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关于中国近代目录学史的断代问题、进而其中的历史分期问题,目前学术界尚无定论。本文提出：中国近代目录学史的断代应为1840年至1949年,与中国近代史相始终;其中,1840年至1895年为近代目录学的孕育时期,1896年至1917年为近代目录学的萌芽时期,1918年至1937年为近代目录学的构建时期,1938年至1949年为近代目录学的衰退时期。 相似文献
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Xiao Wang Ph.D. 《广播与电子媒介杂志》2013,57(3):391-406
Previous research on the Chinese media focused on political propaganda in the information media. This project extends this stream of research to analyze mass mediated entertainment, China Central Television's annual Spring Festival Galas, in the previous 26 years. Based on 475 performances from a sample of 13 complete Galas, this study confirmed a high presence of political propaganda and social education content. Among the many dominant values, values related to national pride and the traditional New Year observed an increased presence in the Galas over the years. Results are discussed in light of the Chinese media, social, and political environment. 相似文献
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新中国新闻传播学的发展,大致经历了三个阶段:(1)改革开放之前,以配合意识形态宣传为主导;(2)改革开放至新世纪前后,呈现出规模化、专业化、开放化的面貌;(3)21世纪以来,进入本土化、多元化、前沿化发展的快车道。在未来,新闻传播学的发展突破,需要在建构"新闻传播学"和"中国新闻传播学"两个主体性方面,打开学科的发展思路:(1)从建构"新闻传播学"的主体性角度讲,需要注意"无"和"有"、"非独立"和"独立"、"非成熟"和"成熟"的三大问题;(2)从建构"中国新闻传播学"的主体性角度讲,需要注意本土实践的独特性、国情的独特性和文化的独特性。 相似文献
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沙飞,中国革命新闻摄影的先驱和奠基人,也是中国人民革命摄影艺术创作实践和摄影理论探索的引导者。他为革命摄影事业的创作和发展做出了卓越的贡献,为抗日战争和解放战争的光辉历程留下了丰富而宝贵的影像纪录,为革命摄影事业奋斗了一生。他用摄影作为武器,探索反映了当时的社会制度和社会生活中各种不平等现象,深入到社会各阶层各角落,反映社会底层的劳苦大众在社会底层挣扎、呼号的情景,以及边区抗战军民的英勇斗争事迹。研究沙飞同志摄影理论和摄影作品,对促进新时代摄影事业发展,有很高的历史价值和现实意义。 相似文献
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《文物保护研究》2013,58(2):76-91
AbstractThe study focuses on the range of pigments and media that the Italian artist Lucio Fontana (1899–1968) employed for selected works dating between 1949 and 1968. Samples were taken from ten groups of works, all on canvas support, as well as from painting equipment that survived in the artist's former two studios. Techniques of analysis used were pyrolysis-gas chromatography–mass spectrometry for media identification, and laser desorption ionization time-of-flight mass spectrometry and Raman microspectroscopy for pigment identification. Fontana's reputation as a daring and experimental artist, best known for his group of slashed paintings called tagli, is seen to correspond with certain unusual material choices he made. The study also points to several links that exist between seemingly unrelated cycles. These links are, among others, based on experiences with in part novel media such as oil, alkyd, polyvinyl acetate, acrylic, acrylic–vinyl, and mixtures of them. With regard to pigments, the selection of samples showed that they were mostly of a synthetic organic nature. 相似文献
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This study examines theoretical connections among three variables, each in its own way engendering profound political implications for the Chinese society today: news use, national pride, and political trust. We focused on the impact of ‘positivity bias in news’ and advanced a theoretical model on the basis of framing theory to address the dynamics of propaganda and its persuasive effects. Using data from the World Value Survey, we found: (1) news use in general, television news viewing in particular, was positively associated with political trust and national pride; (2) impact of news use on political trust disappeared once national pride was statistically controlled; and (3) intensity of national pride moderated the bivariate relationship between news use and political trust. The effect of party propaganda intended to consolidate political trust in China was contingent upon both one's affective ties to the state and the form of news media regularly consumed. 相似文献
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Jennifer Stoever 《Journal of Radio & Audio Media》2019,26(1):119-133
“Black Radio Listeners in America’s “Golden Age’” argues that U.S. black listenership has been all but ignored in radio scholarship regarding the 1930s-1950s, as has the context of America’s racial segregation and radio’s active role in affirming and propagating it. The essay argues for an expanded understanding of archive and archival methodology in order to gain a more complex, accurate, and varied understanding of historical black listenership, and, toward that end, performs culturally contextualized close textual analysis across media: a 1937 Lead Belly song (“Turn Yo’ Radio On”), Joe Bostic’s column for The People’s Voice in the 1940s, Frederic Wakeman’s 1946 novel The Hucksters, a 1949 feature on black listeners in Sponsor magazine, a 1934 Vitaphone Short featuring Cab