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1.
Community radio can serve as an important national resource, giving local voices access to media and providing an alternative to mainstream broadcasters. This study examined the status of community radio in two contrasting settings: Thailand where community stations number in the thousands and Malaysia where community radio has so far not been allowed. Although Thailand's community broadcasters started their operations without formal authorization, successive governments have not taken action to force their general closure. However, steps to create a legal status for them have moved at a sluggish pace. In Malaysia, authorization for community radio stations seems never to have been seriously considered even though public groups have expressed enthusiasm for the idea. In both nations, political considerations have been major factors governing the slow development of policies for community radio.  相似文献   

2.
Although community radio has a long history in South and North America, new models are evolving in other parts of the world from South Africa to Central Eurasia. True to its community roots, stations reflect the unique history, culture, and political climate of each country. Radio is the most democratic of media both in providing easy access to citizen participation and in being widely available. In rural areas from subsistence farmers in Mozambique to nomadic herders in Mongolia, radio is the only medium. With limited resources in new democracies, it is the most cost-effective medium. The expressive human voice and natural sound engage the imagination through story telling. Radio stations are not simply passive transmitters of information or hit music; they are a catalyst for building community, for improving health and education, for fostering a civil society. These are no longer theoretical visions; many stations now demonstrate all of these goals.  相似文献   

3.
Just over half of the noncommercial radio stations in the United States contributed in some way to the lobbying campaign that led to the inclusion of radio in the Public Broadcasting Act of 1967. Most of these stations were associated with educational institutions, and were uniformly represented to federal authorities as “educational radio,” though the universe of noncommercial stations in the late 1960s was more nuanced and diverse. When federal financial assistance was finally achieved, the programs proved to be too exclusive or too expensive for some of the parties who had helped to move the Act from conception to reality. In the decades following enactment, activists for community, low power, and part time stations endeavored to correct the problems that grew out of the original legislation. For audiences, the primary consequence has been a public radio system that is less inclusive and diverse than it could have been.  相似文献   

4.
This paper examines the language and practices of regulation that have constructed the idea of British commercial radio. It concludes that the regulator's definitions of its purpose and practice are characterized by variability because of the attempt to draw simultaneously from repertoires of definition established in Britain's public service, commercial, and community traditions. In turn, it is noted that this discourse of regulation does not seem to be shared by those who run commercial radio stations. The paper explores the way that the dominance of a particular public service ideal is negotiated with the increasing influence of commercial orders of discourse, and the marginalization of concepts of community broadcasting.  相似文献   

5.
A relatively unstudied development in the recent history of U.S. community and public radio is the emergence of metropolitan-based public radio networks. These are being constructed by buying out college and community facilities and frequencies by larger stations, resulting in student and community radio outlets being shifted to online streams and giving universities a one-time cash infusion, though this seems to vitiate the purpose of their educational licenses.  相似文献   

6.
This paper evaluates the evolution of community radio in postapartheid South Africa where a three-tier broadcasting system—public, commercial, and community—has replaced the monopoly of a state-run behemoth, the South African Broadcasting Corporation. The paper commences with an overview of South Africa's institutionalized culture of exclusion in the broadcasting sector and in other social spheres. A conceptual review of participatory communication precedes and provides foundation for the examination of the operations of two community radio stations located in two of South Africa's previously marginalized and disenfranchised communities. Although South Africa's adoption of community radio answers perpetual questions about the sustenance of community radio, the ongoing experience poses a few challenges.  相似文献   

7.
This work intends to provoke and enlarge the debate about the subject of community radio stations in Brazil. Although it is a subject quite often commented on in the present time, it is still rarely studied with its deserved importance in scientific communication. This study brings forth new information about how the legalized community radio stations in Brazil have been operating since their creation in 1998. The data presented in this study were catalogued during the development of a doctoral thesis, the focus of which was the functioning of community radio stations in Brazil.  相似文献   

8.
The new competitive environment of radio broadcasting in the Nordic countries consists of three sectors: (1) public service radio channels, (2) commercial radio stations and networks, and (3) community radio. Commercial radio represents the latest phase in a long process of transformation that started with decentralization inside the national broadcasting corporations in the 1960s and continued with introduction of noncommercial forms of local and community radio since the late 1970s. In the 1990s, commercial radio represents a hegemonic cultural form whose values and meanings penetrate to all sectors of radio. As a response to commercialization, the public service broadcasting tradition is undergoing a serious rearticulation. In contrast with the radical liberalism of the 1980s, there seems to be a growing political will to safeguard a balanced dualism of noncommercial and commercial forms of broadcasting.  相似文献   

9.
The history of French noncommercial, community radio is traced in this article, and its current status in relationship to state‐owned and commercial radio is described. The author concludes that community stations have been put at a disadvantage through regulatory policy, especially in the relatively low power that has been assigned them, but that they play an important role by offering an alternative to the rationalized and bureau‐cratized services of Radio France and the commercial stations.  相似文献   

