| 论王朔的"新京味儿"语言及文化内涵 |
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| 引用本文： | 董志民.论王朔的"新京味儿"语言及文化内涵[J].石家庄学院学报,2005,7(4):84-89. |
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| 作者姓名： | 董志民 |
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| 作者单位： | 石家庄经济学校,河北,石家庄,050041 |
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| 摘 要： | 王朔小说是20世纪80年代重要的文学现象，其“新京味儿”语言也同样是20世纪小说中重要的语言形象。和以往的“京味儿”语言相比，这种语言形象不提供道德参考系数，将口语、调侃作为解构价值规范的策略，以获得游戏生活的快感为唯一的目的。这种语言形象产生于中国特定的历史语境和文化转型的缝隙之中。
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| 关 键 词： | 新京味儿 语言 文化转型 解构 |
| 文章编号： | 1673-1972(2005)04-0084-06 |
| 修稿时间： | 2005年3月9日 |
Wang Shuo's "New Capital Taste" Language and its Cultural Intension |
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| DONG Zhi-min.Wang Shuo''''s "New Capital Taste" Language and its Cultural Intension[J].Journal of Shijiazhuang University,2005,7(4):84-89. |
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| Authors: | DONG Zhi-min |
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| Abstract: | Wang Shuo's novel is an important literary phenomenon in the 1980s;its"new capital taste" language is also an important language image in the novel of the 20th century.Compared with former capital tast language,this kind of language image does not offer reference coefficient of moral judgement;its strategy to deconstruct the value normalization is spoken language and irony with sole purpose to get delight in treating life as merely playing games.This language originated from in the specific historical and cultural transition period in China. |
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| Keywords: | new capital taste language cultural transition deconstruction |
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