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1.
Sue Joseph 《Journalism Practice》2016,10(6):730-743
Australian author Helen Garner has written three of the most debated literary journalism texts in Australia in the past 20 years. All book-length, all literary in articulation, all dealing with traumatic legal cases—but all with crucial missing voices. Choosing to write into trauma as both witness and story-teller, Garner creates a certain inter-subjectivity throughout her work: her voice is witness to others’ traumas; and as a character within the texts, story-teller of those traumas. But there is a recurring component of voicelessness in each of the three texts which will be delineated and discussed in this paper, with the principal focus on her latest text, This House of Grief: The Story of a Murder Trial. How does Garner manage to tell the story ethically when the main protagonists refuse her interview? With this absence of voice, is this text still an ethical rendering? 相似文献
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Paul Frosh 《Critical Studies in Media Communication》2013,30(4):265-284
In most traditional accounts, to be a witness is to be physically present at an event and report it to those who are absent. The ontological principle that authorizes testimony is the individual's corporeal presence at the event, a presence often vouchsafed by the suffering of the witnessing body. The logical extension of this is that media audiences are not the witnesses of the events they see, but the recipients of someone else's testimony. I take issue with such an account, claiming that contemporary witnessing has become a general mode of receptivity to electronic media reports about distant others. Replacing the ontological primacy of the witness with the interpretive encounter with “witnessing texts,” I focus on these texts’ world-making properties and the imaginative demands they make of their addressees. Mass media witnessing situates this imaginative engagement with others within an impersonal framework of “indifferent” social relations, creating a ground of civil equivalence between strangers that is morally enabling. 相似文献
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Stewart Caton 《Legal Reference Services Quarterly》2013,32(2):77-100
ABSTRACTLaw librarians are well aware that it is difficult to maintain print and electronic collections in today's law library. The author of this article compares his personal experience in reference assistance and collection development with findings from the literature and from responses to an open-ended questionnaire. The author looks for trends and differences in reference assistance and collection development among academic, firm, and government law libraries. 相似文献
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Marianna Tax Choldin 《Slavic & East European Information Resources》2013,14(4):313-325
ABSTRACTIn this article, the author recalls her professional relationship and close, personal friendship with Katia Genieva, the long-time director of the Library for Foreign Literature in Moscow. 相似文献
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论述我国古代目录学家王俭及其代表作《七志》在目录学发展史上的重要地位，认为其开创了用传录体编写叙录的先河。通过分析《七志》的类目设置及王俭所出生的琅琊王氏家族和其本人的经历，揭示《七志》产生的时代特征，即“以孝为先”、“以孝掩忠”，用抽象的“德”取代具体的“忠”是其真实写照。 相似文献
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Program Evaluation and Archives: An Essay on a Research Agenda 总被引：1，自引：0，他引：1
Christoph Graf 《Archival Science》2004,4(1-2):127-138
The author begins with comments on the importance and position of program evaluation (PE), mostly in the context of European
archives. These observations, based on personal experience and on a preliminary literature review, show a definitive need
for PE, despite its weak position in the managerial activities of archives. Next, the author highlights some special aspects
of the evaluation of archival programs. Finally, the author draws conclusions from his general remarks and from his reading
of the articles included in this thematic issue ofArchival Science. He outlines some tendencies and shifts in the definition and purposes of evaluation and a short research agenda, containing
the most important issues for further development of PE in archives. 相似文献
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Aaron Hess 《Critical Studies in Media Communication》2013,30(4):339-356
