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1.
Due to sensitivity of historic papers and their conservation importance, it is necessary to produce appropriate environment condition for preservation purposes. TiO2 nanoparticles have been evaluated for multiple applications in the conservation of paper because of TiO2 nanoparticles special characteristics for UV filtration, decomposing of air pollutants and their antifungal and antibacterial properties. Firstly, TiO2 nanoparticles synthesized in sol-gel process, and then have been coated on glass surface with spray-pyrolysis method. Then, coated glass used for preparing display box for protecting paper-art-works. Also, non-coated glass was used as a blank sample and assessments have been done on the filter paper (Whatman®) as a standard for paper-art-works. Temperature, humidity and light accelerated aging were done on samples in both coated and uncoated boxes. Results showed more tension strength and lower oxidation of paper and also, lower growth of fungi and bacteria in coated glassy box. Furthermore, madder dyed papers into coated box showed lower fading after UV exposure.  相似文献   

2.
Nanolime dispersed in 2-propanol was extensively used for the consolidation of wall paintings. The knowledge of the advances of this methodology dealing with all the possible effects associated with the nanolime new material in conservation is fundamental to assess and improve the technique. In this paper, four different dispersions of Ca(OH)2 nanoparticles were characterised by Small Angle X-rays Scattering technique (SAXS) and Transmission Electron Microscopy (TEM) in order to achieve information on size, shape, polydispersity, agglomeration, and crystal structure (by SAED patterns) of the particles. Once characterised, the dispersions were tested in two different case studies, the Carceri dello Steri in Palermo with their graffiti and the 18th century lunettes at the SS. Giuda e Simone Cloister, Corniola (Empoli) with their lime-based mural paintings. The treated samples were characterised in relationship to either their morphology and surface chemical composition by Scanning Electron Microscopy coupled with Energy Dispersive X-rays spectroscopy (SEM-EDX), or their water absorption and mechanical properties (resistance to material abrasion). The results obtained showed that all the dispersions were nanometrically structured and their application succeeded in recovering the mechanical properties of the painting or graffito layers, not altering their permeability to water and keeping perfectly the wall transpiration. However, the dispersions constituted of the nanoparticles obtained via a synthesis able to control size and shape of the Ca(OH)2 particles resulted in a better performance in situ, even if the differences found by SAXS and TEM were slight.  相似文献   

3.
Ca(OH)2 particles with submicrometric dimensions (nanolimes) are recently introduced in cultural heritage conservation, in order to improve lime treatments. Lime nanoparticles are typically produced by a chemical precipitation process in supersaturated aqueous solutions of the reactants (calcium chloride [CaCl2] and sodium hydroxide [NaOH]); water is then partially substituted with 2-propanol in order to improve stability and to reduce a random orientation of the particles. Aim of the present work is to analyse the influence of the nanolime suspensions concentration on the carbonatation process, in relation to the residual water content too. The obtained lime nanoparticles are characterised by X-rays diffraction (XRD) and profile analysis. Afterwards, the influence of the suspension concentration on stones protective treatments is evaluated: alcoholic nanolime suspensions, characterised by different concentration values, are applied on several natural lithotypes. Standard tests are performed to estimate the superficial consolidation and the protective treatment effectiveness: “Scotch tape test” (STT) and capillarity test. Porosimetric investigations are performed too.  相似文献   

4.
Calcium hydroxide is typically used in Cultural Heritage conservation for superficial protective treatments thanks to its conversion into calcium carbonate. Calcium carbonate is, in fact, compatible with many carbonate-based architectonic surfaces, because its characteristics are similar to those of the restored materials. In order to improve calcium hydroxide treatments, Ca(OH)2 particles with sub-micrometric dimensions (nanolimes), are synthesised by a chemical precipitation process: a sodium hydroxide solution, used as precipitator, is added, drop by drop, to a calcium chloride one. In this paper, a nanometric calcium hydroxide, to be used in stones treatment, is produced adding in the initial solutions a surfactant agent (Triton X-100); the solutions are then mixed together simultaneously, drastically reducing the time needful for preparation. Different contents of surfactant are employed, and the influence on particles dimension and carbonatation process is analysed too. The obtained Ca(OH)2 nanoparticles are characterized by X-ray diffraction (XRD), transmission electron microscopy (TEM) and electron diffraction (ED). The Ca(OH)2 nanoparticles are regularly shaped, hexagonally plated and with side dimensions less than 200 nm: in particular, increasing the surfactant content, the particle dimension reaches values until 20 nm. Comparing nanolime suspensions obtained without and with the addition of the surfactant agent, the last ones have comparable, if not better, performances in terms of average particle size and morphology, crystallinity and reactivity. Afterwards, the alcoholic nanolime suspension obtained by using Triton X-100 is applied on some natural stones; in fact, the aim of this section is to compare the obtained results with those achieved using a nanolime synthesised without the surfactant agent. To evaluate the treatment effectiveness in a preliminary way, standard tests are performed and compared with the same tests previously obtained by the nanolime synthesised without the surfactant agent: “Scotch Tape Test” and capillarity test.  相似文献   

