汉代文献的形制及其编纂特点     

王国强 《图书馆论坛》2006,26(6):354-357

汉代文献在文字载体、书写和排列顺序等形制方面已基本定型。汉代已建立后世所遵循的以内容、主旨为基础的标立书名以及署名、结集的规范，但是先秦某些习惯也在延续。汉代著作方式众多，以注解、汇编为主。  相似文献   

基于XML和关联规则的Web挖掘研究*   总被引：4，自引：1，他引：4  

潘有能  邓三鸿 《现代图书情报技术》2004,20(7):30-34

首先对Web挖掘、关联规则分析及XML作了简要介绍，提出了基于XML和关联规则的Web挖掘研究思想，随后对XML结构挖掘、XML内容挖掘和基于XML的Web日志挖掘进行讨论，建立了一个较为完整的XML挖掘体系。  相似文献   

《中国图书馆员职业道德准则》(试行)应更严谨、精炼   总被引：1，自引：0，他引：1  

徐为民 《图书情报工作》2004,48(8):101-102

分析《中国图书馆员职业道德准则》(试行)中存在的内容相互包容、责任与道德混淆、部分条目可有可无等欠缺，并提出具体修改意见。  相似文献   

从FRBR看编目条例及机读目录格式的变革路向   总被引：14，自引：1，他引：14  

王松林 《中国图书馆学报》2004,30(6)

在实体信息资源和网络信息资源并存的今天,编目对象应从文献单元和表达形式层次提高到表现方式和著作的层次,编目条例和机读目录格式也应作相应的变革。制订以表现方式以及著作实体为编目对象的编目条例是机读目录格式的变革路向。表1。图4。参考文献10。  相似文献   

Judges’ delivery of ground rules to child witnesses in Australian courts     

《Child abuse & neglect》2017

Ground rules directions are given to children in forensic interviews to explain what is expected of them, and to reduce their tendency to acquiesce to erroneous or incomprehensible questions. Ground rules may also be necessary when children provide testimony in court. Drawing on research conducted for the Australian Royal Commission into Institutional Responses to Child Sexual Abuse, the present study examined the use of ground rules directions delivered in court in 52 trials by 24 presiding judges in three jurisdictions to 57 child complainants (aged 7–17.5 years). Eleven categories of rules were identified. The number of words spoken to deliver each rule was counted, and grade-level readability scores were calculated as a proxy for the complexity of the ground rules. When judges asked comprehension or practice questions, the question types were coded. More than one third of the children (35%) received no ground rules directions from the judge; the remaining 65% received directions on an average of 3.5 types of ground rules out of a maximum of 11 types. While comprehension questions were common, practice questions were rare. Comprehension questions were most often presented in a yes/no format that implied the expected response, although this form of question is unlikely to provide an effective assessment of a child's comprehension. Neither the number of rules delivered nor the number of words used was related to children's age. Implications for children's court testimony are discussed.  相似文献   

南朝诸家玄言诗批评发微     

李斯斌 《宜春学院学报》2011,33(5):28-32

南朝玄言诗批评有别于两晋之时提出的"韵灵旨清"的审美标准。檀道鸾、沈约、江淹、刘勰、钟嵘等人物的批评,并非从其审美标准而言,而渐有以宗《诗》的儒家诗学标准评价玄言诗,且梁代前后稍有不同。  相似文献   

Employ Game Teaching Method in the Primary School English Classroom     

LV Chun-jia 《海外英语》2015,(3)

on the basis of linguistics, psychology and other related theory, we should carry out game teaching method to make students learn easily and happily because of the lack of interest and other problems i...  相似文献   

浅析现代篮球运动特点和作用     

邹晓岚 《楚雄师范学院学报》2002,17(6):55-57

本文从篮球的技术动作结构，竞赛规则，攻守对抗的特殊之处与其它同类项目加以比较，分析、概括，力求找出蓝球运动的特殊所在，目的是全面地、深刻地认识它，科学地去掌握它，发展它和完善它。  相似文献   

中国画款识的几种特殊记时法     

葛琳 《商丘职业技术学院学报》2006,5(4):99-101

中国画时间记载的方法呈多样化,一些特殊的记时方法流传不广而少为人知。作为一个现代美术工作者,对这些特殊记时法的来源、应用方法及效果加以探讨与认识,可以对这些特殊记时法有一个全面的了解,在实践中更好地灵活应用。  相似文献   

The Artist Initiative at San Francisco Museum of Modern Art     

Robin Clark  Michelle Barger 《文物保护研究》2016,61(3):24-28

The Artist Initiative at the San Francisco Museum of Modern Art (SFMOMA) is piloting models for increased collaboration between conservators and curators through joint work with artists. We seek a more integrated, holistic approach to the care and research of our collection. The project, funded by the Andrew W. Mellon Foundation, comprises five robust research engagements that serve the curatorial collecting departments of the museum (Photography, Painting and Sculpture, Media Art, and Architecture and Design). Three of the projects are monographic studies, examining the work of Ellsworth Kelly, Vija Celmins, and Julia Scher in depth, while two more are thematic, exploring modes of displaying digitally-driven design objects, and developing strategies for addressing the problem of color shift common to photographic prints made with experimental materials during the 1970s and 1980s. The Artist Initiative is also charged with developing hybrid working spaces to advance collaborative approaches to collections research at the museum's new downtown campus and at SFMOMA's new Collections Center in South San Francisco. These spaces include the Collections Workroom, a 56?sq?m (600?sq?ft) space that functions as a studio for visiting artists, a conservation laboratory, an interview suite, and a classroom at SFMOMA's downtown campus. At the Collections Center, a 121?sq?m (1300?sq?ft) Mock-Up Gallery has been built as a working model of one of the museum's new galleries. A functional exhibition space, the Mock-Up Gallery is also a venue for interviewing artists, prototyping exhibition formats, and meeting with students, scholars, museum staff, and community members. With the goal of contributing to critical discourses in contemporary art history, art conservation, and public engagement, each of the Artist Initiative projects includes a colloquium that will bring experts from multiple fields together with the featured artists. Thereafter we aim to share our findings widely through public programs and a range of publications, both digitally and in print.  相似文献