| 《金瓶梅词话》中[山坡羊]的声情辨证 |
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| 引用本文： | 李敬平.《金瓶梅词话》中[山坡羊]的声情辨证[J].焦作大学学报,2007,21(3):22-24. |
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| 作者姓名： | 李敬平 |
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| 作者单位： | 焦作师范高等专科学校中文系,河南,焦作,454000 |
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| 摘 要： | 元.燕南芝庵《唱论》所提"宫调声情说"的表述多有不当。包括燕南芝庵在内的曲论家之所以提出或迷信商调]的"凄怆怨慕"的性质界定,是受到了中国古代阴阳五行说影响下的特定音乐理论的诱导,尽管有些理论实质上已经明显偏离了乐理范畴。《金瓶梅词话》中的21首山坡羊]的声情态势整体上构成了对"高下闪赚"、"凄怆怨慕"声情说的一个反证,说明"宫调声情说"所构建的声情理论并不完全符合曲体各宫调的创作实际。
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| 关 键 词： | 金瓶梅词话 山坡羊 声情 |
| 文章编号： | 1008-7257（2007）03-0022-03 |
| 修稿时间： | 2007-04-07 |
The Textual Research of Sentimental Characteristics in Shanyangpo of Jinpingmei |
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| LI Jingping.The Textual Research of Sentimental Characteristics in Shanyangpo of Jinpingmei[J].Journal of Jiaozuo University,2007,21(3):22-24. |
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| Authors: | LI Jingping |
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| Institution: | Jiaozuo Teachers College, Jiaozuo 454001 |
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| Abstract: | Zhi An,Yuan Dynasty,proposed that "the modes of ancient Chinese music have their own corresponding sentimental characteristics"in his Chang Lun.This view is not all correct.The sentimental characteristics of 21 verses in Jinpingmei is a reverse illustration to the view above,so this view itself incompletely agrees with the creative reality of modes of ancient Chinese music. |
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| Keywords: | Jinpingmei Shangangpo sentimental characteristics |
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