Narrative and ludological analysis suggests that Electronic Arts’ Medal of Honor: Rising Sun constructs a narrative of World War II that selectively retells history and constructs an Orientalist representation of the Japanese Empire. The gaming environment exists as an interactive museum that immerses gamers into history so that they experience warfare in their homes. Combining newsreels, fictional letters from home, and interviews with veterans of the “Good War,” Medal of Honor: Rising Sun retells a history that omits details of Japanese internment or atomic weapons. The intertwined themes of personal revenge for the loss of a family member and historical revenge for the attack on Pearl Harbor guide gamers through an “educational” experience of the war. Finally, its failure to simulate violence means that Medal of Honor: Rising Sun invites a critical blindness to commemorating war. 相似文献
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朱茗 《大学图书情报学刊》2006,24(2):93-96
文章介绍了在CSUN图书馆做交换馆员期间的一些感受,分析了国内大学图书馆在基础管理和规范性建设上与美国加州州立大学图书馆存在的差距.希望能对国内高校图书馆工作起一定的借鉴和指导作用. 相似文献
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Gretchen Dworznik 《Journalism Practice》2018,12(5):640-656
Compassion fatigue is a form of traumatic stress that results from repeated encounters with victims of trauma and traumatic situations. Most often studied in counselors, nurses, and first responders, this study applies the concept to journalists who often encounter the same victims and traumatic scenes. Seventy reporters from different television markets were measured for the personal and professional factors that contribute to compassion fatigue symptoms and its components of secondary traumatic stress and burnout. Results showed personal traumatic events and perceived peer support were the strongest predictors of compassion fatigue symptoms in television reporters. Implications for reporter self-care and newsroom protocols are discussed. 相似文献
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Sandra Ristovska 《The Communication Review》2014,17(2):143-158
This article examines the Romani Holocaust experiences by mapping out the silences that haunt this question. As a case study, the article uses the testimonial documentary Porraimos: Europe’s Gypsies in the Holocaust and argues that the Romani Holocaust question is entangled in a moral discourse described in Lyotard’s Le Differend. Bearing witness to the differend can give new insights into the understanding of the Holocaust, the conceptualization of Romani identity, and the framing of media witnessing. The article concludes with a discussion of the face and its relation to witnessing arguing that the affective feel of the differend that interpellates one as a witness is delivered through the face. 相似文献
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袁同礼与北京大学图书馆 总被引：1，自引：1，他引：0
通过袁同礼与北京大学图书馆关系的分析,探讨袁同礼先生在北京大学图书馆历史上的地位和作用。该文认为袁同礼先生与北京大学图书馆渊源深厚,曾四度结缘于北京大学图书馆。袁同礼先生不仅是中国图书馆现代化转型中的重要人物,也是北京大学图书馆现代化转型中的重要人物。他和北京大学图书馆一起,经历了现代化道路上的内忧外患,为北京大学馆顺利度过现代化过程中的曲折阶段而作出了极其重要的贡献。在北京大学图书馆现代化的过程中,袁先生的潜移默化的影响通过后来的严文郁等馆长不断得到体现。 相似文献
13.
Briley Rasmussen 《Curator: The Museum Journal》2010,53(4):451-464
Abstract This essay addresses the pioneering work of Victor D’Amico, the first director of education at the Museum of Modern Art (MoMA) and an influential art educator. During his tenure at MoMA, D’Amico explored the role of museums in developing creativity through direct aesthetic experience and the larger social implications of art museum education. Victor D’Amico led the Education Project at MoMA, which began as a part‐time school partnership program in 1937. By the time he retired in 1969, he had become an internationally recognized leader in the field of art museum education. Yet today his influence is little known and seldom discussed. This essay focuses on two important programs he developed at MoMA: his most widely acclaimed and influential program, the Children’s Art Carnival (1942‐1969), and the groundbreaking art education television series Through the Enchanted Gate (1952‐1953). 相似文献
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Larry Brown Liz Darhansoff Richard Howorth Shannon Ravenel Ina Stern 《Publishing Research Quarterly》1993,9(4):41-52
An author, editor, agent, marketing director, and bookseller describe in turn how one book—Facing the Music: Short Stories by Larry Brown—made the journey from a writer's brain to readers' brains.
