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1.
David E. Reese 《Journal of Radio & Audio Media》2013,20(1):84-86
NPR analyst Juan Williams appeared on The O'Reilly Factor and said that he gets “worried” and “nervous” when he sees people in Muslim dress on airplanes. Two days later NPR fired Williams and the day after that Williams issued a serious accusation against NPR: “I was fired for telling the truth.” Criticism of NPR mounted—arising particularly from conservative commentators—and CEO Vivian Schiller disseminated a statement defending her organization. This essay applies the theory of image repair discourse to NPR's CEO Vivian Schiller's apology for firing Williams. Two accusations were in play and they prompted two distinct defenses: Her reaction to accusations that NPR had not followed appropriate procedures for termination Williams employed the strategies of mortification and corrective action and her defense of the firing itself used transcendence, bolstering, and attack accuser. This essay evaluates this defense as a poor example of image repair. 相似文献
2.
Karen McIntyre 《Communication Research Reports》2016,33(3):223-230
To combat the constant supply of negative news, some online news outlets focus solely on “good” news. But what is the value of “good” news? A content analysis was conducted to determine which traditional news values (timeliness, conflict, impact, etc.) appear in stories on Web sites dedicated to positive news. The researcher compared “good” news sites to the New York Times. Results indicated that the majority of “good” news stories were entertaining and emotional, whereas the majority of New York Times stories involved authority figures and conflict. Good news stories were less committed to journalism’s core functions, such as holding power accountable and providing the public with information necessary for creating an informed electorate. 相似文献
3.
Caroline Fisher 《Journalism Practice》2016,10(3):373-386
When a journalist returns to political reporting after working as a political media adviser it can trigger concern about conflict of interest based on a suspicion of partisanship. Despite this, there is little discussion in the journalism literature about how reporters should manage this type of conflict when it arises. This paper reports on a selection of findings from wider inductive, qualitative research into the career transition from journalism to political media advising and back again. Semi-structured, in-depth interviews conducted with 21 journalists who had moved between the two roles revealed that the media advisers took four main routes back to journalism in an attempt to manage the possible conflicts: “Escape”; Being “laundered”; Going “straight back in”; and “Cooling-off”. Based on these findings, this paper argues that a uniform approach to managing the transition from political advising to journalism could be useful in easing public concern about conflicts of interest. 相似文献
4.
Ike Picone 《Journalism Practice》2015,9(1):35-49
This article contends that not only journalism but also journalism studies can benefit from a stronger commitment to the public. While the bodies of literature on “popular journalism”, “public journalism” and “citizen/participatory journalism” have, in different contexts and from different angles, made a strong case in favour of a public-oriented approach to journalism, it is remarkable how few of the empirical studies on journalism are based on user research. As the control of media institutions over the news process is in decline, we should take the “news audience” more seriously and try to improve our understanding of (changing) news use patterns. Besides this rather obvious theoretical point, there are also societal and methodological arguments for a more user-oriented take on the study of journalism. Starting from a reflection on the key trends in news use in the digital age—participation, cross-mediality and mobility—this article attempts to show the theoretical and societal relevance of a radical user perspective on journalism and journalism research alike. Furthermore, we look at new methodological opportunities for news user research and elaborate on our arguments by way of an empirical study on changing news practices. The study uses Q-sort methodology to expose the impact a medium's affordances can have on the way we experience news in a converged and mobile media environment. The article concludes by discussing what the benefits of a radical user perspective can be both for journalism studies as for journalism. 相似文献
5.
《Journalism Practice》2013,7(5):572-587
How do online journalists define themselves? Journalistic self-perception plays a big part in understanding developments in the practice of online journalism in newsrooms. This article presents an analysis of the self-perceptions of online journalists using the theoretical framework of Pierre Bourdieu and data from empirical longitudinal observations based on ethnographic fieldwork in three Danish newsrooms. The analytical concepts “journalistic doxa”, “news habitus” and “editorial capital” are applied in an analysis both of ethnographic observations of journalistic practice, and a series of interviews with 35 journalists and editors. This analysis shows that online journalists position themselves in opposition to the “old” forms of journalism, which include the use of such well-known journalistic resources as specialist knowledge, technical skills, and research and writing as professional tools. However, at the same time they accept the “old” as “better” journalism, which indicates that online journalism is deeply embedded in a dominated position in the overall field of journalism. A scheme of four different analytical positions among online journalists is presented within a constructed “field of online news production”. 相似文献
6.
