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1.
Community radio is a form of noncommercial broadcasting designed to serve audiences in a specific geographic area. In recent years, community radio has become a viable alternative to both commercial and public radio, which produce nationally oriented programming designed to attract mass audiences. The value and impact of community radio can be seen through the work of Allegheny Mountain Radio, a three-station network serving a rural and geographically isolated region of southern West Virginia and Virginia.  相似文献   

2.
This paper examines the language and practices of regulation that have constructed the idea of British commercial radio. It concludes that the regulator's definitions of its purpose and practice are characterized by variability because of the attempt to draw simultaneously from repertoires of definition established in Britain's public service, commercial, and community traditions. In turn, it is noted that this discourse of regulation does not seem to be shared by those who run commercial radio stations. The paper explores the way that the dominance of a particular public service ideal is negotiated with the increasing influence of commercial orders of discourse, and the marginalization of concepts of community broadcasting.  相似文献   

3.
From the late 1920s, all radio broadcasting in the United Kingdom was undertaken by a public sector broadcaster—the British Broadcasting Corporation (BBC). Television was also the exclusive preserve of the BBC until the mid-1950s, when advertiser-supported commercial stations came into existence. This form of competition for audiences, but not for finance, between two broadcasting sectors—called by some a 'comfortable duopoly'—persisted until the late 1980s when the government permitted competitive entry by cable and satellite operators, introduced competition for advertising revenue between terrestrial stations, and placed commercial television broadcasting on a more competitive footing by introducing tendering for franchises. As these changes have occurred, the BBC has maintained its traditional system of regulation and has continued to operate under a Royal Charter. Although the expiry of the current Charter at the end of 1996 has provoked a debate about the role of the BBC, the government has stated its intention to renew the Charter for another 10 years. It seems likely that, until the year 2002 at least, the current system of regulating and financing public Service broadcasting in the United Kingdom will remain intact. However, the proliferation of channels represents a threat to the BBC's audience base. There may also be difficulties in combining within the same organization a public service mission and highly commercial activities, undertaken in a very competitive world market.  相似文献   

4.
Radio stations were organized in Europe during the 1920s as state‐regulated public service institutions. Contrary to the model in the U.S., radio thus was embedded in the cultural and political spheres and accordingly kept outside of the market forces, although some countries allowed limited advertising. Radio's role as a national service faced increasing legitimation problems, and in most Western European countries, local radio was introduced as a divergence measure to balance political and cultural convergence of national radio. Generally, local radio activities were initially an attempt to revitalize a vivid public sphere. This article describes the development in the Scandinavian countries, where local radio developed in different ways with a rather strong commercial component that filled the “commercial deficit”; resulting from public service policies and a rather fragile component of noncommercial community stations. Although the structural development in many ways showed a different pattern than expected and wanted, local radio will have an ever greater role to play in a globalized media and information society.  相似文献   

5.
This paper explores Judith Waller’s radio programming philosophy over her career that began in 1922 at WMAQ Chicago. In the 1940s, representing the interests of her employer NBC, Waller began to use the phrase “public service” as a way to break free of the “stigma” of educational radio. The concept of public service programming shifted during the 1930s and 1940s in the US, redefined and negotiated in response to assumptions about radio listeners, the financial motivations of commercial radio, and Federal Communications Commission rulings. This paper brings renewed attention to the past and present political economy of media in the US, providing a window into the historically complex relationship between commercial and noncommercial media that continues to this day.  相似文献   

6.
Historically radio has held an important place in the lives of Estonians that shaped radio's character during the years of the Soviet Union and after Estonian independence. Radio developed an intimate relationship with Estonian audiences and was important during the drive for independence. After independence state broadcasting moved toward a public service model while commercial radio developed under the control of a small number of corporations. While public service radio and commercial radio compete in ways similar to other European and Nordic countries, radio in Estonia remains strong.  相似文献   

7.
This paper evaluates the evolution of community radio in postapartheid South Africa where a three-tier broadcasting system—public, commercial, and community—has replaced the monopoly of a state-run behemoth, the South African Broadcasting Corporation. The paper commences with an overview of South Africa's institutionalized culture of exclusion in the broadcasting sector and in other social spheres. A conceptual review of participatory communication precedes and provides foundation for the examination of the operations of two community radio stations located in two of South Africa's previously marginalized and disenfranchised communities. Although South Africa's adoption of community radio answers perpetual questions about the sustenance of community radio, the ongoing experience poses a few challenges.  相似文献   

