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1.
《Communication monographs》2012,79(3):347-369
In-depth interviews with 62 people with working class ties (blue-collar workers and adult sons and daughters of blue-collar workers) reveal a social construction of working class that imbues it with four core, positively valenced values: strong work ethic, provider orientation, the dignity of all work and workers, and humility. This constellation of values is communicated through a ubiquitous macrolevel discourse—which I coin the Working Class Promise—that elevates working class to the highest position in the social class hierarchy and fosters a strong commitment to maintain a working class value system and identity. However, this social construction is only a partial social construction. That is, these individuals do not question material, socioeconomic-based delineations of class boundaries (e.g., income, education level, occupational prestige). Consequently, their acceptance of structural class boundaries, combined with their high regard of working class values, positions social classes in ways that make the goals of the American Dream (i.e., class mobility) and the Working Class Promise (i.e., class maintenance) paradoxical. I argue that the paradox of social mobility that results from this partial social construction is the root of mobility-based ambivalences. 相似文献
2.
Nicole Emily Hurt 《传播与批判/文化研究》2013,10(4):376-398
The discursive construction of “baby brain” functions to legitimize gender stereotypes and deflect attention from a host of material conditions that influence how women experience pregnancy and motherhood. This essay focuses on how the baby brain myth gains public legitimacy by tracing and analyzing its recent emergence in both scientific and mass mediated discourse. I argue that the myth gained legitimacy through a rhetoric of significance—one that conflates statistical significance and functional significance—that operates in both science and media discourse. In the conclusion, I offer an alternative interpretation of baby brain's cause, one that highlights the social structures that make pregnancy and motherhood difficult. 相似文献
3.
This article discusses producer practices and the reasons why they engage their audience in the production process. In a digitised media context, audiences have become more visible, mainly through social media, and have more means to participate. Our research deconstructs the production process of a particular television programme by means of the “hierarchy of influences” model, which separates micro and macro levels that influence production. It draws on in-depth interviews with all editors of Flemish current affairs programme De Afspraak (The Appointment) and on a three-month participatory observation. We conclude that immersive ways of engaging the audience are applied in our specific case. More broadly, we argue that although practices change, pre-existing norms and values about the television audience remain central to how producers engage their audience through digital and social media. 相似文献
4.
Daniel Makagon 《传播与批判/文化研究》2013,10(1):26-52
Gentrification is one of the most important and talked about contemporary urban issues. Critics have tended to treat the class remake of urban neighborhoods as a geographical and sociological phenomenon. This article critically examines gentrification as symbolic action. Focusing on press coverage of artist-led gentrification, I argue that reporters present a diffusion narrative that casts artists as both urban pioneers and victims of gentrification and glosses over the function of artists as the first gentrifiers in some urban neighborhoods. Ultimately, press accounts of artists as victims of gentrification reflect an underlying desire to find and maintain bohemian spaces in the face of homogeneous and sterile corporate urban revitalization projects that have contributed to a broader sense of urban placelessness. Yet, this vision is based on a bohemian image of the city that consists of young white artists while stigmatizing (through a frontier discourse) the more diverse population(s) that lived and worked in the urban neighborhood prior to the arrival of the artists. 相似文献
5.
Despina Chronaki 《The Communication Review》2013,16(1-2):61-69
This article revisits young people's experiences with sexual content in the light of dominant arguments in the public debate concerning the potential effects, or risk and harm for young people. Drawing upon a research project I conducted in 2011, I argue in this article that there might be an alternative approach to young people's experiences with sexual content, one deriving from the Foucauldian perspective on sexuality as a self-governing discourse. Set in a social constructionist framework my discussion prioritises young people's accounts as reflections on a constructed notion of sexuality. 相似文献
6.
This research presents findings from a case study of how three municipal access channels were transformed into channelAustin, a digital community access center in Austin, TX. More generally, it addresses the question of how states and municipal governments can employ video franchise resources to promote sustainable adoption and use of broadband services. Drawing on participatory approaches to community development, this paper offers a model of community participation in local information ecosystems to guide planning and evaluation of these interventions. Findings indicate that digital community media projects like channelAustin can help municipalities serve information needs of ethnically diverse local publics, while also promoting advanced digital skills, economic opportunities, civic engagement, and social cohesion. However, the article recommends that more attention be placed on community outreach, partnerships with nonprofits and other local public media, local curation of citizen-produced, digital content, and the consolidation of accessible online distribution channels through which residents can connect and deliberate about local issues. I discuss the implication of these findings for efforts to connect broadband and media localism policies in the U.S. 相似文献
7.
Mindy Fenske 《传播与批判/文化研究》2013,10(1):51-73
This essay is a genealogy of the performances of extensively tattooed individuals in tattoo contests held at tattoo conventions. It focuses on how the body in performance cites historical discourses and how that citation is necessary for both resistant and recuperative effects. I argue that the force of the normalizing discourse of class to contain and dictate the meaning of the (tattooed) body is challenged through actual and immanent movement. I conclude by emphasizing the resistant potential that is always immanent in the body by showing how the explicitly tattooed body's actions overflow and subsequently dismantle the logic of class normalization even as they resist and recuperate it. 相似文献
8.