Maarit Jaakkola 《Journalism Practice》2015,9(6):811-828
Reflecting a change from high to liquid modern culture, journalism is said to be encountering a transformation from high towards liquid modernity. Cultural journalism, however, has been found to be “journalism with a difference”. Due to this distinctive character, the principles of general journalism do not directly apply to cultural journalism. Consequently, the manifestations and consequences of the high and liquid modern ethos appear differently in cultural journalism. Proposing a theoretical framework of the core aspects of journalism—(1) knowledge, (2) audience, (3) power, (4) time, and (5) ethics—this article argues that cultural journalists differ from other journalists in their responses to the recent transformations in the professional values, working practices and the status of journalists. 相似文献
7.
Nete Nørgaard Kristensen 《Journalism Practice》2015,9(6):853-871
This article introduces a theoretical typology of four rival yet converging ideal types of cultural critics in contemporary media culture and in cultural journalism, more specifically, encapsulated by the term the heterogeneous cultural critic and characterized by different kinds of authority and expertise: (1) the intellectual cultural critic, who is closely connected to an aesthetic tradition, bohemia and/or academia, or institutionalized cultural capital; (2) the professional cultural journalist, who is first and foremost embedded in a media professional logic; (3) the media-made arbiter of taste, whose authority is closely linked to practical experience with cultural production and repeated charismatic media performances; and (4) the everyday amateur expert, who offers subjective opinions and represents experience-based cultural taste. The aim is to provide an analytical minimum model for future empirical studies by outlining the contours of the multiple, objective and subjective, professional and non-professional cultural “authorities” of contemporary media culture. 相似文献
8.
《Journalism Practice》2013,7(1):99-112
Journalists in the “new media” era confront important questions as to whether, or how, they adapt their professional practices to a new interactive on-line form that allows citizens to become involved in the news-making process. This paper seeks to re-establish the relevance of traditional journalism practices in the modern era and suggests that they will remain very much a part of the “new journalism” beyond the digital divide. It does so through examining how broadcast journalism interviews challenge authorities in the “public interest”, and suggests, in conclusion, that such practices remain undiminished by the technical, and accompanying social, changes that are driving the “new media”. 相似文献
9.
《Journal of Radio & Audio Media》2013,20(1):123-125
The competition and conflict existing between newspapers and radio is one of the organizing images of Pre‐World War II journalism in America. Although there was some animosity, competition and conflict between these media, this study argues that the metaphor of “war”; overstates and distorts the early as well as on‐going approach the managers of these media took toward each other. Examination of the minutes, proceedings, and publications of the American Society of Newspaper Editors, as well as secondary sources, indicates that editors followed a much more consensual and cooperative model, rather than one characterized by conflict Rather than being adversarial, the documents of ASNE indicate that the editors were trying to achieve shared economic objectives with the competitive medium of radio. 相似文献
10.
《Journalism Practice》2013,7(1):20-32
In attempt to define a methodology, journalism scholars use the term “reflective” as a way to distinguish their critical study of journalism from that of a non-practitioner. The phrase “reflective practice in journalism” is now also used widely in higher education course literature and increasingly it is emerging in discourses relating to journalism research. However, the use of the term “reflective” in both cases has not been anchored in meaning. This paper will propose a number of definitions, and will discuss a number of potential approaches that seek to move towards a synthesis of journalism practice and theory. It will start by outlining the current scholarly context for undertaking journalism research, focusing on the rise of “journalist-academics” and the desire for recognition of the value and status of practice within the academy. It will then examine a number of critical models which may shed helpful light on how journalism might be viewed as “research-in-practice”. 相似文献
11.
Nete Nørgaard Kristensen 《Journalism Practice》2015,9(6):760-772
This special issue addresses a topic of journalism studies that has previously been somewhat neglected but which has gained increasing scholarly attention since the mid-2000s: the coverage and evaluation of art and culture, or what we term “cultural journalism and cultural critique.” In this introduction, we highlight three issues that serve to frame the study of cultural journalism and cultural critique more generally and the eight articles of this special issue more specifically: (1) the constant challenge of demarcating cultural journalism and cultural critique, including the interrelations of “journalism” and “critique”; (2) the dialectic of globalisation’s cultural homogenisation, on the one hand, and the specificity of local/national cultures, on the other; and (3) the digital media landscape seen in terms of the need to rethink, perhaps even redefine cultural journalism and cultural critique. 相似文献
12.