5.
The oil painting “La Medusa” executed by Caravaggio at the end of the XVI century on a wooden shield, was investigated by integrated physical–chemical and analytical methodologies in order to obtain scientific data capable of elucidating the state of conservation and the painting technique. Optical (OM) and electronic (SEM-EDS) microscopy, micro-FT-IR spectroscopy, gas chromatography–mass spectrometry (GC–MS) and pyrolysis GC–MS were applied on two microfragments and some organic samples obtained by solvent extraction using the swab cleaning technique. The obtained results indicated that Caravaggio probably reused an old shield as a previous gypsum preparation layer has been detected under the original painting layers. He used white lead, natural earths, verdigris and lead–tin yellow type I mixed with drying oils to paint. The considerable amount of amorphous particles of copper chlorides found in the green pigment verdigris suggests that it could have been produced according to the ancient recipe of verde salsum described by Theophilus. Mordant gilding has been identified on the upper part of the shield that can be related to an abandoned experiment to give the painting a mirror-like reflecting effect. Three different varnishes layers have been detected above the painted surface. The original and restoration varnishes have been identified and they contain a mixture of drying oil, mastic and turpentine and some beeswax. Cleaning tests, performed with different organic solvents, suggest the use of isopropyl alcohol as cleaning agent because it is less efficient in comparison to others solvents; thus it ensures a careful and controlled removal of the varnishes.  相似文献   

6.
Selecting an appropriate paper deacidification agent is very important for the deacidification of paper. The use of three deacidification agents (i.e., iso-butylamine, calcium propionate, and borax) is studied for the deacidification of paper using the immersion treatment by investigating the paper surface pH, alkaline residue, paper whiteness, strength, and other performance indicators. Results show the deacidification by borax solution not only results in the promotion of a proper pH range, high level of alkali reserves, and ignorable influence to paper appearance, but also to the enhancement of the mechanical intensities of paper even after artificial aging. Supercritical carbon dioxide (CO2SCF), as a solvent system, is used in the deacidification of acidic papers using the borax solution of water and alcohol. CO2SCF improved the deacidification process by significantly improving the pH value and the base residual value. The borax in supercritical fluids can be better combined with cellulose hydroxyl to improve the mechanical properties of paper substantially. The treatment of borax in CO2SCF could be an alternative for acidic papers. Aside from improving the pH and depositing a sufficient alkaline residual, CO2SCF also strengthens the mechanical properties of treated papers.  相似文献   

7.
We investigate the TiO2 role in the inherent protection of paper works of art to protect them against damaging effect of ultraviolet radiation, pollutant gasses, mold and bacteria. In this study a cellulosic nanocomposite of TiO2 were used as protective coating on the surface of paper fibers. This layered nanocomposite can act as a consolidate materials too. Furthermore, to determine how well paper works screen objects from the damaging effects, two accelerated aging mechanisms due to light and heat are discussed. Results show good stability of papers with nanocomposite coating. Also, a good light stability was shown in the colored paper that treated with this nanocomposite. Furthermore, to demonstrate the degree of antifungal properties of coated papers, papers were treated with two common molds and the good preventive effect of coated paper against molds is described.  相似文献   

8.
This work presents an account of the results of diagnostic analyses on the lesions that were first detected in Michelangelo's David in the mid-1800s. After summarizing the events that may have affected the statue's stability and the state of deformation, the authors present the results of the Finite Elements Method (FEM) tests conducted on the digital model of the statue's surface. The analysis of these results made it possible to identify the static conditions that generated the cracks in the lower part of the left leg and in the tree trunk of the David. Lastly, the current situation was analyzed from the perspective of both deformation and stresses, evaluating the statue's stability also as regards its structural response to the seismic activity at the level expected for the Florence area.  相似文献   

