| "悟"的审美历程 |
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| 引用本文： | 刘志华."悟"的审美历程[J].温州大学学报(社会科学版),2005,18(6):32-36,52. |
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| 作者姓名： | 刘志华 |
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| 作者单位： | 福建师范大学文学院,福建福州350007 |
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| 摘 要： | “悟”是中国古代诗学审美体验的核心范畴,它经历了一个由哲学范畴向美学范畴再向文艺美学范畴的深刻嬗变过程。其中,中国传统的“天人合一”思想和道家哲学思想是其很重要的哲学基础,魏晋之际,“悟”成为一个具有中国特色的审美范畴,在南宋时则成为一个文艺美学范畴。
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| 关 键 词： | 悟 审美体验 审美历程 审美范畴 |
| 文章编号： | 1008-309（2005）06-0032-06 |
| 收稿时间： | 12 31 2004 12:00AM |
| 修稿时间： | 2004-12-31 |
Awakening: The Course of the Aesthetics |
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| LIU Zhihua.Awakening: The Course of the Aesthetics[J].Journal of Wenzhou University,2005,18(6):32-36,52. |
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| Authors: | LIU Zhihua |
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| Institution: | Department of Chinese Language and Literature of Fujian normal University, Fuzhou, China 350007 |
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| Abstract: | "Awakening" is a nucleus category in ancient China's poetics. It has undergone a deep going transmutation course from a philosophical category to an aesthetic category and to a literary and artistic aesthetic category. The traditional Chinese thinking of "heaven and man combined into one" and the philosophical thinking of Taoism are very important for it as the philosophical base. "Awakening" became an aesthetic category of the Chinese characteristics in the Wei-jin dynasty. However, it was regarded as a literary and artistic aesthetic category in the South Song dynasty. |
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| Keywords: | Awakening Aesthetic learning through experience Course of the aesthetics Aesthetic Category |
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