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首先,我代表中国档案报社祝贺<北京档案>杂志出版一百期.下面我主要谈两点意见.  相似文献   

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基于在线服务视角的中美英澳国家档案馆网站比较研究   总被引:1,自引:0,他引:1  
吴丹 《档案管理》2012,(1):75-77
介绍了档案在线服务涵义及其分类和中美英澳四国的国家级档案馆网站,通过对四个国家档案馆网站在线服务比较,给出了我国档案网站提高在线服务的发展建议.  相似文献   

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《图书馆管理杂志》2013,53(3-4):11-22
No abstract available for this article.  相似文献   

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This article examines the ‘synthetic’ – i.e. constructed and recombinant – histories of the book, the university and the Internet to argue that the vitality of the institution that links them all, the university press, will depend on yet further syntheses. These will include, in particular, an increasing commitment to the collaborative development of innovative digital technologies.  相似文献   

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《Communication monographs》2012,79(4):262-271

This study examined the extent to which the destruction of trust of one group member by another, influenced the quality of communication in a small group discussion. A nonfluency category system was applied to verbal data. Under trust‐destroying conditions, results indicated substantial decreases in verbal fluency of a naive subject, as well as the remaining group members.  相似文献   

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Present day programs of computerized information retrieval overvalue the importance of retrieving "facts" without either attaching a scale of importance to the material with which they deal or ordering information in any way which corresponds to the order of human thought. The limitations of classification by subject heading become especially apparent when a body of information becomes, through new insight, pertinent to a new area of thought. That body of information thereby acquires new subject headings: thus one sees that the system of retrieval by subject heading can never serve to aid fundamental discovery. The dangers of the present approach lie in their devaluation of traditional methods. Critical reviews are devalued, personal knowledge of the literature is devalued, and a false impression is created that knowledge is the same thing as retrievable information. This diminishes respect for that sort of personal organization of knowledge which alone can serve creative insight.  相似文献   

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电视散文把文学散文诗性的语言艺术和电视丰富的声画表现艺术有机地融合在一起,在视听表达中.自然地表现出作品深邃的思想和高尚的情感.不仅给人带来强烈的审美愉悦.还使人在不经意间受到思想的启迪和心灵的净化。  相似文献   

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Recent developments in high-speed network initiatives have raised awareness of an increased potential for sharing information among institutions. At the core of current plans to take advantage of this potential is the use of standards-based directory servers as repositories of authentication and authorization data. Such repositories can be used to regulate and facilitate access to network resources between persons associated with institutions or with cooperating institutions. Included in these plans is provision for storing and using certificates to establish trust relationships between partners communicating over the network. When the environment is medical, other information such as credentials or access paths to patient data may also be stored in directories. The question has been raised whether, in emergencies, a mechanism for bypassing the more rigorous authentication and/or authorization requirements be provided to allow access to information essential to treating the emergency by individuals who would otherwise not be allowed such access. There is an increasing awareness of the fundamental conflict between a patient's right to privacy and the patient's right to receive medical treatment in a complete and efficient manner.  相似文献   

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This review examines the topic of dissertation development by integrating the work of practitioners, educators, policy-makers, and information scientists as they relate to completion of doctoral reseach in social sciences. The review discusses the dissertation itself: its nature and purpose, and then presents diverse frameworks for development of the dissertation topic through the literature review process. The behaviors of expert and student researchers with literature review development are presented, followed by the instructional preparation of doctoral students for these tasks by faculty and librarians. The review concludes by examining the need to integrate educational effort across institutional boundaries.  相似文献   

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This paper examines the implications of the context of creation on the current and potential future uses of the records produced by the Comissao de Acolhimento, Verdade e Reconciliacao de Timor-Leste (Commission for Reception, Truth and Reconciliation, or CAVR). Given that the CAVR relied heavily on the testimony of the East Timorese people in its investigations that addressed a 25-year period, this paper considers the nature of memory and the role it played in creating and shaping the CAVR records. It also addresses the potential influences of the CAVR records, particularly the final report, Chega!, in shaping what will be known about this period by the Timorese people. The paper concludes with a discussion of the potential role of the CAVR records in contributing to the history of Timor-Leste. Although truth commissions are a problematic form of truth telling, with significant implications for the writing of history, the records of the CAVR are an invaluable source of information for Timorese history. If future users can recognize the CAVR records as the products of the context of their creation, these records will have a critical role to play in the development of history within Timor-Leste.  相似文献   

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ABSTRACT

Lettie Conrad reported on the findings of original research on academic user experience with serendipitous discovery in scholarly research. This research has been released as the fourth installment of a series about discoverability as part of the SAGE White Papers. This research was designed to examine how students and faculty seek content beyond the search box. The researchers being studied take advantage of unplanned or unexpected content discoveries such as selecting a link in an e-mail alert, following a trail of citations within an important paper, or making use of recommendations. The study found that researchers decide to follow recommendations, either machine generated or from an acquaintance, based on a combination of perception of relevance to the field of study, access to the recommended article, and trust in the provider. SAGE has used these findings to enhance its products to better showcase content to users and then help them to more readily make sense of it.  相似文献   

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For centuries publishers have acted as intermediaries between author and audience. Copyright, like freedom of expression, is an essential element of freedom in this role, because without it authors' rights are not fully protected. Only when they are protected against theft and other economic or moral infringements are authors free to express themselves without fear. Publishers, too, rely on copyright to protect their investments and their freedom Paul Nijhoff Asser has been secretary of the International Group of Scientific, Technical and Medical Publishers (STM), Amsterdam, since 1970. He has been active in publishing and bookselling for more than forty years. This article was adapted from a presentation at the seminar “East Meets West: Copyright and the Publisher in a Market Economy”, Hamburg, March 1991.  相似文献   

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In late nineteenth-century USA, technological developments in paper production—a shift from a reliance on scarce cotton rag to plentiful wood—drastically reduced the price of newsprint. That decline helped overturn the reigning economics of the daily newspaper and resulted in the rise of new cheap papers with vastly expanded circulation. This novel mass press encompassed almost all Americans in the public sphere as represented by its pages. Focusing on newspapers in Detroit, this study examines the manifold consequences this shift had for the press's economics, its news agenda, and the implicit identity of the audience it addressed. The rise of a mass press in the late nineteenth century, however, was not specific to Detroit or the USA. As comparative historians have highlighted, the emergence of a mass press in Europe and elsewhere was a turning point that deeply marked the historical evolution of press systems around the globe.  相似文献   

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Mass representations of the sublime use apostrophe as a mode of address that normalizes a moment of expected failure of discourse. Regardless of whether a viewer experiences “sublimity,” mass representations of what is supposedly beyond discourse embody the expected limits of communication, aestheticizing conditions of impossibility for discourse, and thereby constituting a space wherein the humanist subject may become a recognizable self in a public sense. Constituting a relationship between the spectator as human and the sublime objects as greater than human, a mass reproduced sublime thus helps establish discursive spaces of humanism. Although the aesthetics of the sublime can be exceptionally varied, the essay applies these ideas to popular Ansel Adams photographs, which illustrate the problems of attempting to represent the unrepresentable and the invocation of a particular kind of subjectivity as a commonplace.  相似文献   

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