9.
The sarcophagus containing the remains of Federico II, located in the Cathedral of Palermo (Sicily, Italy), was opened on 1998 to perform a multidisciplinary survey [1]. Next to the remains of Federico II and in close contact with them were laying two other skeletons belonging, according to historical records, to Pietro II di Aragona and to an anonymous person (“The Third Individual”), probably a woman. The bones appeared severely deteriorated. Chemical analysis performed on bone samples excluded that the bodies underwent some kind of embalming process. The analysis of mtDNA from bone samples taken from the three skeletons was successful in only one of the two labs involved. The HVR1-mtDNA sequence (region: from nt 16,035 to nt 16,395), obtained from the bone samples of Federico II and “The Third Individual” appear identical but bear double peaks at the same nucleotide positions, suggesting mixing (i.e. contamination) of different mtDNA types. The HVR1 sequence obtained from the bone sample of Pietro II di Aragona does not present double peaks and differ from the Cambridge Reference Sequence (CRS) at six nucleotide positions. Cloning experiment of the Federico II amplicon demonstrated that the mixed mtDNA types are only two: one identical to CRS, the other identical to the sequence of Pietro II di Aragona. A reconstruction of these data are proposed in the Discussion. Due to the problematic context in which this study was carried out (mixed and deteriorated biological material, failure to replicate results in two different labs), our results and reconstruction can only be offered on a tentative basis. It is hoped that the data presented in this study will reveal useful, for future comparison, if further molecular genetics research will be carried out on the royal dynasties that ruled Sicily in the early centuries of the past millennium.  相似文献   

10.
Laser cleaning has been used to restore the soiled terracotta statues and decorations of the tympanum of the portal of Palos of the Cathedral of Seville in Spain. A simultaneous laboratory study performed on a representative sample helped to identify the optimum laser conditions to remove the dark soiling layer produced by air pollution. It was found that irradiation at 1064 nm with a Q-switched Nd:YAG laser was more effective than the harmonic wavelengths of 532 or 266 nm. LIBS and Raman microscopy gave information on the composition of terracotta and identified the presence of a protective layer made of gypsum and calcite. As detected by Raman spectroscopy, laser irradiation caused the elimination of the carbon component of the soiling layer and the appearance of an anhydrite component in the laser irradiated gypsum layer applied over the terracotta substrate for protective purposes. Local heating of the surface caused by laser irradiation at 1064 nm, the laser wavelength used for restoration of the portal, might be responsible for a process of partial dehydration of gypsum into anhydrite.  相似文献   

11.
The study of the interaction between silica glass and saturated Ca(OH)2 solutions can be a useful approach to resolve the problem of the adhesion between lime-sand mortar and clay bricks. Since it is reasonable that the silica–calcium hydroxide system well simulates a brick–mortar system, experimental observations concerning the interaction of silica glass and this strong basic solution should be of value for the comprehension of the chemical reactions that could take place at the mortar–brick interface, maybe affecting the adhesion between the two building materials. We demonstrated the effects of saturated Ca(OH)2 solutions on commercial pure silica glass (fused silica) and on silica films obtained via a sol–gel process by means of dip-coating. Silica samples were dipped in the solutions at different temperatures (room temperature, 60 and 80 °C) and at different time intervals (1 and 21 h) and then they were analysed by means of surface techniques: X-ray photoelectron spectroscopy (XPS), secondary ion mass spectrometry (SIMS) and atomic force microscopy (AFM). It has been shown that Ca(OH)2 reacts with the silica glass network. The experimental results clearly show a very different behaviour of sol–gel silica with respect to fused silica, probably because of their different nanostructure. Many problems concerning the interaction of silica and Ca(OH)2 are still to be solved, but the results of this research strengthen the idea that adhesion between lime-sand mortar and clay bricks is caused not only by carbonation of calcium hydroxide contained in the mortar, but even by some chemical reactions involving the brick constituents and calcium hydroxide itself. The final products, calcium silicates, may induce a chemical continuity between lime-sand mortar and clay bricks.  相似文献   

