| "象"的境界与"数"的真理--老子"象论"与毕达哥拉斯学派的"数论"之比较 |
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| 引用本文： | 张震."象"的境界与"数"的真理--老子"象论"与毕达哥拉斯学派的"数论"之比较[J].玉溪师范学院学报,2002,18(6):65-69. |
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| 作者姓名： | 张震 |
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| 作者单位： | 云南大学,中文系,云南,昆明,650091 |
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| 摘 要： | 老子“象论”与毕达哥拉斯学派“数论”分别构成了中西古典美学的意义之发端。两者在思想路向上存在着巨大的差异。老子“象论”及其人生论的思想路向启发了中国古典美学中的“意象”本体论和以“境界”为最高审美理想的思想 ;毕达哥拉斯学派“数论”及其知识论的思想路向启发了西方古典美学中的“形式”本体论和以“真理”为最高审美理想的思想。
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| 关 键 词： | 象 数 象论 数论 意象 形式 境界 真理 |
| 文章编号： | 1009-9506(2002)06-0065-05 |
| 修稿时间： | 2002年9月28日 |
The State of "Manifestation" and the Truth of "Number" |
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| ZHANG Zhen.The State of "Manifestation" and the Truth of "Number"[J].Journal of Yuxi Teachers' College,2002,18(6):65-69. |
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| Authors: | ZHANG Zhen |
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| Abstract: | Laozi's manifestation theory and Pythagoras' number theory respectively represent the two extreme meanings of the Chinese and Western classical aesthetics. No doubt, there is a great difference in idealogy between both of them. The former enlightens the "image" theory in the Chinese classical aesthetics with its ideas on life,while the latter, with its ideas on knowledge, illuminates the"form" theory and the taste which takes "truth" as its standard in the Western classical aesthetics. |
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| Keywords: | manifestation number manifestation theory number theory image form state truth |
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