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1.
Jan Fredrik Hovden 《Journalism Practice》2015,9(6):791-810
Based on comprehensive surveys in 2005 and 2013 among journalists, professional critics, and artists in Norway, this article analyses the cultural journalists’ position within the fields of journalism and culture. Although increasingly adhering to journalistic ideals and becoming more similar to other journalists through education and social recruitment, cultural journalism is still not the place to gain prestige and honour in the journalistic field. As cultural journalists tend to be recruited more from journalism schools than from higher education in the humanities, they also lack the skills and knowledge to be properly recognized within the cultural field. Cultural journalists seem to occupy a subordinated position in both fields—they are doubly dominated. The analysis also shows increasing differences between cultural journalists and professional critics. Cultural journalists are more anti-elite and populist in their view on culture than critics (and artists), and they are more likely than these groups to be supportive of the idea of culture as a private realm of leisure that should be guided more strongly by economic interests. There are signs of a division of labour where critique and high culture are left to professional critics, while employed cultural journalists with less formal competence adopt an advisory role in the realm of popular culture. With increasing coverage of popular culture and traditional criticism under pressure, these are signs of a less-critical cultural journalism that falls short of the idea of a cultural public sphere as a site for acquiring intellectual and cultural resources to (better) cope with the complexities of modern life. 相似文献
2.
《Journalism Practice》2013,7(1):59-74
Print and broadcast journalists attempt to patrol the boundaries of the field. They compete with consumer perceptions and the consequent power of television that have led to a shift in traditional definitions of journalism. Among journalists from print, national and network radio and network (non-local) television, a clear discrepancy emerges between the level of esteem journalists of each medium have among their colleagues, and their popular status with the public. This study documents and analyzes the ways in which members of the American journalistic community have articulated their beliefs about who has the authoritative voice in journalism, and who is qualified to make decisions about boundaries of the craft and preferred practices. This study finds that internally, newspaper journalists are still regarded as the legitimate craftsmen. The fame that some television journalists have achieved both reflects the appreciation of TV journalism and a loathing of it, primarily due to how this fame functions in journalistic cultural authority, as well as in practices of promotion and financial compensation for journalists. Despite these tensions, journalists of different media are also shown to exhibit solidarity and recognition that they are all colleagues in a larger community with a common goal. 相似文献
3.
Mobile journalism is one of the fastest areas of growth in the modern journalism industry. Yet mobile journalists find themselves in a place of tension, between print, broadcast, and digital journalism and between traditional journalism and lifestyle journalism. Using the lens of field theory, the present study conducted an online survey of mobile journalists (N?=?39) from six countries representing four continents on how they conceive of their journalistic role, and how their work is perceived within the newsroom. Participants were journalists in television, print, magazine, and digital local and national newsrooms. The present study sought to understand how mobile journalists see mobile production as a part of their journalistic role, and what field theory dimensions influence mobile production in their newsrooms. While prior research has established a growing prevalence of lifestyle journalism, the present study finds that the growth of mobile journalism represents the development of lifestyle journalism norms, such as content driven by the audience, within even traditional journalism. 相似文献
4.
Various studies report that cultural journalism increasingly focuses on service and entertainment instead of serious arts coverage. The press prioritizes popular culture over traditional high arts to a growing extent. However, this shift in journalistic attention does not necessarily signify a straightforward decline in aesthetic standards, as popular cultural forms like film have developed along the lines of high art principles in the past decades. This article charts trends in American, Dutch, French, and German film journalism between 1955 and 2005. It demonstrates that coverage is typified by a serious aesthetic approach from the 1970s onwards. The principles of art are seen to steer journalists’ attention to an important degree: the review remains the predominant journalistic genre, and newspapers devote more attention to films by prestigious directors than strictly commercial moviemakers. As such, film’s prominence in the press does not seem to indicate a decline in serious cultural journalism but rather a revaluation of a popular cultural form. 相似文献
5.
