| 外淡而内奇:陶诗的审美追求 |
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| 引用本文： | 魏耕原.外淡而内奇:陶诗的审美追求[J].陕西师范大学学报(哲学社会科学版),2007,36(4):68-75. |
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| 作者姓名： | 魏耕原 |
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| 作者单位： | 陕西师范大学,文学院,陕西,西安,710062 |
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| 摘 要： | 关于陶渊明的文艺思想、美学思想,论者向以“平淡”、“自然”、“真率”作评,把“自娱”说视作其创作理想,从无异词。陶渊明对社会与政治并未忘怀,“平淡”不过是外在表层的“淡化”手段,而非追求的目的。其审美趋向的实质是外淡而内奇,这不仅体现在使用率极高的“奇”字上,而且也体现在他的田园、咏史、咏怀诸作中。这和他儒道兼综的思想、外和内刚的性格,以及“平淡”萎靡的玄言时代息息相关。
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| 关 键 词： | 陶渊明 文艺思想 审美追求 |
| 文章编号： | 1672-4283(2007)04-0068-08 |
| 修稿时间： | 2007年3月15日 |
Aesthetic Ideal of Tao Yuanming's Poems: Explicit Pedestrianism but Implicit Miraculousness |
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| WEI Geng-yuan.Aesthetic Ideal of Tao Yuanming''''s Poems: Explicit Pedestrianism but Implicit Miraculousness[J].Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition),2007,36(4):68-75. |
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| Authors: | WEI Geng-yuan |
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| Abstract: | Nearly all literary critics agree that Tao Yuanming's literary and aesthetic view was to pursue a style of "pedestrianism","naturalness" and "truthful straightforwardness" with "self-entertainment" as his ideal of literary writing.Actually,since he never attempted to evade society and politics,"pedestrianism" was merely one of Tao's externalizing means to desalinate his real purpose of writing.The essence of his aesthetic orientation of explicit pedestrianism and implicit miraculousness presents itself not only in his extremely high frequency of using the word "miraculousness" but also in his pastoralist,history-singing and heart-singing poems.Tao Yuanming's aesthetic orientation agreed with his belief in Confucianism,character of external modesty but internal resoluteness and his day of obscure speech. |
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| Keywords: | Tao Yuanming theory of literature and art aesthetic ideal |
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