民族主义与自由主义视阈中的文化领导权问题——对苏雪林与胡适关于文化动态问题通信的考察     

丁增武 《安庆师范学院学报(社会科学版)》2011,30(8):74-78

苏雪林与胡适关于文化动态问题的两封通信,由于意识形态的原因,长期以来未受到应有的重视。通信的核心内容并非关于鲁迅的评价,而是抗战前的文化领导权问题。两人的分歧,凸显了民族主义与自由主义的不同视域下,右翼知识分子内部不同的政治文化选择。  相似文献   

20世纪菲律宾的戏剧与民族主义运动初探     

彭慧 《华侨大学学报(哲学社会科学版)》2011,(3):97-103

在20世纪菲律宾民族主义运动发展的过程中,戏剧扮演了非常重要的角色。作为菲律宾本土文化的灵魂与标杆,戏剧文化运动极大地推进了20世纪初菲律宾国内反殖民的民族主义运动,促进了菲律宾民族的形成。而在20世纪70—80年代菲律宾反压迫的第一次“人民力量”①民族民主运动中,戏剧民族主义活动更加功不可没。菲律宾戏剧文化界,以戏言志,彰显抒发着菲律宾民族政治独立与文化自主的心声,成为一个世纪来菲律宾民族文化发展道路的象征,也揭示了其民族主义发展过程中的诸多特征。  相似文献   

道德教育与国家现代化:未过时的关系与未完成的问题——读《日本现代化进程中的道德教育》     

郑富兴 《外国教育研究》2011,(7):60-65

《日本现代化进程中的道德教育》以日本为个案,探讨了道德教育与国家现代化的关系。该书不仅让我们开始关注道德教育研究的国家视角,而且其结论为我国学校道德教育改革的政策制定、道德教育研究中的一些理论分歧提供了诸多启示。  相似文献   

《我的兄弟叫顺溜》与民族主义叙事     

李文甫  魏巍 《涪陵师范学院学报》2011,27(1)

凡是在有抗战历史书写的地方,就透露出民族主义的痕迹。在众多的关于抗战的电视剧里关注《我的兄弟叫顺溜》,并不单纯只是因为这部电视剧里的民族主义叙事,更为重要的,是在民族主义叙事之下隐含众多人性悖论,以及在民族主义立场下寓含的对历史的书写。电视剧通过宣扬战争对我军民的残酷,以激起同情,进而凝聚民族主义情感。顺溜的姐姐遭到坂田的强暴一场戏,是人性与民族主义的遭遇战,在民族主义面前,人性遭到了彻底扭曲,顺溜的悲剧,是他所处的环境与自身人性冲突的悲剧,是人性遭遇党派政治下的民族主义所必然遭遇的悲剧。  相似文献   

俄罗斯白银时代的时代精神建构及特征     

陈秀梅 《湖北广播电视大学学报》2011,31(1):54-55

在俄国文化发展史上,兴起于19世纪末至20世纪初的＂白银时代＂被称为俄国精神文化的＂文艺复兴＂时期。在＂重估一切价值＂的思潮推动下,批判与创新、民主与包容成为那个时代的主流精神。对白银时代的时代精神的研究将有助于我们更好地理解白银时代的文化特质。  相似文献   

镀锌卷白锈产生的原因和预防措施     

李连军 《辽宁科技学院学报》2011,13(4):6-8

通过对本钢板材冷轧薄板厂镀锌卷白锈质量异议的跟踪分析,研究镀锌卷白锈的产生原因,并提出一些防止措施。并对改善企业产品质量提出一些有益的建议。  相似文献   

Queer Intercultural Relationality: An Autoethnography of Asian–Black (Dis)Connections in White Gay America     

Shinsuke Eguchi 《Journal of International and Intercultural Communication》2015,8(1):27-43

For this critical intercultural inquiry, I as an Asian/Japanese transnational cisgendered gay man write my autoethnography of queer (or non-heteronormative) Asian–Black (dis)connections. Specifically, I challenge, interrogate, and problematize my queer intercultural production of desire and attraction as I engage in my critical autoethnographic interrogation of dialogues with five Asian/Japanese transnational gay men who have previously engaged in queer Asian–Black relationality. In so doing, I intend to create a potential point of departure to decenter the discursive and material effects of White gay normativity in the knowledge production of Asian queer male desire and attraction.  相似文献   

