共查询到20条相似文献，搜索用时 125 毫秒
1.
Carol B. Schwalbe 《Journalism Practice》2015,9(4):465-483
Over the past 65 years, scholars have reframed the original model of gatekeeping to reflect the changing dynamics of news creation, distribution, and curation. In recent years, communication technologies have opened digital news gates to a proliferation of images captured by professionals and amateurs alike. Anyone with a camera or cell phone can shoot and distribute photographs and videos on the internet. Social media facilitates audience-to-audience sharing through tools such as Twitter, Facebook, Instagram, Vine, and Snapchat. This stream of visuals, along with the ease with which citizen journalists, bloggers, and tweeters can create and publish content, has changed the gatekeeping process. Few scholars, however, have addressed the impact that visuals have on the gatekeeping model, which was developed using text and broadcast stories. To address the changing role of the visual journalist and the audience, the authors conducted two studies. First, qualitative elite interviews with key visual decision-makers in Europe and the US provided questions for further exploration in the second study—an online cross-sectional survey of visual journalists who belong to three leading US organizations. The questions in this quantitative survey were also influenced by Shoemaker and Reese's hierarchy of influences and Bennett's multigated model. Findings indicate changes in the way visual journalists conceptualize their role and that of the audience. Based on these changes, this article proposes a new model of visual gatekeeping—the twenty-first-century visual news stream where “gatecheckers” select, verify, and curate visuals but no longer solely control their distribution the way traditional gatekeepers did. 相似文献
2.
Maria Nilsson 《Journalism Practice》2015,9(4):484-501
An increasing flow of amateur images of global crises presents challenges and opportunities for mainstream news media. Furthermore, many news organizations now solicit eyewitness reports for near-instant upload to Web editions. Yet, there is a lack of empirical research on amateur images in the regular news flow, in particular in newspapers. Thus, this case study examines the general frequency of amateur content, the gatekeeping process and the opinions of editors making decisions about images for publication in the online and print editions of four Swedish newspapers. Our findings, based on quantitative content analyses and interviews, indicate that a majority of the content falls in the hard-news category in contrast to findings in previous research about user-generated text content. Moreover, it appears regularly but in small numbers in a tabloid-content daily and a regional paper but hardly ever in broadsheet-content papers, and that opinions in the newsroom about amateur images vary from a lack of interest to a stated need for them in the regular news coverage. The low impact of amateur content may be due to the gatekeeping process and professional standards of photography, as well as a lack of audience interest and difficulties in implementing new structures in the newsrooms. In sum, the findings disprove predictions in the literature of a near-paradigmatic rise of amateur content in the mainstream news media. 相似文献
3.
Maria Nilsson 《Journalism Practice》2020,14(3):259-276
ABSTRACTThis paper explores how news organizations visualize crises in a digital media ecology shaped by citizen witnessing and widespread image circulation on social media. Empirically, the paper draws on the events of 7 April 2017 in Stockholm when a hijacked truck plowed into crowds, killing five and injuring several others. The study is informed by theoretical perspectives and research on citizen photojournalism and witnessing, and examines the function of visual citizen contributions, degrees of explicitness in visual coverage and the impact of proximity on visualizations of crises. Qualitative analyses of visual content and text in digital and print editions of four Swedish newspapers showed both enhancing and featured positioning of visual eyewitness contributions from the public, few examples of explicit imagery, and journalistic commentary foregrounding ethical dimensions of showing and seeing. Based on the findings, the author considers journalism’s civic response as a strategy for staking a claim to credibility and ethics at a moment when the journalistic gatekeeping position is called into question. 相似文献
4.
Louise Grayson 《Journalism Practice》2014,8(5):632-645
The news media industry has changed dramatically into a global business with ever-increasing attention being devoted to entertainment and celebrity across the last 10–20 years. There has also been a growing reliance on images produced by citizens (citizen photojournalism), by media outlets and publishers. It is widely acknowledged that in tandem these changes have shrunk publication opportunities for professional photographers undertaking editorial projects. As a result, photographers are increasingly relying on non-government organisations (NGOs) to gain access to photographing issues and events in developing countries and to expand their economic and portfolio opportunities. This increase in photographers working for and alongside NGOs has given rise to a new genre of editorial photography which I call NGO Reportage. By way of a case study, an exploration of this new genre reveals important issues for photographers working with NGOs and examines the constructed narratives of images contained within these emerging practices. 相似文献
5.
This study seeks to understand how community newspaper editors negotiate the professional complexities posed by citizen journalism—a phenomenon that, even in the abstract, would appear to undermine their gatekeeping control over content. Through interviews with 29 newspaper editors in Texas, we find that some editors either favor or disfavor the use of citizen journalism primarily on philosophical grounds, while others favor or disfavor its use mainly on practical grounds. This paper presents a mapping of these philosophical-versus-practical concerns as a model for visualizing the conflicting impulses at the heart of a larger professional debate over the place and purpose of user-generated content in the news production process. Moreover, these findings are viewed in light of gatekeeping, which, we argue, offers a welcome point of entry for the study of participatory media work as it evolves at news organizations large and small alike. In contributing to a growing body of literature on user-generated content in news contexts, this study points to the need for better understanding the causes and consequences of journalism's hyperlocal turn, as digitization enables newswork to serve increasingly niche geographic and virtual communities. 相似文献
6.
