共查询到20条相似文献，搜索用时 593 毫秒
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J. Steven Smethers 《Journal of Radio & Audio Media》2016,23(1):20-35
Among American audio listening options is live streaming, and it is becoming a major component in the competitive local and national marketplace. While “playlist generators” like Spotify and Pandora have been well covered, little attention has been given to individual entrepreneurs who are using streaming as a means of attracting audiences and advertising dollars. This comparative case study provides a contrast in the business models used by two former broadcasters who are using streams in lieu of terrestrial radio signals to compete in two Kansas markets. 相似文献
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According to the Nielsen Music 360 Research Report, 67% of all music consumers in the United States used digital music streaming services to listen, discover, and share music online in 2014 (The Nielsen Company, 2014). As such, communications scholars and music industry professionals are beginning to recognize the importance of understanding the factors that influence digital music listener behavior. Therefore, this study proposes an expanded theory of planned behavior model (TPB) by incorporating social identification into the original TPB model framework in an effort to gain a better understanding of people’s intentions to use digital music streaming services as well as the amount of time spent listening to them.
Results suggest that both the original TPB and expanded TPB models can be successfully applied within the context of digital music streaming service use. Specifically, attitudes emerged as positive contributors to intention to use digital music streaming services, while social identification and behavioral intention emerged as positive contributors to streaming behavior. Both models also explained a larger percentage of intention to use digital music streaming services as compared to streaming behavior operationalized as total time spent listening. Thus, this study implies the practical importance of understanding the differences between what drives listener intentions as compared to what drives the actual amount of time listeners spend using digital music streaming services. 相似文献
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Mark Glantz 《Journal of Radio & Audio Media》2016,23(1):36-49
In an effort to explore the tensions between old and new media, this article examines promotional Web sites for 12 streaming music companies. The goal of the project is to better understand how streaming music services create and embrace opportunities to fit themselves into the lives of music fans. Qualitative data collection revealed 7 interrelated themes. The promotional efforts analyzed here emphasized: (a) an anchor in radio, (b) personalizability, (c) music discovery, (d) music for any occasion, (e) sharing, (f) love, and (g) mobility. 相似文献
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Brian Fauteux 《Journal of Radio & Audio Media》2020,27(1):8-24
The aim of this article is to assess whether and how the CBC’s music radio programming reflects the corporation’s mandate of showcasing a diversity of music and culture. I argue that a program logic that privileges an international corporate music industry strategy persists (particularly during the peak morning and afternoon drive time programs) and limits the capacity for public radio to imagine and project alternative musical trajectories. My aspiration is to imagine CBC Music’s over-the-air radio as a residual broadcast service, one that presents novel opportunities at a time when digital and online streaming music is dominant. 相似文献
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A set of representative consumer surveys shows that in the Netherlands unauthorized file sharing of music has declined substantially between 2008 and 2012. It decreased slightly for games, but almost doubled for films and TV series. Overall, file sharing dropped from 38% to 27% of the population. The empirical evidence presented supports the hypothesis that adequate legal services for downloading and streaming music helped to reduce file sharing, whereas a lack of good digital audiovisual services made consumers turn to illegal alternatives. 相似文献
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Streaming data poses a variety of new and interesting challenges for information retrieval and text analysis. Unlike static
document collections, which are typically analyzed and indexed off-line to support ad-hoc queries, streaming data often must
be analyzed on the fly and acted on as the data passes through the analysis system. Speech is one example of streaming data
that is a challenge to exploit, yet has significant potential to provide value in a knowledge management system. We are specifically
interested in techniques that analyze streaming data and automatically find collateral information, or information that clarifies, expands, and generally enhances the value of the streaming data. We present a system that
analyzes a data stream and automatically finds documents related to the current topic of discussion in the data stream. Experimental
results show that the system generates result lists with an average precision at 10 hits of better than 60%. We also present
a hit-list re-ranking technique based on named entity analysis and automatic text categorization that can improve the search
results by 6%–12%. 相似文献
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Using data from a post-test only experiment with random assignment, this article examines whether differing music genres influence socially relevant decisions made by listeners. A sample of White college students was exposed to1 of 3 music genres during an ostensible waiting period, and was then asked to allocate funding to projects for different ethnic groups. Three music conditions—radical White power rock, mainstream rock, and Top 40 pop music—were examined to determine whether differential allocations to ethnic groups would emerge following music exposure. As expected, Top 40 pop music exposure led to equal allocations to the various ethnic groups. After listening to mainstream rock, participants allocated significantly higher budgets to White Americans compared to all other race groups. After listening to radical White power rock music, participants also allocated significantly higher budgets to White Americans, but changes in allocations to ethnic minority groups also emerged. Namely, African Americans and Arab Americans received particularly low funding from participants exposed to radical White power rock music. 相似文献
9.