《Journalism Practice》2013,7(1):34-50
The field of journalism studies is growing globally, and the training of journalists is increasingly conducted within higher education institutions at both undergraduate and postgraduate level, even in countries that previously eschewed university education of journalists. Journalism studies goes beyond the training and education of journalists to encompass scholarly inquiry into journalism. Much teaching of journalism within universities is now conducted by journalists who have switched to the academy and become known as “hackademics”. This article explores the extent to which such journalists-turned-journalism-educators also contribute to a deeper understanding of journalism by engaging in scholarly research. It is based on an empirical study of 65 hackademics in the United Kingdom and Ireland, whose experiences of academic research into journalism will be discussed within the context of the international literature. 相似文献
13.
以詹姆斯·凯瑞的讨论为源头,兴起于20世纪70年代的新闻史观变革运动推动了美国新闻史研究走出辉格式的、线性的、进步的传统范式。大卫·诺德延续了凯瑞的新闻文化史路径,将其进一步聚焦到以阅读史为代表的新闻机制史的范畴中。他的《新闻的共同体》重新定义了“新闻”与“新闻史”的内涵,从“生产的共同体”和“接收的共同体”两个维度阐发了北美新闻传统中的共同体精神。他的新闻史研究试图将文学批评、历史学、传播学、社会学等融合在一起,建立一种兼顾人文主义和社会科学的新的关于传播的历史。由于他的新闻史观是地方性的,国内研究借鉴时要注意可行性和合理性。 相似文献
14.
《Journalism Practice》2013,7(2):201-216
Using an ethnographic case study of the Newschannel at TV2 Norway, this article reveals ways in which the assembly-line mentality required by 24/7 news production nevertheless encourages reporters to negotiate a certain autonomy over their work and the routines required to produce it. By reorganizing its staff's use of time, space, and resources, TV2 was able to generate roughly 18 hours of “live” news coverage a day during the article's research period from 2007 to 2009. This production process is framed in terms of Schlesinger's “reactive” mode, here qualified as “reactive-active”, because it allows for the possibility of broadcasting live and gathering news at the same time. The article also revisits the concept of “professionalism” with regard to a traditional broadcaster's implementation of a 24/7 news channel within its existing newsroom. As a result of this process, more news—and more content concerning that news—is produced more efficiently while the tenets of traditional journalism remain operative. 相似文献
15.
Aljosha Karim Schapals 《Journalism Practice》2018,12(8):976-985
Much has been written about the alleged “crisis” of journalism, with narratives of cultural pessimism centred on the decline of legacy news media, and print media in particular. Whilst factually accurate in parts, such narratives offer an incomplete picture not just of how journalism is declining, but also evolving as it transitions in the digital age. This paper is funded by a major Australian Research Council-study of “Journalism beyond the crisis”, a project which seeks to evaluate the emerging assemblage of journalistic forms, practices, and uses in a transnationally comparative study across four different countries. The present study is a first step in investigating how journalists perceive their roles at a time in which the legitimacy of factual accounts of current events is increasingly put into question. To do so, it draws on in-depth interviews with senior journalists based in London and Sydney, providing topical insights into how these practitioners understand their role in an era of “fake news”. The findings indicate that journalists are particularly concerned about a decrease of public trust in the media, and urge colleagues to adapt more rigorous fact-checking techniques – particularly at times when the role of journalism as a “watchdog” over society appears to be most crucial. 相似文献
16.
《Journalism Practice》2013,7(5):588-603
Hyperlocal journalism is thriving. This article describes the case of a Belgian regional newspaper experimenting with citizen journalism and user-generated content (UGC) for hyperlocal news coverage. For each municipality of the region, an online news page has been created where all citizen contributions are published side by side with professional stories on local community news and events. The fact that the UGC is not separated from the professional articles makes it an interesting case to examine commonalities and differences between both types of community reporting. The findings, based on a content analysis of 474 news items, suggest that the newspaper seems to use citizen volunteers primarily as a means to outsource the “soft”, “good” and “small” news coverage of local community life, while preserving the “hard” and “bad” news provision as the exclusive domain of professional journalists. Further, the study's findings support previous research indicating that (1) local community journalism is characterised by a mix of crime reporting and news coverage of fires and accidents, on the one hand, and positive human-interest stories about social club activities, cultural events, health and sports, and school life, on the other; and that (2) citizen journalists tend to rely heavily on first-hand witnessing and personal experience due to a general lack of access to official sources of information. 相似文献
17.