Magnus Fredriksson 《Journalism Practice》2014,8(5):585-595
The aim of this article is to analyse how journalists' professional identity is related to their attitude towards PR. The focus is how—and to what extent—journalistic ideology, organizational belonging and the individual's social position influence journalists' perception that other journalists working with PR lower the trustworthiness of journalism. The analyses rest on data from the Swedish Journalist Survey 2011, which is a national representative survey of Swedish journalists. The results show that journalists in general embrace a hostile attitude towards journalists who start working as PR practitioners. However, those who have worked as a journalist for fewer years or have journalistic ideals promoting the amusement function of journalism, or have worked as a freelance, or been employed in an organization producing newsletters, as well as female journalists, weaken this posture. The article concludes with a discussion on how the results could be understood in relation to recent changes in journalism's power and prerequisites, and how a professional identity might function as a form of resistance. 相似文献
6.
Shayna Plaut 《Journalism Practice》2017,11(1):1-32
The Saami and the Roma are both transnational peoples with robust journalistic practices. Although vastly different in socio-economic standing and relationship to the state, both groups choose to develop journalism and journalists to share their perspective of the world; and do so while remaining true to the distinction between journalism and propaganda. This requires access and ability to frame issues and actors, problems and solutions while maintaining professional journalistic standards. Media—both having one's “own” media and creating stories that appear in the “mainstream” media—is key to this practice. Saami and Romani journalists very clearly show there is a way to be objective without being neutral. By interviewing 45 journalists, journalism educators, funders, and evaluators across six countries, as well as examining primary source documents, I show that although emerging from radically different contexts, the Saami and Roma are both distinct nations stretching over two or more states—transnational—which allows, and indeed requires, a unique approach to journalism. I identify two distinct strategies in approaching the goals and practice of, “transnational peoples’ journalism”: nation building/speaking within and intervening/speaking outside. 相似文献
7.
Sally Reardon 《Journalism Practice》2016,10(7):939-949
Using the tools of discourse analysis, this research identifies the competing and sometimes contradictory public discourses around the requirements for the next generation of journalists—those of journalism educators, industry accreditation bodies, and of employers and journalists in the wider media landscape. Investigating and identifying the tensions in this debate may help all the parties to reflect on how the values and aims of the professional journalist are constructed and how this may impact on potential journalists entering education and the industry. 相似文献
8.
《Journalism Practice》2013,7(2):161-176
Journalism education is increasingly located within universities where much of the teaching is carried out by journalists and former journalists known as “hackademics”. Yet only a minority of journalists-turned-journalism-educators are engaging in the scholarly research typically expected of academics. Should this grouping be expected to undertake academic research into journalism and, if so, how might they be supported in becoming scholars? Such issues will be explored in this study of journalists-turned-journalism-educators in the higher education sectors of the United Kingdom and Ireland. Their experiences of, and attitudes to, academic research into journalism will be reported and analysed alongside the perspectives of journal editors and in comparison with the experiences of academics in other disciplines. Within the context of a growing literature on journalism education, the concept of reflection-upon-practice will be discussed as one with resonance not only for the graduate journalists now being turned out by universities, but for journalism educators internationally. 相似文献
9.
Bahareh R. Heravi 《Journalism Practice》2019,13(3):349-366
This paper explores data journalism education, with a particular focus on formal training in the higher education sector globally. The study draws on data from: (1) the 2017 Global Data Journalism Survey, to study the state of data journalism education and the requirements in terms of training and (2) a dataset of 219 unique modules or programmes on data journalism or related fields that were curated and examined in order to understand the nature of data journalism education in universities across the world. The results show that while journalists interested in data are highly educated in journalism or closely related fields, they do not have a strong level of education in the more technical areas of data journalism, such as data analysis, coding and data visualisation. The study further reveals that a high proportion of data journalism courses are concentrated in the United States, with a growing number of courses developing across the world, and particularly in Europe. Despite this, education in the field does not have a strong academic underpinning, and while many courses are emerging in this area, there are not enough academically trained instructors to lead and/or teach such interdisciplinary programmes in the higher education sector. 相似文献
10.