Calloway, and Ann Petry’s 1946 novel The Street. Through engaging with widely-varied representations of black radio listenership, Stoever argues that black listening practices from this period not only challenge the periodization of this era as the “Golden Age” of American radio, but also upend traditional categories of active, passive, and “resistant” listening that scholars have employed to understand media reception, revealing that active listening can look and sound different for black listeners, particularly in a period when listening “actively” to segregated media in ways prescribed by the dominant culture often proved to be deleterious. The act of “turning one’s radio on” was a complicated act of agency for black listeners, not simply a passive form of ignorance, escape, and/or anesthetization as popularly represented. 相似文献
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Chunfeng Lin 《亚洲交流杂志》2017,27(5):451-463
Propaganda has been perceived as ‘poison’ in the field of communication study. Xuanchuan, propaganda’s counterpart in China with a master metaphor of ‘seeder,’ however, has different histories and traditions that do not fit into the ideology-charged theoretical framework. Drawing upon Chinese thought and scholarship on xuanchuan/propaganda, the author demonstrates a deep conceptual and perceptual gap, rooted in culture, between propaganda and xuanchuan. Revelation of the gap is of paramount importance for studying China’s propaganda, both theoretically and empirically. 相似文献
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Kyser Lough 《Journalism Practice》2019,13(2):247-262
This study examines how gatekeeping aspects of photography, particularly embodied gatekeeping, interact with a subset of photojournalism that faces numerous barriers to access—music photography. Through in-depth interviews with concert photographers in a large metropolitan city, this study expands upon what is known about gatekeeping when it comes to visual media. While much has been studied on photojournalists as a whole, little is known about particular subgroups, such as music photographers. As a part of lifestyle journalism, concert photography contributes to the interaction of popular culture and society, showing us visual evidence of the spectacle of musical performance. Gatekeeping practices are found not only in the managers who issue credentials for access and control where photographers can shoot from but also in the community of photographers themselves. This is extended into embodied gatekeeping in how they jostle for access to space in the pit and enforce the rules with their bodies, such as physically pushing a camera out of the way. 相似文献
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论文分析图书馆宣传推广与媒体关系研究的背景,对1980—2010年我国大陆地区和港澳台地区图书馆宣传推广与媒体关系的相关研究从论文年代、研究内容等方面进行了梳理、评价。 相似文献
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This study aimed to test linguistic intergroup bias (LIB) in the Chinese media. Language abstraction of crime stories was compared between the propaganda model and the commercial model. The results revealed LIB in Chinese language and Chinese journalism. They can be explained by both motivational and cognitive mechanisms in LIB. Moreover, the study explored the impacts of two contextual factors on LIB – time and occupation. The analysis of time illustrated the development trend of Chinese journalism, where the propaganda model has been revealed to be invading and eroding the commercial model. The analysis of occupation indicated the mutual influence between language abstraction and stereotypes, and discussed its impacts over the images of particular social groups as well as the challenges it brought to the state and the Party. This study further explained how and why the journalistic models manipulate language abstraction in order to meet their communication goals as well as the political needs of social power behind them. 相似文献
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随着现代数码摄影技术日益普及,现代数码摄影为高校图书馆文献的收集发挥了重大的作用,运用数码摄影这一种高效的现代技术手段,对濒临消失的地方文献进行抢救、收集。高校地方文献是高校文献资源的重要组成部分。文章重点论述了现代数码摄影与高校图书馆地方文献的真实性、完善性以及共建共享性。参考文献5。 相似文献
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20世纪50年代中苏图书馆事业交流及其影响研究 总被引：1，自引：0，他引：1
介绍20世纪50年代中苏两国在图书馆事业上交流的基本情况,在分析苏联图书馆事业管理思想和实践对我国图书馆事业、图书馆学研究及专业教育具体影响的基础上,全面评书这一时期的交流对我国当代图书馆事业发展的影响。 相似文献
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在当代中国新闻学研究的学科层面,实际存在着多种名称或概念(有些准确,有些模糊),诸如新闻学、党报理论、中国特色社会主义新闻学、马克思主义新闻观(新闻学)等,它们之间互相联系,但又互有区别。最基本的关系是:党报理论是中国特色新闻学的核心内容,马克思主义新闻观是中国特色新闻学的理论立场和基本方法。因而,中国特色社会主义新闻学,就是以中国新闻现象、新闻活动特别是以"党媒"新闻宣传活动、新闻舆论活动为主要研究对象,以马克思主义为基本立场、观点和方法,以党报(党媒)理论为核心内容的新闻学。其中的"中国特色"是当代中国新闻学的特征描述,"社会主义"则是当代中国新闻学性质定位。中国特色社会主义新闻学与新闻学在研究对象、研究目的、研究的价值取向上虽有相同之处,但重点有所不同。 相似文献