Peter Bro 《Journalism Practice》2015,9(1):92-105
The original concept of gatekeeping within journalism was based on a particular research method, a particular sub-profession within the news media, and a particular—now extinct—technological platform. This article describes and discusses what has happened to the function of gatekeeping as new technologies have developed, and it suggests that three models of gatekeeping are present in the digital era. The first model is based on a process of information, the second model is based on a process of communication, and the third and last model is based on a process of elimination, where the function of gatekeeping is taken over by people outside the newsrooms. All three models have been part of the history of journalism from the very beginning, but their importance for news reporters and the news media have changed with the invention of new technological means, methods and tools. This reassessment of the principles, practices and new technological platforms for gatekeeping concludes by discussing the ways in which our models of journalism can affect not only researchers but also news reporters and audiences. 相似文献
7.
This study analyzes online reader comments on top US newspapers’ stories related to former congressman, Anthony Weiner’s, August 2016 sexting scandal. Audience gatekeeping was seen through such discussion themes as gender bias and sexism, political scandals, and sex addiction. The analysis revealed that the majority of reader comments significantly diverged from the news topic, and many comments about US politicians were uncivil. Furthermore, online discussions “drowned out” newspapers’ intended message about Weiner’s inclusion of his toddler son into a sexually explicit selfie. This study argues that online commentary should not be perceived as a dichotomy—a negative or positive development, a contributor or preventer of public discourse—but rather as a continuum of citizen engagement. 相似文献
8.
《Journalism Practice》2013,7(6):755-771
An examination of reader comments published in newspapers shows how journalists shape online content for print. A content analysis of printed comments and interviews with journalists who choose them reveal how gatekeeping constructs a hybrid site of participatory journalism that is similar to but distinct from letters to the editor. Unlike letters, anonymity was the norm. Smaller newspapers predictably printed a larger percentage of comments. But publications of all sizes edited comments, sometimes heavily, before printing them. In selecting comments for newspapers, journalists juggle the immediacy and informality of online conversation with such print standards as context, civility, and readability. 相似文献
9.
ABSTRACTThis study investigates the site of intersection between legacy and social media, whereby it asks how local legacy media (St Louis Post-Dispatch and Richmond Times-Dispatch) invoked social media (Facebook and Twitter) discourse within their coverage of the Ferguson (2014) and Charlottesville (2017) events. It thus explores how gatekeeping is manifested and, consequently, how the protest paradigm emerged in a news landscape of proliferating social media. Thematic textual analysis indicates that coverage of Charlottesville and Ferguson clearly relied on indulging the social media sphere in important ways. Common themes of social media as multipurpose platforms, as interfacing with law and order, and as reconciling material and digital modes culminating in social activism were revealed. The study shows that the protest paradigm that has long characterized legacy media’s coverage of social protest is not as “pure” as it may once have been, since a social media component is helping define the contours and content of legacy media’s landscape. 相似文献
10.
Alice Baroni 《Journalism Practice》2015,9(4):597-613
Photographers from community and mainstream media organisations bring the everyday of favela communities to the attention of Rio de Janeiro's society from different perspectives. While mainstream photojournalists mainly report on favelas from outside to inside, denouncing wrongdoings and human rights abuses, community photographers do it from the opposite direction, from inside to outside, presenting images of the everyday life of favela communities. This paper takes an ethnographic and discursive approach to comparing these two categories of photographers to ask how their different practices can yield benefits for the people living in marginalised communities. Furthermore, by adapting Foucault and Bourdieu's theories, this study examines photographers’ habitus so as to determine how cultural capital and economic capital that they possess shape their subjectivity and, as such, the fields of community and mainstream photojournalism. This study has no intention of creating polarised distinctions between community and mainstream photojournalism. Instead, the research aims, through the investigation of the working practices, identities, and discourses of photographers from community and mainstream media organisations, to identify the activities and limitations of both community and mainstream in order to build an understanding about how the media ecology works best within both. 相似文献
11.
12.
Kyle McDaniel 《Visual Communication Quarterly》2016,23(1):14-25
While scholars have reviewed characterizations of photographers in feature films, they have neglected the image of real-world photographers in the documentary genre. This study incorporates visual representation theory to engage with several of the ways in which documentary filmmakers use the visual aspects of motion pictures to glamorize the lives and careers of photographers. As witnessed in four case study films, the analysis of this research highlights film's ability to generate representative character types. Specific aesthetic conventions of filmmaking are found to affect the on-screen projections of the photographer-subjects. The mostly positive depictions of “celebrity” or noteworthy real-world photographers also suggest that the documentaries under study primarily exist as marketing or publicity materials for the professional and his or her body of work. 相似文献
13.