Heikki Heikkilä 《Journalism Practice》2015,9(1):50-64
The media-saturated nature of everyday life is well acknowledged in current audience research, but the role of journalism for people living in this digitalised environment remains less clear. To provide a better understanding of the role of journalism and news in everyday life, this article states the case for combining two complementary analytical perspectives in cultural audience research that draw on the framework of practice theory. We need to focus on both interpersonal communication practices within social networks and on discursive practices and patterns of how people use the media. Empirically, this article draws on an extensive audience study conducted in Finland, whose findings provide a cause for moderate optimism regarding the sustaining relevance of journalism in people's everyday life in the digital era. Firstly, social networks—both offline and online—constitute a vital structure within which the output of journalism is rendered meaningful by users. Secondly, the discursive practices applied by the participants emphasise the importance of news as a central means of orientation to society and making sense of the political nature of the public world. However, much of this potential remains unknown to journalists because users' activities occur at a distance from journalism and political institutions, which poses a challenge to digital journalism. 相似文献
11.
12.
《Journalism Practice》2013,7(1):34-50
The field of journalism studies is growing globally, and the training of journalists is increasingly conducted within higher education institutions at both undergraduate and postgraduate level, even in countries that previously eschewed university education of journalists. Journalism studies goes beyond the training and education of journalists to encompass scholarly inquiry into journalism. Much teaching of journalism within universities is now conducted by journalists who have switched to the academy and become known as “hackademics”. This article explores the extent to which such journalists-turned-journalism-educators also contribute to a deeper understanding of journalism by engaging in scholarly research. It is based on an empirical study of 65 hackademics in the United Kingdom and Ireland, whose experiences of academic research into journalism will be discussed within the context of the international literature. 相似文献
13.
《Journalism Practice》2013,7(2):224-233
Confessional journalism has become a staple of contemporary journalism, either in the form of first-person real-life experiences (often ghosted by journalists) or regular columns by journalists detailing intimate details of their lives. The form is now recognised as a distinct genre but what has not received attention, except as an internal debate within journalism itself, are the consequences of this form of writing for journalism and journalists. There is mounting evidence that editors are exerting pressure towards this form of writing, favouring particular types of writers. This review investigates the compelling ethical implications for writers and their subjects within the genre and argues that these implications are producing distinctive journalistic responses and strategies. 相似文献
14.
《Journalism Practice》2013,7(3):332-349
Research documenting the media under-representation of people of color indicates that unless journalists re-imagine the way they report on communities of color, those growing segments may be left without a stake in the “public imaginary.” In this paper, I suggest that journalism educators turn their attention to Chicano/a student journalists in order to begin the process of re-envisioning newsgathering and writing in ways that more accurately depict and inform Latino/a communities. Driven by a collaboration between myself and undergraduate student producers of Venceremos, a bilingual Chicano/a student publication at a western state university, this paper builds a case for why these student journalists are an important source of knowledge and inspiration for journalism educators concerned with improving mainstream coverage of diverse communities. The essay also summarizes my association with the Venceremos staff in order to model how journalism educators can team up with alternative student journalists and it demarcates traits that typify their evolving Chicano/a journalism practice. 相似文献
15.
This study, based on case studies of three online newsrooms, seeks to understand the patterns of how journalists use social media in their news work. Through 150 hours of observations and interviews with 31 journalists, the study found that journalists are normalizing social media while also reworking some of their norms and routines around it, a process of journalistic negotiation. They are balancing editorial autonomy and the other norms that have institutionalized journalism, on one hand, and the increasing influence exerted by the audience—perceived to be the key for journalism's survival—on the other. In doing so, journalists are also seeing a reworking of their traditional gatekeeping role, finding themselves having to also market the news. 相似文献
16.