12.
Several authors or practitioners have remarked that Q-switched lasers have an immediate blackening effect on mineral pigments such as vermilion (HgS), minium (Pb3O4), white lead [2PbCO3. Pb(OH)2], malachite [Cu2CO3.(OH)2] and yellow ochre (FeOH2). A similar blackening effect can also be obtained on veined Carrara marble. This stone contains several trace elements, particularly iron and manganese. The latter is responsible for a particular response in electronic paramagnetic resonance spectroscopy (EPRS). We investigated the effect of a Q-switched Nd:YAG laser irradiation on the EPRS trace of Carrara marble. Further experiments were performed with the same analytical tool on synthetic calcite powders that had been doped with iron or manganese. It appeared that no significant change of EPRS trace could be put into evidence after laser irradiation of both bulk Carrara marble or doped calcite powders, although some samples had actually blackened. It is concluded that the blackening effect is not due to an oxidation of manganese ions. Colour measurements were also performed within the framework of this investigation. They showed that the colour shift to black is proportional to the fluence applied to the stone surface  相似文献   

13.
Fifty crucible fragments and 10 fragments of the melting furnace of the forest glassworks of Südel (1723–1741, Ct. Luzern), were analyzed by petrographic, mineralogical and chemical techniques in order to assess the temperature reached in the melting chamber and to find out which raw materials were used to make the crucibles and the melting furnace. Since the crucibles were used in the melting furnace, the temperature estimations were based on both the crucibles and the refractory fragments, as they were parts of the same system. The temperature range in the melting chamber, estimated by the structural order of the new-formed cristobalite, points to a temperature range between 1350 and 1500 °C. However, three crucible samples recorded extreme temperatures as high as 1650 °C, suggesting very high flame temperatures for wood fuel. The analyzed red bricks were made with local calcium-poor clay. One of them was tempered with refractory fragments, demonstrating an in-house production and the recycling of such a material after its use. The crucibles and the refractory bricks were made with the same refractory clay. The former using unprocessed clay and the latter blending clay with chamotte. A comparison with Sidérolithique clayey sand samples from the Swiss Jura, shows strong affinities which may rule out the archaeological hypothesis of an exclusive provenance of such clays from Germany, suggesting an import from the Swiss Jura mountains.  相似文献   

14.
Due to the extreme fragility of paper-based artefacts, few techniques are available for scientific investigation and characterisation of ancient drawings or paper-based artefacts. Image reflectance spectroscopy represents an almost unique tool for scientific analysis on precious drawings, for which even micro-invasive techniques of analysis cannot be used. Indeed, beside the high fragility of the support, drawings and graphical works are typically characterised by a very limited number of artistic materials, which in principle could give information on the work of art. In this paper an interdisciplinary study on a set of drawings by Parmigianino (1503–1540), selected from the collection of the Uffizi Gallery in Florence, is presented. Non-invasive measurements of image spectroscopy (IS) have been employed to support the work of art-historians in the critical re-examination and interpretation of the graphical work of the artist. The multispectral analysis has been carried out over the extended spectral region (400–1700 nm), in order to provide simultaneous indications both on the pictorial materials and on possibly underlying hatches. The data processing has been performed by means of Principal Component Analysis (PCA) and the elaboration of each case has been addressed to specifically respond to questions related to the art-historical problem.  相似文献   

15.
In all cultures, and in many different ways, man has searched for God, and architecture has been a fundamental element in this search. The cathedral-mosque of Córdoba is a unique example of this particular history of the search for God through architecture: first with its choice of a horizontal space on a human scale, adapted to the praying practices of the Islamic period, and then with a vertical space, symbolizing the grandeur and spirituality of the Christian period. The different religions that have been accommodated in this building in the course of its history have brought with them different conceptions of space and different liturgies. These needs, peculiar to each form of worship for the propagation of the faith, imply different acoustic conditions for the particular space. The aim of this study is to look at the sonic characteristics of the space and analyze the evolution of its acoustic characteristics and their adaptation to the different liturgical needs of each period.  相似文献   

