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本文以幼儿绘画教育为切入点,深入阐述了幼儿绘画心理特点和开展幼儿绘画教育的意义。通过对我国现行幼儿绘画教育现状和存在的教育误区进行剖析和研究,对如何营造轻松愉快的绘画教学环境、如何创新幼儿绘画教学方法等方面进行详细解说,从而为我国幼儿绘画教育指明未来发展方向。 相似文献
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幼儿攻击行为容易诱发一系列的问题行为.文章将绘画治疗应用于矫正幼儿攻击行为,探讨了绘画治疗对幼儿攻击行为干预的必要性和可行性,并提出了绘画治疗干预幼儿攻击行为的具体应用.绘画治疗幼儿攻击行为包括:创设安全自由的外部环境;分析幼儿绘画作品;培养幼儿控制、调整情绪的能力;培养幼儿解决问题的能力;绘画治疗的移情训练. 相似文献
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幼儿绘画是幼儿亲手拿笔表现一定的可视形象的过程,表现了幼儿对生活的认识、感受和情感。绘画是幼儿最乐于接受的一种艺术表现形式,同时也是幼儿美育的重要途径。幼儿美术教学就是按照幼儿不同绘画发展水平,给予不同的指导和建议,引导幼儿学习基本的绘画技能和表现手法,以促进幼儿绘画能力的发展,培养幼儿的美感和初步的审美能力。在美术 相似文献
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《华夏少年(简快作文 )》2016,(11)
绘画是幼儿表达对外部世界理解的一个重要途径。绘画可以开发幼儿的智力,绘画可以培养幼儿的想象力,绘画可以激发幼儿的创造力……绘画对幼儿的健康成长有着举足轻重的作用。在幼儿园各种教学活动中,绘画活动是幼儿最为喜欢的活动之一。那么,在幼儿绘画活动中,教师应该采取哪些有效的策略对幼儿进行绘画指导呢?将在借鉴相关理论研究成果的基础上进行简单论述。 相似文献
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绘画是一种艺术表现形式．是培养幼儿创造力和想象力的重要手段。幼儿喜欢用绘画的方式来表现自己的感受和意愿,在涂涂画画中发挥潜能,建立自信。因此,绘画在幼儿健康成长中的作用不可低估．组织幼儿绘画活动,重视活动过程,科学地辅导幼儿绘画则显得尤为重要。但是,多数教师在组织大班幼儿绘画活动时。往往忽视了幼儿的情感体验,不重视幼儿生活经验的积累;在对幼儿绘画作品进行评价时,教师不能从幼儿的视角出发客观的评价。为了让幼儿的创造力和想象力得到更好的发展．应为幼儿创设轻松愉快的教育环境,把绘画活动融人到幼儿的生活中．以幼儿自评为主、教师进行总结评价为辅。合理地组织大班幼儿的绘画活动。 相似文献
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幼儿的绘画过程,是幼儿依照自己的意愿,运用自己喜欢的绘画方式主动表现自我,不断创新的过程。幼儿在还没有学会写字,甚至还没有学会连贯说话时,绘画就成为了他们表达思想和情感的重要途径。幼儿的原始美术创作冲动,并非模仿成人而获得,它源自幼儿对客观世界的感悟。现实生活为幼儿的美术创作提供了丰富的源泉。可以说,主动的绘画活动是幼儿步入人生的早期精神活动。那么,该如何激发幼儿的绘画兴趣,让他们在绘画活动中感受美、表现美、创造美呢? 相似文献
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一、美术教学中幼儿兴趣的培养1.了解幼儿的发展特点,提高幼儿绘画创作的兴趣。幼儿绘画创造力的提高主要应依靠诱发幼儿内在的潜力。只有使幼儿体验到绘画是属于他们自己的,才能激发幼儿表现创造的兴趣。如果幼儿对美术活动无动于衷,不能从表现创造中得到乐趣,那么幼儿对绘画活动 相似文献
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绘画是儿童表达情感的手段之一,对儿童发展具有重大意义.总体来看,留守幼儿与非留守幼儿的绘画能力差距不大,也不存在性别上的显著差异.影响留守幼儿绘画能力发展的因素主要有幼儿监护类型、监护人受教育程度、家庭物质环境支持、外出父母关注程度、幼儿园课程资源等.可以通过营造绘画环境、培养幼儿绘画造型能力、丰富幼儿绘画体验等手段提高幼儿绘画能力. 相似文献
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There's More to the Picture Than Meets the Eye: Young Children's Difficulty Understanding Biased Interpretation 总被引：2，自引：0，他引：2
5 experiments investigated children's understanding that expectations based on prior experience may influence a person's interpretation of ambiguous visual information. In Experiment 1, 4- and 5-year-olds were asked to infer a puppet's interpretation of a small, ambiguous portion of a line drawing after the puppet had been led to have an erroneous expectation about the drawing's identity. Children of both ages failed to ascribe to the puppet an interpretation consistent with the puppet's expectation. Instead, children attributed complete knowledge of the drawing to the puppet. In Experiment 2, the task was modified to reduce memory demands, but 4- and 5-year-olds continued to overlook the puppet's prior expectations when asked to infer the puppet's interpretation of an ambiguous scene. 6-year-olds responded correctly. In Experiment 3, 4- and 5-year-olds correctly reported that an observer who saw a restricted view would not know what was in the drawing, but children did not realize that the observer's interpretation might be mistaken. Experiments 4 and 5 explored the possibility that children's errors reflect difficulty inhibiting their own knowledge when responding. The results are taken as evidence that understanding of interpretation begins at approximately age 6 years. 相似文献