Larry Brown is the author of two novels,Dirty Work andJoe, and two short-story collections,Facing the Music andBig Bad Love. His next book,On Fire, is a nonfiction account of his experiences in the Oxford, Mississippi, Fire Department. Liz Darhansoff is a literary agent
with Darhansoff and Verrill Literary Agency, New York. Richard Howorth is an Oxford bookseller who serves on theParis Review's Booksellers' Advisory Board, the Board of Directors of the Mississippi Institute of Arts and Letters, and the Board of Directors
of the American Booksellers Association. He chairs the ABA's Publisher Relations Committee and in 1986 was awarded the Charles
S. Haslam Award for excellence in bookselling. Shannon Ravenel is editorial director of Algonquin Books of Chapel Hill and
the editor of its annualNew Stories from, the South. From 1977 to 1990 she was series editor forBest American Short Stories, and she editedThe Best American Short Stories of the Eighties. Ina Stern is marketing director of Algonquin Books of Chapel Hill. 相似文献
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Kim Leeder Reed 《图书馆管理杂志》2013,53(5):621-627
ABSTRACTThe author describes the challenges and rewards of creating and growing a new community college library from the ground up, sharing details about the new college, the state of the library when she arrived as director, and the process of prioritizing the organization's development. She further describes particular lessons gained through this experience, including maintaining perspective, focusing growth in productive directions, and being willing to experiment even if it means there will be failure as well as success. The article will appeal in particular to librarians who have the rare opportunity to launch a new college library as well as those who are working on reinventing small college libraries. 相似文献
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Casey Ryan Kelly 《传播与批判/文化研究》2018,15(2):161-178
American cinema has recently favored representations of white men as victims of socioeconomic and political change. Recent scholarship on white masculinity suggests that representations of male victimhood enable white men to disavow that hegemonic white masculinity still fundamentally structures society. This essay argues that Hollywood’s wounded man similarly provides white masculinity with stable footing. I illustrate how the unintelligibility of screen masculinity evades criticism and, further, how melancholic male dramas nurture a traumatic attachment to victimhood. Examining the film Foxcatcher (2014), I show how unmasked portraits of white male victimhood function as counterparts to the hard-bodied action hero. The filmmaker’s effort to parse the distinction between material and superficial wounds reifies the experience of noble suffering as a superlative expression of aggrieved white manhood. Foxcatcher’s fragmented portrayal of white masculinity illustrates the elasticity of victimhood even where “crisis” suggests that white masculinity is open to revision. 相似文献
18.
Queer Radio History: Pacifica Radio 总被引：1，自引：1，他引：0
Brian DeShazor 《Journal of Radio & Audio Media》2018,25(2):253-265
Pacifica Radio was the first listener-sponsored non-commercial radio network in the United States to air queer voices beginning with Allen Ginsberg reading his iconic poem, Howl on KPFA-FM in Berkeley, California in 1956. From that broadcast, Pacifica stations KPFK-FM (LA), WBAI-FM (NYC), KPFT-FM (Houston), and WPFW-FM (Washington, D.C.) have consistently given space to the LGBTQI community and perspective over 60 years, creating a vibrant recorded history relatively unknown and vastly under-researched.
What survives of the broadcasts are largely found in the Pacifica Radio Archives (and other repositories) and documented in the printed station program folio guides (1949–2005) and consumer catalogues.
This article explores the importance of Pacifica’s queer sound and print archive and looks to identify what survives and what has been lost. It also highlights the many ways the queer story was expressed; bearing witness to the Gay Liberation movement through reportage, literature, poetry, radio drama, music, interviews, live event coverage, documentaries, docudramas, listener call-ins, and group discussions. The author presents this article to bring awareness to these rare instances and help motivate their preservation and access for extended scholarly use. 相似文献
19.
David Wildon Carr (1945–2016) was recognized in the international cultural community as a scholar and instigator whose critical thinking challenged museum practitioners to reflect on the purpose and responsibility of their work. In his recent papers and lectures, he argued that those discussing museum experiences are late to enter into a dialogue already in progress—a dialogue which carefully considers the whole person in a community, and wherein thinking with a museum is an enterprise embedded in the learner's experience. This forum, written by three museum professionals in response to his recent untimely death, is intended to capture personal impressions of Carr's contribution to the continuing work of museums. Each author quotes from Carr's writings, since his words have such enduring strength—a strength that will continue to resonate long into the future. Each also offers readers some personal background on his work as a teacher. 相似文献
20.
Academic mentorship: an effective professional development strategy for medical reference librarians
Wang H 《Medical reference services quarterly》2001,20(2):23-31
Academic mentorship is a professional development strategy that enables fledgling professionals to take advantage of the skills and expertise of the senior members for professional growth. Although widely practiced in many other professions, academic mentorship has not been widely reported in medical librarianship. Drawing upon personal experience, the author reports the success story of an academic mentorship program implemented in an academic medical library and argues for academic mentorship to be widely adopted in academic medical libraries. This paper first reviews the literature on the concept of mentoring in an academic setting, and then describes the background, rationale, methods, and results of the mentorship programs the author has experienced. Lastly, based upon an analysis of several surveys and studies on coping skills for quality job performance of health sciences reference librarians, the paper discusses mentorship as one effective means to ease a new medical reference librarian's transition from his/her pre-service experience to the professional world of medical librarianship. It calls on other health sciences librarians to consider developing their own mentorship programs to promote their professional development and personal growth. 相似文献