Elizabeth A. Patton 《Media History》2015,21(1):101-116
This paper examines representations of urban domestic sphere and communication technologies in Playboy during the 1950s and 1960s. I argue that Playboy carved out a space for a seamless relationship between work (production) and leisure/free time (reproduction) in the domestic sphere, specifically the bachelor pad, which contributed to current notions of the live–work lifestyle. Combining work, consumption, and leisure through technology within the home permits the erosion of boundaries between work and free time. Consequently, advances in communication and entertainment technologies, consumerism and Playboy's celebration of the urban bachelor pad contributed to current definitions of the good life and reflected the paradigm shift to the post-industrial economy and the subsequent emergence of the knowledge economy. 相似文献
9.
Diana Zulli 《Critical Studies in Media Communication》2018,35(2):137-150
This article argues for the reconceptualization of the glance as more than a phenomenological orientation and a means of perceiving the world. I propose that the glance is a key feature of our attention economy, which positions attention as the most valuable commodity. By examining the technical infrastructure of the social media site Instagram, I argue that (1) the glance is implicated in the name itself and the interface design of the site; (2) the glance orients the user to a specific type of user behavior; and (3) the glance functions as a precursor to social and economic capital. I argue that this reconceptualization of the glance in relation to the attention economy demonstrates how the glance is becoming a dominant mode of seeing and thus affecting social and economic behavior. 相似文献
10.
Ellen Wartella 《Mass Communication and Society》2013,16(1-2):81-88
This essay argues that there is far too little research on the effects of new types of media programming and formats on children. In fact, the gap between the research base and production and policy issues appears to be widening. The essay advocates use of the developmental research model to study media effects on children. More specifically, researchers should focus more on the neuropsychological effects of format characteristics and viewing styles of children. 相似文献
11.
《Communication monographs》2012,79(3):331-353
Throughout much of the twentieth century, the image of the organization man dominated the cultural imagination and undergirded capitalist organizing. Yet, in the last 20 years, there has been a signal shift away from the organization man and toward the entrepreneur as an ideal. Although scholars have suggested that entrepreneurship in the new economy is rooted in neoliberal ideology, I argue that neoliberalism alone does not account for the ease with which entrepreneurialism has become a dominant discourse. By critically examining entrepreneurial discourse as communicated through US business periodicals from 2000 to 2009, I present a case for the “entrepreneurial man” as formed at the partial inclusion and/or rejection of aspects of the self made man, organization man, and neoliberalism. Ultimately, this analysis critiques the entrepreneurial man archetype as a rejection of the social contract and the embracing of a privatized, entrepreneurial American dream. 相似文献
12.
Casey Brienza 《Publishing Research Quarterly》2017,33(4):373-379
In this paper, I will argue for key role played by the global culture of comics, of which the French publication Charlie Hebdo is but one small part, in the development and aftermath of the Paris terrorist attacks of 2015. I begin by exploring and elucidating this culture of comics that exists across France and other comic book producing nations and its associations with youthful rebellion, anarchy, and, more recently, misrecognized privilege and bigotry. A sociological perspective on the cultural history and practice of comics publishing through the twentieth and twenty-first centuries adds important context to the Je Suis Charlie movement and its place in the public discourse—while also further problematizing it. 相似文献
13.
Jarrod Waetjen 《传播与批判/文化研究》2013,10(1):3-26
Recent years have seen a productive dialogue develop between political-economic and cultural approaches to media studies. In this spirit, this article draws on the analytic tools of political economy to produce a textual analysis of J. K. Rowling's Harry Potter series. In particular, we argue that Rowling has woven throughout the Potter series a set of contradictory discourses related to class and consumerism. Yet out of this heteroglossia, AOL Time Warner—the holder of the series’ film and merchandising rights—has activated a narrow reading of Harry Potter that subordinates Rowling's critique of social inequality and materialism while amplifying those moments in the texts that celebrate the “magic” of commodity consumption. Our conclusion discusses the role such corporate activations might play in the struggle over how commodity production and consumption will be understood in the wider social field. 相似文献
14.
技术理性日益改变人们的生活方式,新媒介的出现也给话语的生成带来颠覆性变化。明星作为公众人物本身就具有强大的社会属性,他们集聚了多重的目光,网络社会给明星带去更为复杂的表演"舞台"。近年来,明星人设崩塌的现象比比皆是,并且通过网络传播形成了恶劣社会影响,这进一步让我们思考明星形象在构建时面临的困境。文章通过探讨明星主体自我塑造的方式来证明其商品化的本质,指出网络环境已然对其形成了"全景监狱"式的监控;明星游荡在"自我"和"他者"间的焦虑引发了畸形的社会认知模式,文章由此强调了当下明星承担社会责任的必要性。 相似文献
15.