16.
Using inductively coupled plasma–atomic emission spectrometry (ICP-AES), atomic absorption spectrometry (AAS) and instrumental neutron activation analysis (INAA) the concentration of Ag, As, Au, Bi, Cu, Fe, Ga, In, Ni, Sb, Sn, and Zn in 53 samples taken from archaeological finds dated to 4th–2nd century BC and found in the territory of ancient Thracia was determined. Additionally using inductively coupled plasma–mass spectrometry (ICP-MS) and MS for determination of the lead isotope ratios in the samples was carried out. On the basis of these analytical results using cluster analysis for grouping the samples on the bases of the similarity in chemical and isotopic content and the available data from the literature for lead ore deposits in the Balkan Peninsula, the geological origin of the investigated archaeological finds was evaluated. That confirms the expectation that sources of lead might be almost all possible deposits of lead ores on the Balkan Peninsula—from Lavrion through Chalkidiki to the Rhodope mountain. The result indicates that the Thrace did not utilize one single lead source continuously but that lead was provided according to availability from different production centers.  相似文献   

17.
Zinc oxide nanoparticles were prepared and used for surface treatment of oil paintings painted on paper supports. The prepared coating mixture containing 2% of ZnO nanoparticles showed excellent transparency. The effect of coating on protecting the paper support and paintings against microbial attack by Trichoderma reesei and Aspergillus niger, dirt accumulation, and UV aging was studied. Coatings containing ZnO nanoparticles enhanced the durability of linseed oil-based paintings toward UV aging regarding the change in color. Coatings containing ZnO nanoparticles improved resistance to microbial attack when subjected to inoculums containing T. reesei or A. niger fungi. In addition, coatings containing ZnO nanoparticles reduced accumulation of dirt on oil paintings when left in open air for 6 months; cleaning of paintings was quite easy compared to the non-coated paintings or those coated with the varnish without ZnO nanoparticles.  相似文献   

18.
As part of research in progress on the study and design of an ontology knowledge model, this paper focuses on development of a shape-grammar schema for extracting attributes of spatial organization of a subset of cultural heritage relics, namely, caravanserais, from a selected corpus with a common architectural language of design. First, shape-grammar rules for classification of caravanserais of the selected corpus are developed and are represented in drawing by using Auto CAD tool. Shape rules as a natural-language equivalent are then devised by describing design functions and clarifying the topology of shapes. Based on these shape rules in given text, the hierarchy of a shape-grammar schema in the Protégé knowledge representation tool is designed, and each shape rule is defined as an interconnecting individual (or instance) in OWL language. This schema will enable us to extract computer-based semantics of shape-grammar rules. To illustrate this innovative approach, a selected corpus was classified by using the shape-grammar schema with the support of knowledge extraction tools.  相似文献   

19.
The analysis of the amino acid (AA) content in fragments derived from a prehistoric rock pictograph (Lancusi rock shelter) at Tadrart Acacus, southern west Libya, revealed the presence of material containing peptides differing in solubility in hot acidic or alkaline solutions, as well as in AA composition and racemization. Water-soluble components were constituted of low molecular weight peptides with high racemization of aspartic acid and alanine, whereas the water insoluble material consisted of species of a more complex AA composition and a different degree of racemization. The proteinaceous materials were assumed to originate from matter that had undergone over time different diagenetic processes. The water insoluble peptide-containing material was separated from the rock substrate by acid hydrolysis, dried and the resulting residue submitted to radiocarbon analysis. Accelerator mass spectrometry (AMS) yielded an approximate age of 6145 ± 70 years B.P. (before present), which is consistent with archaeological inference and the climatic reconstruction of central Sahara. To our knowledge the present work represents the first attempt of direct radiocarbon dating of rock art in the Sahara desert.  相似文献   

20.
The source of the previously unassigned weak band at 2340 cm−1 that is occasionally observed in the infrared spectrum of natural lapis lazuli pigment is here attributed conclusively to CO2 trapped in the β-cage of lazurite. In addition, the geo-sourcing potential of this infrared feature for lapis lazuli is tested and found to be more ambiguous than previously suggested. The CO2 absorption band is in fact observed in lapis lazuli samples from numerous disparate geographic locales including Afghanistan, Canada, Myanmar, Siberia, Tajikistan, and the Ural Mountains, as well as mineral hauyne samples from Germany and Italy. The spectral feature was absent from lapis lazuli samples from California, Chile, Colorado, and New York. Furthermore, poor quality lapis lazuli samples, regardless of locale, highly processed natural pigment samples, and all samples of synthetic ultramarine blue, green, and violet pigments were devoid of encapsulated CO2.  相似文献   

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