Tella Adeyinka Felix Okemute Adedeji Tella 《International Information and Library Review》2018,50(2):108-128
This study examined the music lecturers and librarians use and perception of YouTube in selected Kwara State tertiary institutions. Survey approach was adopted to conduct the study. The sample comprised 35 respondents (20 librarians and 15 music lecturers). Three research questions were answered while data were analyzed using percentage, frequency count, and cross tabulation. YouTube was used by the music lecturers mostly for teaching, research and learning, enhancing learning experience, and engaging students with the contents of music lessons. Librarians on the other hand use YouTube mostly as reference point for events and occurrences, teaching tool for library instruction; and for communicating other libraries. 相似文献
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Contextual factors greatly affect users’ preferences for music, so they can benefit music recommendation and music retrieval. However, how to acquire and utilize the contextual information is still facing challenges. This paper proposes a novel approach for context-aware music recommendation, which infers users’ preferences for music, and then recommends music pieces that fit their real-time requirements. Specifically, the proposed approach first learns the low dimensional representations of music pieces from users’ music listening sequences using neural network models. Based on the learned representations, it then infers and models users’ general and contextual preferences for music from users’ historical listening records. Finally, music pieces in accordance with user’s preferences are recommended to the target user. Extensive experiments are conducted on real world datasets to compare the proposed method with other state-of-the-art recommendation methods. The results demonstrate that the proposed method significantly outperforms those baselines, especially on sparse data. 相似文献
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论文对南京地区八所开展流媒体信息服务的高校图书馆开展调查,分析在开展流媒体信息服务过程中,读者对流媒体及其信息服务的认知程度、利用情况及对开展流媒体信息服务的看法,并提出在流媒体环境下提高高校图书馆信息服务的建议. 相似文献
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BMCC Library is using streaming video technology to extend the electronic reserves service to include audio and videos. We have found that a streaming video project can be managed by non-technical staff with results that empower staff and impress students and faculty with their ease of use. The role of technical services in the library has evolved considerably, a process driven in part by technology. Consistent with this trend, our technical services department was asked to manage an electronic reserves program a few years back. Adding streaming video to its portfolio will invigorate a vital service department in the library. This article will illustrate the process we undertook from start to finish, demonstrating the major concern of streaming media is copyright consideration, not technology. 相似文献
13.
陈敬远 《浙江传媒学院学报》2004,11(2):33-36
结合当前流行的流媒体技术,深入分析了流媒体技术及其文件格式,讨论了如何实现流媒体高质量的视频内容.在此基础上,本文实现了一个基于流媒体的高质量视频内容的设计. 相似文献
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信息检索课程在校园网VOD教学中流媒体技术的实现 总被引：2，自引：0，他引：2
结合实际，介绍使用流媒体编码工具RealPresenter把用PowerPoint制作的传统信息检索与利用电子课件编码成带有作者详尽讲解或录音的流媒体课件，通过流媒体服务器实现在校园网VOD教学系统中的应用。 相似文献
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论流媒体时代的挑战与电视生存 总被引：3，自引：1，他引：3
流媒体技术的出现使音频文件在网络媒体中的顺利传播成为现实,从而使网络媒体对于电视媒体的直接竞争开始突现.本文以"流媒体时代"下的电视媒体为考察对象,分析了流媒体带给网络媒体的新变化、电视节目媒体所面临的挑战、生存机会,并提出了电视节目媒体的生存对策. 相似文献
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Mark A. A. M. Leenders Joyce van Telgen Gerda Gemser Richard Van der Wurff 《媒体管理杂志》2013,15(3-4):148-157
Nowadays, music festivals are very important for generating revenue streams in the music industry. However, studies on what makes music festivals a success are scant. In this article, a conceptual model to explain the success of music festivals is introduced and tested. Such a model seems pressing now that competition in the music festival industry is increasing. Our conceptual model includes variables that are under the control of music festival organizers, namely format and content characteristics. The content features include scope of the audience, lineup, age, and having a theme or message. Budget, ticket price, location, and having a maximum visitor capacity make up the format features. The model is tested with data from 47 music festivals in the Netherlands. The results show that relatively newer festivals can achieve good growth in terms of visitor attendance, especially if they have a narrow scope (niche). Interestingly, this is true for both large and small festivals. Our findings are important with respect to music festival diversity and choice for audiences, which may be at risk due to increasing competition. The fact that several festivals have a capacity constraint seems to be beneficial for diversity as well. Interestingly, budgets (and star lineup and ticket price), theme, and location are largely nonsignificant predictors of success. 相似文献
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Andy Horbal 《The Journal of Academic Librarianship》2018,44(2):179-189
Although a substantial majority of academic libraries now provide streaming video, the literature contains few studies which focus on how such resources are used. This article presents the results of a qualitative research study consisting of in-depth interviews with 18 instructors who use of one category of streaming video resources, educational videos, which are important because they are sold a higher price than most individuals can afford, and thus are typically only available to instructors through the library. The study's main findings are that instructors think educational streaming video resources compare favorably to commercial and non-streaming alternatives in most respects and use them whenever possible, that the primary benefit of these resources is to facilitate better use of limited class time by enabling instructors to assign videos as outside-of-class viewing, and that the library is not the primary means instructors use to discover new educational streaming video resources. Additional insights are provided into factors that academic libraries should consider when deciding which resources to invest in, which acquisition models to pursue, and what marketing strategies to employ to ensure maximum usage. 相似文献