10.
Radio stations were organized in Europe during the 1920s as state‐regulated public service institutions. Contrary to the model in the U.S., radio thus was embedded in the cultural and political spheres and accordingly kept outside of the market forces, although some countries allowed limited advertising. Radio's role as a national service faced increasing legitimation problems, and in most Western European countries, local radio was introduced as a divergence measure to balance political and cultural convergence of national radio. Generally, local radio activities were initially an attempt to revitalize a vivid public sphere. This article describes the development in the Scandinavian countries, where local radio developed in different ways with a rather strong commercial component that filled the “commercial deficit”; resulting from public service policies and a rather fragile component of noncommercial community stations. Although the structural development in many ways showed a different pattern than expected and wanted, local radio will have an ever greater role to play in a globalized media and information society.  相似文献   

11.
This case study examines the local storytelling practices of two radio stations in Los Angeles: one a commercial hip-hop station, the other a public radio station managed by Minnesota Public Radio with a news-talk format. Interviews with station staff and direct observation of station practices provide data that reveal specific practices showing how stations can apply communication infrastructure theory in attempts to forge the connections between the media, community residents, and the local organizations that bind neighborhoods. Obstacles to sustaining these practices are noted, including commercial pressures and journalistic principles that may hinder advocacy.  相似文献   

12.
Educational, state, cultural, and university radio stations have already developed over more than 70 years of history in Brazilian radio broadcasting. Currently, there are hundreds of stations transmitting across the country, from the North to the South. Some of them—that in the 1990s included 100 broadcasting stations and among these, the oldest and nationally referenced—up to this decade operated and were referenced as a component of the educational radio system. Mainly from this period on, most of these stations began to call themselves public. And, especially due to their programming, they have been attempting to define themselves within the profile of public radio stations. The purpose of this article is to uncover the historical construction of this group of radio broadcasting stations, by means of a timeframe, from the advent of the non-commercial segment in the 1930s until today. It reconstructs referential models and presents main threads and features of the programming of these stations throughout these seven decades. In this way, it will also evince how Brazil is constructing its model of public radio.  相似文献   

13.
This article explores how Ireland’s first LGBT radio station, Open FM, attempted to offer LGBT radio in a heteronormative media landscape. It uses semi-structured interviews with two of the stations founders as well as posts from online LGBT message bulletin boards to argue how Open FM ultimately became ambivalent about its LGBT status and adopted a dualcasting strategy. Despite its ambitions to be a community-led radio station for Ireland's LGBT community, the dualcasting strategy of the station framed many of its endeavors between the mainstream standards of radio broadcasting and the community of interest that their licence claimed to serve.  相似文献   

14.
Decision making could be described using 2 steps: (a) understanding the effects of a particular course of action and (b) selecting an action given this knowledge of effects. It is my contention that businesses wanting to advertise in radio have only partial information about the marketplace. There are approximately 500 commercial and community radio stations in Australia. However, only commercial radio stations, which make up 47% of the total radio stations in the country, systematically conduct radio surveys. In this article, I profile radio audiences in North Queensland, Australia using the list of values measure (LOV; Kahle & Kennedy, 1989). Also, I present the combinations of commercial and community radio stations that could deliver the maximum possible impact on the pertinent target market.  相似文献   

15.
As the host of a radio show, a radio jock is often required or elects to post supplemental online writing or blogs as a way to bridge the gap between on-air personality and online interactive individual. However, to this date there is little or no research around the wants and motivations for an on-air personality to disclose information via an online blog. This article looks into the connection between digital biography of the modern-day radio jock as supplemental show information and personality development. Findings conclude that commercial radio hosts use blogs primarily for monetary gain which is different from their campus/community and public radio counterparts who blog in order to generate and engage with listeners. The article concludes with recommendations for radio stations and jocks on how best to implement blogs and match goals and motivations for their use.  相似文献   

16.
Unlicensed broadcasting has been a surprisingly consistent phenomenon throughout the history of radio in the United States. This article sketches this history and the factors which have allowed pirate radio to flourish, and argues that radio scholars should engage more closely with the phenomenon in order to learn more about public aspirations regarding access to the airwaves. It is also incumbent on radio historians to preserve the legacy of stations that have risked persecution in order to manifest the “public airwaves” and “the public interest” as meaningful and tangible elements of radio history and contemporary practice.  相似文献   

17.
18.
American Indian radio serves the role of “eyapaha,”; the voice in the community that ties people together across the vast prairies of North and South Dakota. Local news, tribal council meetings, public service announcements, birth and death notices, and indigenous music are essential programming on the reservations, where Indian people seek to maintain and enhance their tribal cultures and languages. This article compares the six American Indian radio stations in the Dakotas, examining their facilities, budgets, programming, and governance.  相似文献   

19.
ABSTRACT

This article details the various forces that shaped public radio station KEXP’s evolution from the 70s to today. It addresses the ways that Seattle’s specific cultural, economic, and technological advantages enabled it to take on its current form as a key presence in global pop music curation and discovery. It argues that the station’s progression thus represents a potential model for other legacy public radio stations in an era of diminishing public and institutional funding. However, this approach’s viability will depend upon how effectively stations are able to leverage their local communities to compete in the networked digital media paradigm.  相似文献   

20.
This paper begins with a review of literature and an historical account of the development of alternative women's community radio in the UK. It describes how UK women's radio stations were developed from feminist radio activity in the 70s and 80s. The two short case studies are based on qualitative research in women's community radio stations that have developed in the 90s: Fem FM in Bristol in the southwest and Radio Venus in Bradford in the north of England. Finally it develops a model of alternative women's radio for those who wish to forge a gendered space in a radio environment dominated by male broadcasters.  相似文献   

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