| 从新版《小红帽》看后现代主义对传统童话的颠覆 |
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| 引用本文： | 王奕颖.从新版《小红帽》看后现代主义对传统童话的颠覆[J].昆明师范高等专科学校学报,2008,30(3):24-28. |
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| 作者姓名： | 王奕颖 |
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| 作者单位： | 浙江师范大学人文学院,浙江金华321004 |
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| 摘 要： | 新版《小红帽》是充满反讽意味的以童话为题材的后现代电影。从新版《小红帽》人手，看后现代主义对传统童话的颠覆主要表现在以下三方面：对传统形象的颠覆、对叙事模式的颠覆以及对童话主体的颠覆。其颠覆有成功的一面，它融入的一些现代元素给儿童文学注入轻松活泼的新鲜血液；但另一方面，它又难免会陷入颠覆的误区，造成传统童话精神的流失，对儿童文学产生负面影响。
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| 关 键 词： | 小红帽 传统童话 后现代主义 颠覆传统 传统形象 叙事模式 童话主体 |
The Subversion That the Post-modernism Does to the Traditional Fairy Tale from the New Version of Hoodwinked |
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| WANG Yi-ying.The Subversion That the Post-modernism Does to the Traditional Fairy Tale from the New Version of Hoodwinked[J].Journal of Kunming Teachers College,2008,30(3):24-28. |
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| Authors: | WANG Yi-ying |
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| Institution: | WANG Yi-ying (Humanism and Literature College, Zhejiang Normal University, Zhejiang Jinhua 321004, China) |
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| Abstract: | The new version of Hoodwinked is a post-modern film with the theme of a fairy tale which is filled with irony. From the new version of ＂Hoodwinked＂, we can see the subversions that post-modernism does to the traditional fairy tale which are shown in the following three aspects： the subversion of traditional images, the subversion of the narrative mode; and the subversion of the subjects of fairy tales. This kind of subversion is successful on one hand： some modern elements are mixed by pumping relaxing fresh blood into the children＇s literature. But on the other hand, it would inevitably lead to a misunderstanding of subversion, which may cause the loss of traditional fairy-tale spirits and to some extend, has a negative impact on children＇s literature. |
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| Keywords: | Hoodwinked traditional fairy tale post-modernism subversion traditional images narrative mode fairy tale subjects |
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