《Journal of Web Librarianship》2013,7(2-3):121-131
“Snow Fall” is a Pulitzer Prize winning, digital storytelling project produced by the New York Times. It represents the next step in long-form digital journalism. The web application tells a compelling story about the fate of sixteen skiers and snowboarders during an avalanche. The textual element of the story is wrapped in a slick interface with gently appearing and disappearing images, strategically positioned HTML5 video and image slideshows, maps, and 3-D visualizations. Its title, “Snow Fall,” has become a verb in the digital journalism world. Upon seeing “Snow Fall” and other similar projects, the authors started to make the connection between this form of storytelling and Special Collections. Special Collections are full of interesting, rich, and unique stories. Their digital representation, however, while widespread in systems such as ContentDM, can be lacking in sensory appeal. Because of this, the authors developed a “Snow Fall”-like application for a Special Collections’ exhibit, “Cradle of Coaches,” in the fall of 2013. In addition to this exhibit, they have developed two more using the same template. They feel that this is a new and exciting medium to tell the stories within special collections and archives, as well as general stories about libraries themselves. 相似文献
18.
Hayes Mawindi Mabweazara 《Journalism Practice》2015,9(1):106-122
This essay provides a metatheoretical framework for understanding the complexities surrounding African journalism in the era of interactive digital technologies. It argues for the continued relevance of traditional theoretical paradigms, and submits that radical calls to develop new theories as well as to de-Westernise contemporary journalism studies through exclusively deploying “home-grown” concepts such as ubuntuism are not necessarily always viable. Rather, there is more to gain from appropriating traditional theories and identifying possible synergies between the “old”, predominantly Western approaches, and the “new digital phenomena”, and weaving out of that dialogue, approaches that are not radically different but are in tune with the uniqueness of African experiences. This approach, as the study argues, is particularly important given that journalism (including its appropriation of new technologies) always takes on the form and colouring of the social structure in which it operates. The study thus draws on social constructivist approaches to technology and the sociology of journalism, as well as an array of theoretical concerns from African journalism scholarship to offer a possible direction for a conceptual framework that can help us to capture the complex imbrications between new digital technologies and journalism practice in Africa. 相似文献
19.
Kristina Riegert 《Journalism Practice》2015,9(6):773-790
This article explores how nine Swedish cultural editors and managers in mainstream media institutions define cultural journalism and its political dimensions during times of increased digitization and media convergence. Swedish cultural journalism is aesthetic and political critique applied to subject areas (music, literature, etc.) and contemporary societal and ethical issues. Drawing on Zelizer we ask whether there is a common interpretive community of cultural journalists in different media regarding: (1) how they define their scope, (2) how they understand “the political” in cultural journalism and its implications for democracy, and (3) how they view media convergence and digitalization. We find that although editors/managers from different media share a basic understanding of cultural journalism as an alternative perspective to news, “the political” in cultural journalism is approached differently in the press and the public service broadcast media. Furthermore, due in part to structural conditions, they also see the effects of digitization differently, forming sub-communities on two counts. This study thus contributes new knowledge to a field previously focused almost exclusively on newspapers. 相似文献
20.
《Journal of Radio & Audio Media》2013,20(1):65-83
In the wake of its decision to fire veteran political commentator Juan Williams, NPR came under fire from all quarters for its seemingly incongruous decision. Dubbed by conservatives as an unveiled attempt to remove Williams because of his professional role as commentator on the right-wing FOX news network, NPR was unprepared for the vitriolic outpouring of outrage from its listeners and critics. Finding itself under attack, NPR had little choice but to defend its decision and issue forth its own attack on William's work and character as a NPR political commentator. This monograph analyzes the apologetic exchange that ensued in the public arena, an exchange that created its own unique public relations challenges. 相似文献