8.
This research note presents an analysis of TV programming in south Korea over a period of five years. The paper is concerned with the changing face of public service broadcasting due to the effects of the new commercial situation. It includes a brief summary of Korea's TV history and a comparison of the programming strategies employed by the public broadcasting network and its commercial rivals. The author concludes by suggesting that Korean public broadcasting needs to reappraise its current response to the multi‐channel environment, and to develop a service aimed at promoting a sense of national community.  相似文献   

9.
Derek Allen 《Media History》2013,19(4):496-513
This essay presents the comparative analysis of two Independent Local Radio (ILR) stations in the West Midlands during the 1970s. ILR was a public, community-based, radio service funded by the sale of spot advertising, and the success or the failure of an ILR station depended on the outlook and experience of its management team. BRMB represented the appropriate balance of experience and expertise. It was headed by a managing director with a commercial background and a programme controller experienced in regulated public service broadcasting. Beacon was a station with a management from a commercial broadcasting background, and their approach brought the station into conflict with the Independent Broadcasting Authority (IBA), ILR's regulator. The profit motive took precedence over the fulfilment of its public service obligations, and it was this which caused the IBA to remove the Beacon licence. This essay will, therefore, address two principal questions: why were the experiences of the two West Midlands ILR stations in the 1970s so different and why were they treated so differently by the regulator?  相似文献   

10.
The Public Broadcasting Act’s 50th anniversary provides an opportune moment to reassess justifications for creating a noncommercial media system. This commemorative occasion coincides with a particularly precarious moment for public radio and television’s future, adding some urgency to revisiting and reasserting its normative foundations. With this in mind, it is instructive to look back at public broadcasting’s long history to recover some of the original arguments for establishing an alternative to commercial news media. These earlier visions suggest a social democratic ideal for broadcast media, one clearly recognizing that a market-driven system cannot provide for all of democratic society’s communication needs.  相似文献   

11.
Nadine Kozak 《Media History》2013,19(2):163-182
Early Canadian radio broadcasting policy privileged private, commercial broadcasting enterprises above alternative broadcasting formats, including amateur and community radio. One station, 10AB, operated by the Moose Jaw Radio Association (MJRA) and owned by community members took exception to this policy and engaged in a decade-long dispute with radio authorities, first the Radio Branch of the Department of Marine and Fisheries and later the Canadian Radio Broadcasting Commission (CRBC). The MJRA ignored regulations with which it disagreed and challenged the radio authorities whilst requesting a private commercial broadcasting license. Absorbed by perceived discrimination, the MJRA failed to understand the complex situation the CRBC faced. I argue that considering transnational radio history can deepen our understanding of the dispute between the local station and national regulators in Canada.  相似文献   

12.
Just over half of the noncommercial radio stations in the United States contributed in some way to the lobbying campaign that led to the inclusion of radio in the Public Broadcasting Act of 1967. Most of these stations were associated with educational institutions, and were uniformly represented to federal authorities as “educational radio,” though the universe of noncommercial stations in the late 1960s was more nuanced and diverse. When federal financial assistance was finally achieved, the programs proved to be too exclusive or too expensive for some of the parties who had helped to move the Act from conception to reality. In the decades following enactment, activists for community, low power, and part time stations endeavored to correct the problems that grew out of the original legislation. For audiences, the primary consequence has been a public radio system that is less inclusive and diverse than it could have been.  相似文献   

13.
A decade ago the regional programming of CBC Toronto successfully transformed itself with a new notion of community reflection that utilized a range of emerging digital platforms but put narrative radio storytelling at its centre. With the launch of CBC Hamilton in Spring 2012, as Canada's sole digital-only public broadcasting outlet (no over-the-air TV or radio), audio storytelling was conspicuously absent from the equation. Based on the only publicly available research conducted with CBC users and community leaders prior to and following both launches, the authors raise questions about audience conceptions and the enduring value of audio storytelling in an era of digital broadcasting and social media.  相似文献   

14.
The history of French noncommercial, community radio is traced in this article, and its current status in relationship to state‐owned and commercial radio is described. The author concludes that community stations have been put at a disadvantage through regulatory policy, especially in the relatively low power that has been assigned them, but that they play an important role by offering an alternative to the rationalized and bureau‐cratized services of Radio France and the commercial stations.  相似文献   

