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Karen Harvey 《Cultural and Social History》2013,10(4):527-543
AbstractThis essay considers the role that art and history might play together in public history projects. It discusses public history not in terms of ‘learning lessons’, ‘public debate’ and ‘transferable skills’ but instead in terms of creative thinking in the public sphere. The essay draws upon the author’s experiences of working with artists on a series of exhibitions themed around the history of an arts centre’s late Georgian and Victorian buildings and their inhabitants in Sheffield. It explores the synergies between artistic and historical ways of knowing and argues that collaborations with artists provide an opportunity for academic historians to reengage the imaginative aspects of professional academic history. It also explores the value of art’s expressive power and its potential to pose new questions and suggest new answers for both public and historians’ understanding of the past. 相似文献
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在翻译目的论的框架下探讨会展外宣材料的英译问题;目的论把翻译视为有目的的活动,强调译者应根据译文的预期功能来决定自己的翻译策略,从而扩大了翻译研究视野,以宁波地区大型会展网站汉英翻译为样本,在目的论的框架下,分析了会展外宣材料的文本功能、翻译目的以及翻译要求,同时对其在文化和语言层面出现的翻译问题做出了评判性评价,并提出了改进建议,进而总结了一些具体的翻译方法。 相似文献
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科学家精神体现在一代代科学家科学报国、科学强国的生动事迹中。如何把科学家的事迹梳理、挖掘出来,通过展览展品讲好科学家故事、大力弘扬科学家精神,使这一宝贵精神财富在薪火相传中彰显时代价值,是做好弘扬科学家精神专题展览的重要议题。本文以中国科技馆“我愿以身许国——喜迎二十大·王淦昌生平事迹展”的实践为例,探讨如何在策展阶段提升展览“硬实力”,在开展阶段提升展览“软实力”,从而达到展览的教育目标,为新时代提升弘扬科学家精神专题展览质效提供借鉴和启示。 相似文献
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我国会展旅游发展探析 总被引：1，自引：0，他引：1
邵筱叶 《南阳师范学院学报》2004,3(9):81-84
基于对会展旅游的内涵的思考，分析了从20世纪90年代中后期至今我国会展旅游发展状况，从硬件与软件两方面阐述了我国会展旅游发展存在的突出问题，概括了我国今后发展会展旅游具有的优势，着重从政府职能、会展旅游地的培养、会展旅游产品的宣传与促销、人力资源开发等六方面探讨了我国会展旅游发展壮大的途径。 相似文献
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博物馆展览标准及卓越展览的标志原文见全国博物馆展览协会(The National Association for Museum Exhibition)网页 http://name-aam.org/about/ who-we-are/standards. 2017年2月9日检索。 
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下载免费PDF全文 美国博物馆联盟专家委员会 《自然科学博物馆研究》2017,2(3):73-77
2012年8月修订的《博物馆展览标准及卓越展览标志》将美国博物馆联盟(the American Alliance of Museums)制订的《卓越特性》(the AAM Characteristics of Excellence)中有关“教育”和“阐释”的指标贯彻到博物馆展览中,涵盖观众意识、评估、内容、藏品、阐释/交流、设计与布局、人的舒适、安全和便利等范畴。 相似文献
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于奇赫 《自然科学博物馆研究》2019,(4):66-73
21世纪的博物馆出现了很多新的动向,可以简单描述为“以藏品为中心”到“以观众为中心”的转向。《以观众为中心:博物馆的新实践》一书作者结合多年对于欧美博物馆的观察,通过10个博物馆、艺术馆的案例分析与深度访谈,为我国博物馆融入此次变革提供了强有力的范本。这本书中所论述的博物馆内部人员职能、阐释方式、展览改造、社交活动等诸多改变,为未来一段时期内我国博物馆的组织改革和展览活动策划提供了新的思路与实践指南。 相似文献
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李雪 《自然科学博物馆研究》2023,(5):75-83
我国博物馆出于文物保护的目的,通常采用“物以类聚”的文物分类方法,根据质地将文物分为不同类型进行分类保护。文物专题展览是综合类及历史类博物馆的重要展览类型之一,与基本陈列不同,更多地从艺术、题材、文化、流传等方面展现某类文物的内在演进逻辑,且更注重视觉表达。在策展过程中,策展人员要充分分析本馆展览定位、馆藏优势、目标观众等,以避免出现“千展一面”的尴尬局面。 相似文献
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《Endeavour》2020,44(4):100733
The history of science as a discipline took place in the period of the German Empire, but the historiography of its development insufficiently recognizes both its proto-institutionalization during this period and the critical role played by Germans in effecting its initial development. In this article, while alluding to the several areas in which Germans took the lead in establishing the discipline, the focus is on one representative area: the mounting of temporary and permanent exhibitions relating to the history of science during the Empire period. Reasons why Germans were motivators in these efforts include the importance of past and present excellence in science, eminence in and fascination with historical research to the new nation’s construction after German unification in 1871, and of the assertion of the nineteenth century German bourgeoisie in its role in advancing the culture of the nation. The larger argument, that subjects of the German Empire achieved critical institution-building in history of science, is supported by the incidence of displays organized by Germans, and buttressed by the fact that a number of these organizers also participated in the field’s enlarged late nineteenth and early twentieth century scholarship that was most marked among Germans of any national group. 相似文献
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Daniel Orlovsky 《Slavic & East European Information Resources》2013,14(3-4):114-117
ABSTRACTThe Russian Revolution Centennial has called forth many exhibitions of the vast holdings of libraries, archives, museums and other collections. This special issue reviews major exhibitions, the history of the collections and the conceptions and strategies of curators. Revolution’s centennial in 2017 called forth numerous conferences, programs, lectures, publications, and other events. One of the richest avenues of celebration and scholarship was the many brilliant exhibitions organized by archives, museums, and other repositories. The centennial provided an occasion for assessing and for rethinking the modes of presentation and the significance of many types of collections. What to show, how to show it, and for whom became big questions to which curators, archivists, art historians, and many others came up with big answers. These exhibitions and initiatives have pointed the way toward new and welcome collaboration between curators, archivists, historians of art and photography, and political and social historians of the Russian Revolution. 相似文献