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此山陰祁氏澹生堂抄本《兩浙古今著作考》十五册,祁承爍著。未刊稿本也。《千頃堂書目》卷十有祁承爍《諸史藝文鈔》三十卷,又《兩浙著作考》四十六卷一條,諸家著錄,僅見有此。《澹生堂全集》,崇禎刊二十一卷本,自涉園陶氏流出,後歸北平圖書館。藏園傅增湘曾記其卷十二“戊午曆”中有輯《兩浙著作考》,半載而成之語,是此書輯於萬曆四十六年也。其書湮沉三百餘年,世無知者,而今一旦更出,豈非快事。余初聞石麒見告,有澹生堂抄本一部出於杭市,書为殘帙,而索直奇 相似文献
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荀子的生态伦理思想,主要体现在“天行有常”的生态认识论;“制天命而用之”、“天人相参”和“强本节用”的生态实践观与节用观以及“谨其时禁”和取物以时的生态责任观三个方面。与此相对应,苟子生态伦理思想对当今生态文明建设的启示是:我们要有“顺天”和“治天”之生态文明意识;树立资源节约和环境友好之生态文明行为观;建立和完善生态文明之法律法规体系。 相似文献
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清初“四王”在画坛影响甚大,创娄东、虞山画派,其中王原祁得到康熙皇帝的赏识,曾任《佩文斋书画谱》总裁,“四王”对山水画发表的意见,在当时是举足轻重的。王原祁在他的画论著作《雨窗漫笔》开篇有这样一段话: 相似文献
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老庄之道与孔孟之道既相抗衡又相通。一方面,二在本体论、伦理观、认识论、方法论上都存在根本分歧:老庄之道是天道、利己之道、出世之道、动之道、不可感知之道.孔孟之道是人道、利他之道、入世之道、不变之道、可感知之道;另一方面,二在政治观上又共同反对不“道”、“霸道”,主张“重民”、“王道”,在人生观上又共同追求超越自我,求得精神升华。 相似文献
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古代汉人习称外国为“蕃”(或“番”),《周礼·秋官·大行人》称:“九州之外,谓之善国”。故凡属与外国相关的人、事、物亦多冠之以“善”。古城泉州就是一个诸“善”答革之地,尤其是在“海上丝绸之路”兴盛的宋元时代,泉州港外贸繁荣,“善商踵至”、“善舶鳞集”。“著货”山积;与此同时,文化交流亦十分活跃,“善教”人士纷纷来泉传教,“建“善寺”,把“着佛”,众多的“著客”侨寓泉州,形成“著坊”、“善人巷”;他们还在泉州建“善学”,传“著文”,播“曹俗”;有些长期侨居泉州的“善客”还与泉人通婚,生下混血儿,称… 相似文献
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本对佛教哲学的“知”论作了探讨,通过对佛学代表人物僧肇的“般若无知论”、慧能的自悟般若之智说、神会的本觉之智能知的思想、宗密的“真如之性,自然常知”思想的论述,总结出佛教哲学“知”论的理论特色主要表现在:指出知与不知的认识的相对性的一面,超越了以往的独断论;重自悟体认,获得般若圣智以成佛;认识论与本体论相结合,对后世哲学产生了重要影响;佛、道、儒三教相反相成,发展了中国哲学的认识论。 相似文献
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世界各国皆有国花,且多选定本国独有或盛产之花:日本盛产樱花,以樱花为国花;自称为“太阳的子孙”的秘鲁,以遍布本国的太阳花(即向日葵)为国花;英国以本国花种最多的蔷薇为国花,以寓“和平与友爱”;法国以百合花(也称鸢尾花)为国花,以象征民族纯洁、庄严和光明磊落;“橄榄之邦”的希腊以橄榄为国花,象征和平和智慧;等等。 相似文献
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学曾指出庄子的“无用之用”具有两种不同的含义。然而,如果我们考虑到《庄子》外杂篇为庄子后学之作,应该说,庄子真正提到的只是“偷活苟全之大幸”这种类型的“无用之用”。庄子的“无用之用”是“籍外论之”的“寓言”,欣赏以“无用”求苟活只是它的表层含义,其背后的“意”乃是要求个我去除形限之私,获得广阔的心灵天地。在话语层面,庄子“无用之用”话题所谈论到的价值主体与客体是同一的;在其揭示的“意”上,庄子以“无用之用”话语传达出来的“道”乃指一种心灵境界,与老子的“无用之用”有所不同。 相似文献
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Li Guoping Xiao Mei 《中外文化交流(英文版)》2009,(8):12-14
He is an ordinary Chinese artist but his creations stunned former British Prime Minister Thatcher and Danish Queen Margaret Ⅱ, He was invited to many countries like USA, Japan, South Korea, Italy , Spain and Canada, His artistic career was covered by such prestigious International media as CCTV, Washington Post and BBC. AS a young artist, he was granted the title of "Chinese Folk Affist" by UNESCO. He was hailed as "Chinese Plcasso " by Western art critics. His name is Gao Dongsheng. 相似文献
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Visits to museums have been studied as hedonic and utilitarian forms of cultural consumption, though limited attention has been given to the access of museum collections online. We perform a unique historic analysis of the visibility of collections in a museum of ethnographic collections and compare 100 years of onsite visits to 5 years online visits. We find two main results: first, access to collections increased substantially online. From a selection of objects available both onsite and online, access grew from an average of 156,000 onsite visits per year to over 1.5 million views online per year. Onsite, the museum received 15.5 million visits in a span of a century while online, collections were viewed 7.9 million times in only the last 5 years. Second, we find a difference in consumer preference for type of object, favouring 3D onsite and 2D online (photographs of objects, particularly when showing them being used). Results support understanding of online heritage consumption and emerging dynamics, particularly outside of an institutional environment, such as Wikipedia. 相似文献
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