15.
Government and radio broadcasting stations have been debating the model of digital transmission to be adopted in Brazil, without having come to a consensus. The impasse is related to the technological characteristics of the available systems (IBOC, DRM, and DAB) that are not integrally adaptable to the model of radio broadcasting, to the regulatory laws, and to the rules of the radio market in the country. Tests done with IBOC reveal that the digital system does not provide the same coverage as a quality analogical AM radio. Other aspects are the technical conditions of the Brazilian broadcasting stations and their adaptability to a digital system: 37% of them still function with valve transmitters, most of them being between AM commercial and public radio stations. As they are broadcasting stations with few resources for investment in transistorized equipment, it will be necessary to create public policies of incentive for digitalization, which would collaborate toward the sustainability of the sector. The present study presents data from a sample of 750 stations, which corresponds to 96.45% of the profile of the Brazilian radio market, and integrates the data with national research.  相似文献   

16.
Ewin Lamar Davis is frequently cited as an influential lawmaker known for promoting antimonopolistic practices during the development of radio broadcasting through the 1920s. He believed monopolistic practices threatened fair business practices, program diversity, localism, and noncommercial radio. His work helped shape early radio legislation, including the Davis Amendment, which attempted to equalize the distribution of radio stations throughout the US. However, little research has been done to clearly articulate his role in the development of radio legislation. This paper uses Congressional records to trace Davis' involvement in legislation leading to the Radio Act of 1927 and the subsequent Davis Amendment.  相似文献   

17.
Len Kuffert 《Media History》2013,19(3):303-319
In Canada during the pre-television era, the perception of radio as an intimate medium profoundly affected the way people ordered their listening, production, performance and discussion of programming. With evidence drawn primarily from Canadian archival sources, this paper contends that radio's perceived intimacy deeply troubled those who considered themselves responsible for the physical and cultural welfare of listeners, and that Canada's early broadcasting experience provided a particularly good example of how worry could become action. Though thinking about intimacy had helped broadcasters before the mid-1930s to understand the function of radio in relation to other media, it also led the Canadian Broadcasting Corporation (CBC) after its formation in 1936 to scrutinize and control commercial and unsponsored programming, advertising and public service messages alike. The CBC's self-assigned stewardship role – a reaction to plentiful and popular American programming and an emulation of the British Broadcasting Corporation and European services – pushed it toward protecting children and other listeners thought to be gullible or sensitive from programmes that abused the intimate relationship by stepping beyond established boundaries of taste or threatening the Corporation's ‘civilizing’ role.  相似文献   

18.
This article considers the Radio Preservation Task Force’s (RPTF) recruitment efforts and current list of member archives, assessing its success in fulfilling its mandate from the Library of Congress’s National Recording Preservation Board to adequately inventory archival collections throughout the country and facilitate preservation of and educational access to materials within these collections. The RPTF’s membership, it argues, represents significant progress in overcoming initial favoritism toward collections of network broadcasting materials, enabling the creation of alternative forms of cultural memory and production of new histories that can speak to issues and constituencies neglected in traditional histories of radio broadcasting. At the same time, it proposes further attention to nonconventional archives that may not take radio or media as their focus, warns against privileging sound recordings at the expense of contextualizing paper documentation, and stresses the need to consider forms of radio content beyond broadcast programming and to actively preserve born-digital materials within the present as well as recordings from the past. While the RPTF has helped expand existing conceptions of the radio archive, significant challenges and opportunities remain for identifying and preserving the full range of American radio heritage for both current and future generations.  相似文献   

19.
Educational, state, cultural, and university radio stations have already developed over more than 70 years of history in Brazilian radio broadcasting. Currently, there are hundreds of stations transmitting across the country, from the North to the South. Some of them—that in the 1990s included 100 broadcasting stations and among these, the oldest and nationally referenced—up to this decade operated and were referenced as a component of the educational radio system. Mainly from this period on, most of these stations began to call themselves public. And, especially due to their programming, they have been attempting to define themselves within the profile of public radio stations. The purpose of this article is to uncover the historical construction of this group of radio broadcasting stations, by means of a timeframe, from the advent of the non-commercial segment in the 1930s until today. It reconstructs referential models and presents main threads and features of the programming of these stations throughout these seven decades. In this way, it will also evince how Brazil is constructing its model of public radio.  相似文献   

20.
By the mid-1970s, the British Broadcasting Corporation (BBC) and the Independent Local Radio (ILR) sector started catering to the local Asian migrant listener community in England, by producing Asian radio programming output in English and in Asian languages such as Hindi and Urdu. In the 1980s, the Greater London Council (GLC) came up with its own initiatives to cater to London’s Asian migrant community. This article describes GLC’s initiatives through its Community Radio Unit, which encouraged independent British Asian radio broadcasting in England.  相似文献   

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