This study sought to understand the role of online comments—particularly uncivil ones—in journalists’ routines. In-depth interviews with 34 journalists reveal they are becoming more comfortable with online comments and often engage with commenters to foster deliberative discussions or quell incivility. However, our data also suggest some journalists feel discomfort with engaging in this way for fear it breaches the journalistic norm of objectivity. Overall, findings suggest journalists are not ceding their gatekeeping role to the public through comments, but rather re-asserting it through moderating objectionable comments and engaging. In addition, findings suggest journalists are participating in “reciprocal journalism” by fostering mutually beneficial connections with the audience. 相似文献
17.
This study examines the quality of winners and finalists in major national and international data journalism awards. We completed a content analysis of data projects submitted by Canadian media to three journalism associations—the Online News Association, the Global Editors Network and the Canadian Association of Journalists—as far back as the first award in this category in 2012. Our research addresses how journalists executed what could be considered excellent data journalism. Our findings point to a lack of accepted standards regarding what is considered as excellence. The quality of the projects was limited by two key factors: the use of free online options such as Google Maps that were not easily customizable; and the number of practitioners who worked on the data projects largely within traditional journalism frameworks. The most used visual elements were dynamic maps, graphs and video. With respect to interactivity, all but one of the projects contained an interactive element. The most popular interaction techniques were inspection and filtering, considered entry-level techniques in the field of information visualization. These techniques suggest a need for collaborative interdisciplinary approaches to data journalism, and further study on the implications of tools such as Google Maps on practice. 相似文献
18.
Kristina Riegert 《Journalism Practice》2015,9(6):773-790
This article explores how nine Swedish cultural editors and managers in mainstream media institutions define cultural journalism and its political dimensions during times of increased digitization and media convergence. Swedish cultural journalism is aesthetic and political critique applied to subject areas (music, literature, etc.) and contemporary societal and ethical issues. Drawing on Zelizer we ask whether there is a common interpretive community of cultural journalists in different media regarding: (1) how they define their scope, (2) how they understand “the political” in cultural journalism and its implications for democracy, and (3) how they view media convergence and digitalization. We find that although editors/managers from different media share a basic understanding of cultural journalism as an alternative perspective to news, “the political” in cultural journalism is approached differently in the press and the public service broadcast media. Furthermore, due in part to structural conditions, they also see the effects of digitization differently, forming sub-communities on two counts. This study thus contributes new knowledge to a field previously focused almost exclusively on newspapers. 相似文献
19.
Subin Paul 《Journalism Practice》2018,12(5):526-542
With the increasing penetration of mobile phones and the internet in India, citizen journalism has experienced a steady growth in recent years. This paper adds to the growing scholarship on citizen journalism by exploring the motivations of Indian citizen journalists to produce online news content. Through a Web-based survey of citizen journalists (N?=?134) contributing to the leading news portals in India, this study addresses the role of traditional media experience among citizen journalists’ reporting practices. One of the key findings of this study is that, unlike American citizen journalists, Indian citizen journalists who have not worked in traditional media are less likely to work collaboratively than those with traditional media experience. 相似文献
20.
As fake news has become a growing concern since the 2016 U.S. presidential election, attention to journalism history offers a useful means for rediscovering strategies for both fighting fake news and shoring up journalism’s commitment to the truth. This article argues that truth’s value emerges from the conditions under which journalism is produced, both commercial and cultural. Looking at arguments about fake news published in news reports, columns, letters to editors, and advertisements in major metropolitan papers between 1891 and 1919, we recover the particular ways journalists came to define the problem of fake news, arguing that its emergence as a discursive object offered opportunities for conceiving of and articulating practicable responses across the industry. For contemporary practitioners, scholars, and commentators alike, this means that clearly defining and responding to the problem of fake news in ways that are both critical and contextual offer a means for recovering agency in the face of this crisis. 相似文献