范大学图书馆;2. 上海市徐汇区文物文化管理办公室; |
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| 摘 要： | 明代，美术文献创作繁盛。《铁网珊瑚》开创了一种新的体例--题跋集录体。阐述这种体例产生的背景和原因，指出它是中国古代文人抄书文化的衍生，是传统鉴藏体著录书的补充；同时，考察题跋集录体美术文献的特征以及它对后世同类文献写作的深刻影响。
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| 关 键 词： | 题跋 体例 朱存理 《铁网珊瑚》 |
| 收稿时间： | 2010-03-18 |
Emergence of the Compiling Annotations Style of Chinese Document of Fine Arts in the Ming Dynasty: A Survey Centered on Tie Wang Shan Hu |
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| Han Jin,Zhu Chunfeng.Emergence of the Compiling Annotations Style of Chinese Document of Fine Arts in the Ming Dynasty: A Survey Centered on Tie Wang Shan Hu[J].Library and Information Service,2010,54(19):141-144. |
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| Authors: | Han Jin Zhu Chunfeng |
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| Institution: | 1. East China Normal University Library,;2. Cultural Relics Management Office of Xuhui District,; |
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| Abstract: | The Chinese document of fine arts reached its full flourish in the Ming dynasty. Zhu Cunli’s Tie Wang Shan Hu started the new style of compiling annotations of works of calligraphy and painting. The paper analyses the background and cause of this style. As a supplement of the traditional art collection records, it derived from the culture of book-copying. The paper also deals with the main characters of this style, its important role in the history of Chinese document of fine arts and its significant influence in the aftertime. |
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| Keywords: | annotation style Zhu Cunli Tie Wang Shan Hu |
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