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This study examines children's choice of drawing to communicate their understanding of the concept “technology”. The study
explored whether the children's drawings accurately reflected the depth and range of their understanding of technology in
a way that was interpretable by others. Data were collected from 314 primary school children in England and 745 children in
Western Australia. Children were invited to demonstrate their knowledge and understanding about technology by responding to
a writing/drawing activity and a representative subsample were then interviewed about their responses. About two-thirds of
children's responses to the activity included drawings. Children held a wide range of ideas about technology and only rarely
was a drawing difficult to interpret. Although overall the drawings reflected the range of children's ideas, sometimes they
did not reveal the depth or breadth of an individual child's understanding. Consistent with the ideas represented in the drawings,
the interviews found that younger children held simpler ideas about technology, while older children held more complex, and
sometimes quite abstract concepts of technology. A notable difference between the two countries was the emphasis on “design
and make” and a smaller proportion of no response in the English sample, reflecting the greater length of time technology
education has been implemented in England compared to Western Australia. 相似文献
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This study assessed predictions drawn from social identity theory (SIT; Tajfel & Turner) concerning the acquisition of young children's intra- and intergroup attitudes and cognitions. In a minimal group study, 5- and 8-year-old children (N = 258) were arbitrarily assigned to teams that varied in their drawing ability (social status). In addition, the study varied the extent to which the children believed they could change teams (social mobility) and whether the team had additional positive qualities beyond their drawing skill (social change). The children subsequently rated their liking for, and similarity to, the ingroup and the outgroup and the extent to which they wished to change groups. Consistent with SIT and research with adults, the results indicated that children as young as 5 years of age were sensitive to the status of their social group, and that ingroup status has important implications for both their desire to remain group members as well as their perceived similarity to other group members. The extent to which the findings provide support for SIT and the intergroup similarities between adults and children are discussed. 相似文献
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绘画投射技术可以激发儿童有意识和无意识的联想,通过分析儿童的绘画作品可以展现儿童的主体经验、情感与经历.攻击性行为是儿童诸多问题行为中较为普遍的一种不良适应行为,本研究将绘画投射技术运用于个案研究对象,不仅发现个案研究对象当前的认知、思想与情感状况均不佳,自尊感低,悲伤抑郁纠结,而且发现他的主要焦虑与冲突来自与同伴的交往不良.个案在研究者设计的系列绘画活动中显示出对他人行为的解释存在着归因偏见,倾向于将情景中不明晰的信息当成具有挑衅意义的信息,反映了其攻击性行为产生的深层原因.而在经过以研究者设计的系列绘画活动为中介的渲泄过程后,个案研究对象也表现出了显著的变化,其后期的绘画作品与最初的绘画作品相比,表现出了更强壮的个体、更健全的自我概念和更愉悦的人际关系,由此可见,运用绘画投射技术有助于成人深入了解攻击性儿童的心理状态与行为动因,为更好地预防与干预儿童的攻击性行为提供有益参考. 相似文献
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Susan Haugland 《Early Childhood Education Journal》1996,23(4):227-230
Summary Research has documented the positive effects computers have on children's self-esteem. Computers can also play an important
