共查询到20条相似文献，搜索用时 375 毫秒
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Denitsa Yotova 《Visual Communication Quarterly》2019,26(2):91-105
This article examines the emergence of the visual documentary genre through the study of Jacob A. Riis's magic lantern spectacles, writings, photographs, audience reception, and critical reviews as published in the press during the late 19th and early 20th centuries. To demonstrate an existing strong connection between Riis's lectures and documentary film, in particular, the article also focuses on a more contemporary idea about documenting society—the concept of documentary modes of representation. The analysis of related primary and secondary sources reveals that despite the limitations of technology, “moving” documentary pictures were produced long before they were part of the film genre, and Riis's work should be viewed as one of the principal antecedents to this visual documentary form. 相似文献
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Kyser Lough 《Journalism Practice》2019,13(2):247-262
This study examines how gatekeeping aspects of photography, particularly embodied gatekeeping, interact with a subset of photojournalism that faces numerous barriers to access—music photography. Through in-depth interviews with concert photographers in a large metropolitan city, this study expands upon what is known about gatekeeping when it comes to visual media. While much has been studied on photojournalists as a whole, little is known about particular subgroups, such as music photographers. As a part of lifestyle journalism, concert photography contributes to the interaction of popular culture and society, showing us visual evidence of the spectacle of musical performance. Gatekeeping practices are found not only in the managers who issue credentials for access and control where photographers can shoot from but also in the community of photographers themselves. This is extended into embodied gatekeeping in how they jostle for access to space in the pit and enforce the rules with their bodies, such as physically pushing a camera out of the way. 相似文献
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Objective: Use documentary films as catalysts around which issues of race/ethnicity can be introduced into discussions of interpersonal communication concepts and theories Course: Interpersonal Communication 相似文献
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This study advances documentary film effects research by comparing the influence of a political documentary with a historical reenactment film on narrative engagement, affect, learning, and interest. Using the Rwandan genocide as a context of study, a documentary film, The Triumph of Evil, and the historical reenactment fictional film, Hotel Rwanda, were examined. Results revealed significant differences between documentary and historical reenactment film exposure for affective responses and issue knowledge gain. However, increased issue interest and narrative engagement were not significantly different for the two stimulus groups, suggesting that dramatic fictional reenactments of socio-political events lead to increased issue interest as much or more than the live footage and factual account of events offered in a documentary. The results of this study are discussed in terms of their importance for key democratic outcome variables (e.g., knowledge and participation), along with suggestions for future documentary film research. 相似文献
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Ginger E. Blackstone 《Visual Communication Quarterly》2018,25(2):106-117
After the ratings success of the documentary film, Blackfish, CNN launched a new documentary initiative branded as CNN Films. Looking back at the history of the documentary genre on broadcast and cable/satellite television, one can see that the medium has had a troubled past in terms of ratings generation, although there have been notable exceptions. Unfortunately for documentary enthusiasts, a number of channels that once embraced documentary programming have since abandoned the genre and replaced it with nonfiction reality shows. Incorporating expectancy-value theory, one can assess that in order for a documentary initiative to be a successful ratings generator, the content must build a high amount of expectation among viewers and deliver a high amount of value. But it has been quite difficult for programming executives to successfully predict which documentaries will generate the solid ratings they seek. Given these factors, this article argues that the CNN Films push is a risky move by CNN President Jeff Zucker, and it is doubtful that the strategy can deliver the ratings surge the embattled network needs to beat its competition. 相似文献
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Louise Grayson 《Journalism Practice》2014,8(5):632-645
The news media industry has changed dramatically into a global business with ever-increasing attention being devoted to entertainment and celebrity across the last 10–20 years. There has also been a growing reliance on images produced by citizens (citizen photojournalism), by media outlets and publishers. It is widely acknowledged that in tandem these changes have shrunk publication opportunities for professional photographers undertaking editorial projects. As a result, photographers are increasingly relying on non-government organisations (NGOs) to gain access to photographing issues and events in developing countries and to expand their economic and portfolio opportunities. This increase in photographers working for and alongside NGOs has given rise to a new genre of editorial photography which I call NGO Reportage. By way of a case study, an exploration of this new genre reveals important issues for photographers working with NGOs and examines the constructed narratives of images contained within these emerging practices. 相似文献
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This article explores how documentary film practice and visual storytelling can be used to help portray Qatari women's narratives, even though many are prohibited by cultural norms from appearing in visual media. We investigate which communication and media practices can provide a work-around, ensuring that women's stories and testimonies are documented. We also explore whether Qatar's social and cultural restrictions result in a form of “symbolic annihilation” for Qatari women, as articulated by Gaye Tuchman, and how this impacts Qatari women's position and visibility in local society. 相似文献