Jonathan Ilan 《The Communication Review》2019,22(1):26-44
This paper follows the news routine of the daily evening news broadcasts of the two Israeli commercial TV channels. It is about a very particular and significant moment in national TV news—the making and gatekeeping process of the national TV news filler, also known by the Israeli news people as the shelf item. Based on a thematic analysis of in-depth interviews with several Israeli TV news professionals and a textual analysis of a particular TV news item and its shelf potential, findings provide a glimpse at how and for what reasons news stories are prioritized, how gatekeeping is performed in national TV news, and the ways in which the stories that are kept aside and left for later illustrate the overall production of newsworthiness. 相似文献
14.
This study draws on the concept of network gatekeeping to examine the ways in which organizations have adapted the processes of gatekeeping to respond to the collaborative, communicative power of users upon which they are exercising their gatekeeping authority. Through a case study of the unprecedented “Social Suite” provided for social media-using fans of Major League Baseball's Cleveland Indians, this article explores the methods the gatekeeper has used to both subvert and reinforce its traditional role. Gatekeepers are found to extend their authority into networked realms by allowing for greater access, freedom, and relationship while applying more subtle gatekeeping filters, and the Social Suite's users play a role as active, though gated, participants in the gatekeeping process. The findings of this article expand on current gatekeeping research to address the fluid, emerging roles of gatekeepers and gated communities within networked environments. 相似文献
15.
This study sought to understand the role of online comments—particularly uncivil ones—in journalists’ routines. In-depth interviews with 34 journalists reveal they are becoming more comfortable with online comments and often engage with commenters to foster deliberative discussions or quell incivility. However, our data also suggest some journalists feel discomfort with engaging in this way for fear it breaches the journalistic norm of objectivity. Overall, findings suggest journalists are not ceding their gatekeeping role to the public through comments, but rather re-asserting it through moderating objectionable comments and engaging. In addition, findings suggest journalists are participating in “reciprocal journalism” by fostering mutually beneficial connections with the audience. 相似文献
16.
Gary W. Green 《Journalism Practice》2017,11(6):721-739
This article examines how one Central Florida newspaper used emerging media technologies to communicate and engage better with a newly active audience during its coverage of two high-profile court trials. Through a series of in-depth interviews with participating journalists, the author demonstrates how the Orlando Sentinel disrupted traditional newsgathering and dissemination methods during reporting of the Casey Anthony and George Zimmerman trials, and in doing so, challenged long-standing gatekeeping media theories and exemplified emerging participatory journalism models. Findings show that audience demands for live and continuous information throughout the development of the Casey Anthony and George Zimmerman stories and resulting court proceedings were a driving force in changing outdated journalism paradigms that led to the adaptation of a new norm by the Orlando Sentinel newsroom and journalists. 相似文献
17.
Humans exhibit a fundamental reliance on interpersonal relations for the acquisition of information. Gatekeepers, who help link people with unknown information, are the “humans” in this human information-seeking process. The gatekeeping phenomenon has been studied in diverse disciplines and this article examines these research literatures to reveal that gatekeepers arise in discourse communities by different means, including cultural certification, informal nomination, or by virtue of their social positions. This multidisciplinary analysis of gatekeeping reveals that information practices are immensely contextual and contingent on the social environment. It enables and substantiates a collectivist perspective of library and information science (LIS). Moreover, this theoretical orientation also prompts us to apply social network analysis (SNA) to LIS in order to study and determine how the characteristics of social relationships and structures affect access to information resources. 相似文献
18.
The language people use to talk about something can constrain as well as facilitate understanding. This essay explores the lessons learned through a study of how people talked about music to examine what it can mean for museums and museum experiences. The study itself had people talk about their interest, background, and ways of engaging with music, then listen to random cuts of preselected music to talk about what they were hearing. Several themes emerged from the study, suggesting there are clusters to ways in which people frame their experiences of music, which extend to how people might understand the museum experience and what museums might do to make that experience more relevant. 相似文献
19.
《Journalism Practice》2013,7(2):140-161
A sample of award-winning feature photographs over the life of the Pictures of the Year International competition was analyzed to identify the themes used by photographers to tell stories effectively. Results of similar studies of other types of photography suggest photographers communicate through a limited number of themes. The results of this analysis indicate feature photographs rely on fewer themes than are apparent in some other types of photographs. The authors offer suggestions for the predominance of these themes. The Pictures of the Year International competition is held annually at the University of Missouri–Columbia. 相似文献
20.
Karen S. Fischer 《资料收集管理》2013,38(4):229-230
One pressing issue in libraries today is the censorship of information. This theoretical essay uses Kurt Lewin's gatekeeping theory to examine the decision-makers as well as the different pressures and constraints that are at issue in decisions regarding challenges and censorship attempts that occur in regards to library collections. Knowing who the decision-makers, or gatekeepers, are in the decision-making process, whether it is library boards, library directors, or public officials, is crucial to the understanding of censorship in public libraries. Without a clear understanding of the function of gates and gatekeepers in the decision-making process, libraries may allow unintended censorship of ideas and information to persist. 相似文献