role in enhancing each child's sense of self. Storytelling, journals, and books about the self provide valuable avenues to
help children express their thoughts, ideas, feelings, and dreams. With teacher guidance, each of these activities affirms
the children's identity and helps them better understand themselves.
For children to have high self-esteem, they need to feel a sense of belonging. In an inclusive environment, teachers use computers
to build a classroom identity by graphing class information, recording classroom activities, and/or creating class books.
Each of these activities not only helps to build a class identity but enables each child to develop a framework of herself
or himself in relationship to the world. 相似文献
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Helen O’Keeffe 《Cambridge Journal of Education》2019,49(2):197-213
Notwithstanding the increasing number of UK and international studies focused on parental involvement in education and parental imprisonment there remains little focus upon the involvement of imprisoned fathers in children’s education and the impact of this upon paternal identity. Despite the now accepted perspective that parental imprisonment often impacts negatively on family functioning, child outcomes and parental identity, this qualitative study is distinctive in drawing on the discourse of parental involvement in education, using the lens of identity theory to examine the experiences of 15 imprisoned fathers regarding their involvement in their children’s education and their parenting possible selves as educators. Participants demonstrated limited identity standards in relation to education and sometimes a reduced commitment as a result of this. All offered a vision of their possible selves as educators if contextual barriers were addressed. Possible implications are suggested. 相似文献
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陕西南部商洛镇安地区特有的自然资源、丰富的民间艺术以及深厚的历史文化独具特色。遵循生活化、兴趣化、经验性原则,开发乡土资源幼儿园生活课程、领域课程以及家园共育,能够激发幼儿对家乡的热爱和建立对家乡文化的认同感。 相似文献
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Demet Seban 《师资教育杂志》2015,41(1):19-36
This study explores the impact of practica in multigrade schools in rural areas in Turkey on the development of preservice teachers’ identities, drawing in particular on Gee’s four perspectives regarding viewing identity. Interpretation of the identity categories was based on the content of students’ reflective narratives written over four consecutive years and discussed in terms of these categories, which were identified as nature, institution, discourse and affinity. The results indicated that a practicum undertaken in multigrade classrooms influenced students’ thinking about continued identity development as teachers and supported their development, as well as the awareness needed to develop, shape or reshape an identity. The data also demonstrated that practicum experiences in multigrade classrooms are important, particularly in countries where teachers are frequently appointed to such an educational setting in their first year of teaching. 相似文献
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王锟 《楚雄师范学院学报》2004,19(4):129-132
人的创造性思维发展的启蒙时期在幼儿阶段，培养幼儿的发散性思维与聚合性思维的统一，能有效发展其创造性思维。根据幼儿的思维发展特点，在绘画和语言综合活动中，采用创设“画”和语言综合活动的环境，注重活动过程及作品展示相结合的形式，适机对幼儿进行启发、引导、激励，对发展幼儿的创造性思维是极为有效的途径。 相似文献