Willemien Sanders 《Mass Communication and Society》2013,16(5):528-553
In the discourse on documentary filmmaking and ethics, scholars focus on the filmmaker–filmed relationship and relate many concepts to morality in documentary filmmaking. They additionally mention circumstances that may be relevant and they identify insufficiently meaningful solutions to such moral issues. However, they fail to reflect on ethical theories and how these inform filmmakers’ ideas about the right thing to do. In this article I discuss the discourse and how it can serve to further develop the debate on the ethics of documentary filmmaking. I propose to include empirical data about filmmakers’ experiences and opinions to help us understand what ethics truly inform documentary filmmaking. 相似文献
16.
Alan B. Albarran 《Mass Communication and Society》2013,16(3-4):117-129
The field of media economics has mushroomed recently, highlighted by the introduction of the Journal of Media Economics, an expanding literature base, and wider interest among academicians. In this article, I examine the main research paradigms, issues facing the field, and contributions to the larger body of mass communication theory. I also argue that media economics has made at least 4 major contributions to the communication literature. It (a) provides a means to understand media as economic institutions; (b) helps further understanding of continual globalization of media industries; (c) provides a diverse alternative to mainstream mass media; and (d) offers an interdisciplinary focus to contemporary mass communications research. 相似文献
17.
《Mass Communication and Society》2013,16(4):415-437
In this article I argue for the expansion of cultural studies to include sustained research into the subjective aspects of commercial cultural production. In particular, I focus on an analysis of creative workers in advertising and design, presenting historical notes, theoretical elaboration, and empirical evidence to explore the social stratum Bourdieu (1984) identified as the "new cultural intermediaries" (p. 366). It is argued that the first-and often the only-audience ad creatives and designers have in mind is themselves; furthermore, this work is in itself a form of cultural sustenance. An underlying commitment here is that cultural studies should expand beyond its investigations of consumption, the text, and reception. A schematic model is proposed that takes an existing conception of the project of cultural studies and adapts it to the findings presented herein. 相似文献
18.
Minjie Li 《Journalism Practice》2018,12(1):56-75
On April 24, 2015, Olympic gold medalist Caitlyn Jenner confirmed her transgender identity on the 20/20 Special: Bruce Jenner—The Interview with Diane Sawyer and started her own reality show, I am Cait. This study identifies patterns of second-level intermedia agenda setting in the framing of transgender issues, examining the extent to which Jenner’s high-profile planned media events about her gender transition influence how national print newspapers and television report transgender-related stories and the salience of certain story attributes. More specifically, through a comparative quantitative content analysis, this study found that transgender-related reports appearing after Jenner’s interview were more likely to (1) mention alternative non-binary gender discourses to highlight transgender subjectivity, (2) take the intersectionality perspective to address the complexity of transgender issues from the aspects of race, class, and sexuality differences, (3) differentiate transgender issues from LGB (lesbian, gay, and bisexual) issues, and (4) take in-depth approaches to report the stories. 相似文献
19.
This article examines one market-based intervention to combat gender discrimination in China, beauty brand SK-II’s #changedestiny campaign, and in particular an accompanying video, Marriage Market Takeover, which attempts to challenge the cultural stigma of “leftover women” (single women over 25). By mobilizing affect and highlighting the self-optimizing subject, SK-II, through the #changedestiny campaign, positions itself as a key instigator of women’s empowerment, and ultimately of not only familial, but also societal, change. In this regard, it follows the logic of what Banet-Weiser and Mukherjee (in Commodity activism: Cultural resistance in neoliberal times [NYU Press, 2012]) call commodity activism, or the merging of consumer behavior with efforts at social change within neoliberal brand culture. However, in a context we call “neo/non-liberal China,” modes of authoritarian and therapeutic governance intersect, and consumer subjects, not consumer citizens, are encouraged. We argue that through offering resistance to, and a resolution situated within familial relationships, the #changedestiny campaign does little to challenge the patriarchal “leftover women” discourse. We further argue that gender discrimination is raised in the #changedestiny campaign as a way to rationalize a neoliberal emphasis on consumption, self-care, and personal fulfillment, and that ultimately gender—as well as class—norms are reaffirmed despite the campaign’s efforts to promote meaningful social change. 相似文献
20.
ABSTRACTLibrarians of the joint-use North Regional/Broward College (NR/BC) Library had sought opportunities to collaborate. Historically, challenges have arisen in programming for two distinct populations: seniors for the public library and the college library’s students. In recent years, the library successfully capitalized on organizational changes and nationwide attention to media literacy and social justice to create and deliver several well-received collaborations. This article describes the environment in which these initiatives developed and provides tips on collaborations in- and out-side joint-use libraries. This article also addresses the dearth of professional literature on programming advantages in joint-use libraries. 相似文献