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Kenneth Rufo 《Critical Studies in Media Communication》2013,30(2):117-140
Engaging two primary texts – Jacques Lacan' 1949 address on the “Mirror Stage” and the ninth chapter of the 1999 film The Matrix – this paper investigates the theme of reflection under the aegis of different media ecologies. Beginning with a critical/deconstructive reading of Lacan's position, I argue that the mirror stage, and perhaps the whole of Lacan's psychoanalytic project, is premised upon the media ecology of print. The Matrix updates this conception of the mirror when depicting Neo's initial release from the simulation of the Matrix. The paper argues that the differences and modifications between these two specular moments reflect a profound shift in media technologies and a concomitant movement between the metaphysics of presence and the metaphysics of pattern. 相似文献
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Haiyan Wang 《Journalism Practice》2016,10(5):663-679
The purpose of this paper is to explicate two competing journalistic paradigms in China in the pre-reform era. The time frame is from the establishment of the People’s Republic of China (PRC) in 1949 to the launching of the reform and open policy in 1978. A common view is that during that period the Chinese government, under the leadership of Chairman Mao, adopted the Soviet press model, in which media were tightly controlled by the Chinese Communist Party (CCP), and journalism was overwhelmingly dominated by the principles of a party press. In this paper, however, I argue that two journalistic paradigms operated simultaneously during that period: while the CCP and the government tried to impose the principle of statesman-run-newspapers, some journalists tried to maintain a tradition of intellectual-run-newspapers. The differences between the two paradigms regarding the role of the media, journalistic identity, levels of autonomy, narrative style, historical origin and others are discussed. The paper concludes that although intellectual-run-newspapers faced severe crackdowns, the inspirational force of the paradigm never became extinct. More importantly, it has been a continued influence on critical-minded journalists in China today. 相似文献
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Burton St. John III 《The Communication Review》2013,16(3):249-270
This article examines how two factors—journalism's professionalized vigilance against co-option and its difficulty differentiating social action communications from propaganda—led to many in the press attacking public journalism as propagandistic. Sociologist Alfred McClung Lee's mid-20th century writings provide fresh explanations for how press critics conflated public journalism with propaganda. Finally, this article maintains that newspapers can improve their pertinence in a new media age by better linking citizen voices into news stories. 相似文献
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Steven Holiday Matthew J. Lewis Rachel Nielsen Harper D Anderson Maureen Elinzano 《Visual Communication Quarterly》2016,23(3):175-187
Photographic self-portraits have existed since the mid-19th century, but the emergence of digital photography and social media as tools that facilitate rapid visual communication have contributed to a surge of self-photographs, or selfies, and the practice has become a ubiquitous part of today's culture. This exploratory research employed a Q-method analysis to quantitatively and qualitatively identify what archetypal motivations exist among individuals who take and share selfies. The findings largely validated past scholarship on the uses and gratifications of photography, new media, and visual rhetoric individually, but also identified that the motivation to take and share selfies is a complex balance of preservation, communication, and entertainment for most individuals who engage in the practice. 相似文献
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The “hegemonic” tradition argues that the president enjoys unparalleled power to manage news and opinion during war. This approach has dominated political communication literature on war and the media for over a generation. The war with Iraq, however, provides a major challenge to conventional wisdom. We believe that classical propaganda theory provides a useful corrective to the hegemonic perspective and offers a better way to understand the Bush administration's propaganda strategy and its impact on public opinion. Using a combination of content analysis, opinion data, and analysis of the administration's Iraq-related public addresses, we argue that the president neither dominated war news nor managed public opinion in the manner predicted by hegemonic theories. 相似文献