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The work practices of the professional photojournalist are currently undergoing rapid change in the digital era. New technologies, new platforms and new methods of visual storytelling are exerting a range of pressures and influences that require photojournalists to adapt and respond in different ways. The changes provoke a number of questions that are critical to the future of professional photojournalism: What are the new risks being faced by photojournalists? How are the transformations in the media economy affecting photojournalists’ employment? What does this mean for image quality? How do photojournalists think about the manipulation of images or the staging of events? Given the rise of citizen journalism, digital technology and social media, will there even be professional photojournalists in the future? This paper presents some of the results and new analysis from the first international study into the current state and future of professional photojournalism, with a specific focus on risk and on perceptions of risk among photographers. The results indicate a high degree of risk is experienced among professional photographers with a very strong correlation to the country in which they are based. 相似文献
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Beyond Framing 总被引：1，自引：0，他引：1
Visual news media's framing has been well studied; however, production factors and cultural conditions involved in photographer–subject interactions have attracted less scholarly attention although they are no less influential in determining the depiction. Guided by social constructionism theory, in-depth interviews with staff photojournalists at a daily community newspaper in the Midwest and an analysis of their work revealed 22 variables that impact how and why images look the way they do. Photojournalists have complete control of only two of these variables, share partial control of 13, but have no control over the remaining seven. The photographers also shared insights into how to improve their journalism's verisimilitude when dealing with reactive subjects. The results support concepts of social constructionism that the subjects of photographs are most comfortable with photographers who share similar characteristics, but that some characteristics can have greater influence. The results also highlight areas where photographers might focus in pursuit of authenticity in journalistic photographs. 相似文献
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Alice Baroni 《Journalism Practice》2015,9(4):597-613
Photographers from community and mainstream media organisations bring the everyday of favela communities to the attention of Rio de Janeiro's society from different perspectives. While mainstream photojournalists mainly report on favelas from outside to inside, denouncing wrongdoings and human rights abuses, community photographers do it from the opposite direction, from inside to outside, presenting images of the everyday life of favela communities. This paper takes an ethnographic and discursive approach to comparing these two categories of photographers to ask how their different practices can yield benefits for the people living in marginalised communities. Furthermore, by adapting Foucault and Bourdieu's theories, this study examines photographers’ habitus so as to determine how cultural capital and economic capital that they possess shape their subjectivity and, as such, the fields of community and mainstream photojournalism. This study has no intention of creating polarised distinctions between community and mainstream photojournalism. Instead, the research aims, through the investigation of the working practices, identities, and discourses of photographers from community and mainstream media organisations, to identify the activities and limitations of both community and mainstream in order to build an understanding about how the media ecology works best within both. 相似文献
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文化保护与经济发展冲突背景下的图书馆目标价值取向是以保存人类文化遗产为重要使命,利用文献为当今及未来的社会发展服务。阿尔伯特·卡恩的地球史料馆的设立为建立影像资料库,保存传统文化打开了思路。 相似文献
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纪录片创作的实践教育将成为高校新闻传播教育的重要课题,理念教育建立复杂的真实观、素质教育培养道德修养、技术教育构建职业基础构成了纪录片创作教育的基本要素. 相似文献
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Since Carleton Watkins and Ansel Adams captured the sublime landscapes of Yosemite, immense technological changes have occurred that demand we revisit discourses about the sublime. Panmediation combined with ever-reaching capitalist practices have shifted the ways in which the sublime is imaged, conceptualized, and utilized. In this paper, we turn to DeLuca and Demo’s (2000. Imaging nature: Watkins, Yosemite, and the birth of environmentalism. Critical Studies in Media Communication, 17(3), 241–260.) and Stormer’s (2004. Addressing the sublime: Space, mass representation, and the unpresentable. Critical Studies in Media Communication, 21(3), 212–240.) essays on the sublime to trace the trajectory of the sublime’s domestication and the ways in which its use in contemporary environmentalist discourses, led by corporations like Patagonia, have reinforced human–nature binaries and anthropocentric discourses. To do so, we examine the 2015 documentary Jumbo Wild, which represents one example of a new turn in depictions of the sublime—what we term the recreational sublime—and how it is rhetorically grounded in visual discourses. 相似文献
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Louise Grayson 《Journalism Practice》2015,9(4):568-579
In recent years there has been an explosion of citizen-produced content appearing in mainstream media outlets. Terms such as convergent journalism, citizen journalism and user-generated journalism are all widely used in an attempt to define this growing phenomenon. This paper explores the specific genre of citizen photojournalism (CPJ). It is argued this is a definitive genre of its own and has important implications for audience perceptions due to the narrative or “storytelling” role of the visual mage. An “action genre” approach is used to examine how this new photographic genre has been enabled within current technological, cultural, political and economic environments That is to say, that photographic production processes, undertaken by amateur photographers are examined to identify patterns of activity that comprise the genre of CPJ. Through a review of existing literature on how citizens work in the field, and the way the resulting photographs are used in mainstream media, I offer a conceptual structure to delineate recognisable patterns of activity that comprise the genre of CPJ. The strength of this approach is that it allows me to describe CPJ in a way that reveals how external factors and the practice of citizens taking photojournalistic images impact upon the final product published in influential publications including popular press, books, magazines and internet publications. 相似文献
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本文介绍了书目情报理论和文献信息理论的历史渊源和发展历程,多视角分析了书目情报理论和文献信息理论的价值与反价值,提出了书目情报理论和文献信息理论未来发展的几点构思。 相似文献
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A scan of recent popular, professional, and research publications, films, and other media of interest to visual communicators, artists, and scholars. 相似文献
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A scan of recent popular, professional, and research publications, films, and other media of interest to visual communicators, artists, and scholars. 相似文献