Mandarin lessons: modernity,colonialism and Chinese cultural nationalism in the Dutch East Indies,c.1900s     

Siew-Min Sai 《Inter-Asia Cultural Studies》2016,17(3):375-394

The Chinese Association in the Dutch East Indies, known locally as the Tiong Hoa Hwe Koan (THHK) was first established in Batavia in 1900. A key objective of the THHK’s foundation was the creation of modern schools instructing in Mandarin for local Chinese students. At the turn of the 20th century, this odd choice of instructional language led to highly charged debates about languages, pedagogical efficacy, practicality, modernity-tradition and cultural authenticity. Using underutilized source materials in the local Malay-Hokkien vernacular, this article revisits these debates amongst the Chinese in the Dutch colony. This article interrogates the transparency of common ethnicity in analyses of Chinese nationalisms that developed outside of continental China. Drawing on the concept of “literary governance” as well as comparative work by scholars on Indian and continental Chinese nationalisms, it demonstrates the significance of the colonial context which provoked the THHK to adopt the vocabulary of modernity in reworking progressive ideas circulating in displaced Chinese nationalistic circles. Notwithstanding the THHK’s promotion of Mandarin, such reworking was accomplished through vigorous acts of transliteration and translation in the hybridized Malay-Hokkien vernacular. The THHK was hardly on the receiving end of nationalistic influences emanating from the proverbial China core but was an active agent in what has been described as a “global moment of Chinese nationalism.” The case of the THHK demonstrates the need for a finer understanding of multivalent histories of Chinese nationalisms as well as how these histories intersected with those of European colonialism in Southeast Asia.  相似文献   

Nations in shame and art’s shame: towards a radical politics of image and affect around “Okinawa”     

Mayumo Inoue 《Inter-Asia Cultural Studies》2018,19(4):536-550

ABSTRACT

This article first examines the resurgence of popular, semi-academic nationalist discourses that solidify the figures of “Japan” and “Okinawa” within post-1945 U.S.-led formation of nation-states across the Asia-Pacific. It critiques two discourses that are symptomatic of such a return to the figure of the nation: developmental economist Matsushima Yasukatsu’s thesis of “Ryukyu’s independence” and philosopher Takahashi Tetsuya’s call to relocate the U.S. military bases from Okinawa to mainland Japan. These symptomatic instances of the mutually transferential nationalisms in Okinawa and mainland Japan rely upon crudely culturalist assumptions about the self and the others and are thus surprisingly oblivious to how the very nation-forms have been instituted as part of imperial modernity. Their implicit figurations of the exemplary national subjects partake in the biopolitical assumptions as to whose lives must be “made to live” and “made to die” within and outside the border of the national. Ultimately, such nationalist discourses about Japan and Okinawa engage in a zero-sum exchange of imperial shame and colonial shame, a process that further stabilizes the co-operative placement of local nation-forms within the U.S.-led inter-state regime of warfare and biopolitics. But insofar as these discourses require the images of the nations that they seek to represent, their (re)production of what Naoki Sakai calls “a schema of co-figurative” nationalities needs to be critiqued through an exploration of a radical aesthetics and affect that pertain to image production.

The second part of the article presents my interpretation of artist Nema Satoko’s recent book of photography titled Paradigm, a work in which both bodies and objects explore their potential transformations in the midst of their precarious exposure to one another. I argue that Nema’s images of fragile bodies and objects in the present landscape of Okinawa are poised on the cusp between the past that invokes a sense of shame and this past’s potential future that necessitates an ethical posture of humility. In the vicinity of Adorno’s notion of “art’s shame,” Nema’s photographic images illuminate an amorphous realm of fragile beings, whose linkage and exposure to one another opens a space of viability that is obscured by the biopolitical imaginaries of nation-forms.  相似文献   

大战中的热烈与冷静——民初十年《东方杂志》民族主义观评析     

洪九来 《江西师范大学学报(哲学社会科学版)》2006,39(3):60-65,80

1912-1922年间,杜亚泉为代表的知识分子群体以《东方杂志》为舞台,集中地表达了他们的民族主义思想。他们倡导的和平、民主、文化的国家主义思想有合理可贵的积极价值,是中国现代民族主义思想史上的重要资源。  相似文献