共查询到20条相似文献，搜索用时 31 毫秒
1.
2.
The investigation of leisure time activities through lifespan analysis has revealed the importance of such activities in the prediction of later life achievements and creative products. They may be more reliable predictors of future performance than IQs, creativity test scores or school achievement. In the present paper creative leisure time activities are considered to be creative products. A total of 192 fifteen year old academic secondary school students were involved in the study: Creative leisure time inventories were filled out, Raven Advanced Progressive Matrices administered, and school grades recorded. Results indicated that differences in leisure time inventory scores between boys and girls with high intellectual potential were smaller than those of students with average potential. Girls were overrepresented in the “schoolhouse gifted” group, but in the “creative gifted” and “intellectually gifted” groups the ratio of girls and boys was balanced. 相似文献
3.
Shari Sabeti 《Literacy》2016,50(3):141-148
Creative writing is often thought of as an individual and solitary pursuit. This is partly owing to Romantic (and still popular) notions of creativity as residing in highly gifted individuals, but also to the widely held belief that writing is a lonely rather than a social activity. The research presented in this paper provides a unique insight into the creative process by tracing the way one poem is produced by a member of a creative writing class based on a major urban art gallery. Based on a 5‐year ethnographic study of this class, it employs interview material, field notes, photographs and creative writing as data. Using theories from both the “anthropology of writing” (Barton and Papen, 2010 ; Latour and Woolgar, 1986 ) and the “anthropology of creativity” (Ingold, 2007 ; Hallam and Ingold, 2007 ), I argue that creative writing is a relational and temporal process involving complex and multiple claims for agency. I also go on to show that when the text moves from a private to a public context, these multiple agencies are encompassed and erased under the umbrella of individual authorship. 相似文献
4.
5.
唐婉 《宁波教育学院学报》2010,12(5):35-38
创造力内隐理论(implicit theories of creativity)是指一般公众(专家和外行人)在日常生活和工作背景下所形成的,且以某种形式存在于个体头脑中的关于创造力概念、结构及其发展的看法(也称为"内隐观"或"公众观")。研究教师的创造力内隐理论有助于研究者了解教师对于创造力的观念以及他们对待创造性儿童的态度,从而把握教师实施创造性教学的状况,有针对性地对教师进行培训,改进教师的教学,从而有利于在教育教学中对学生创造力的培养。通过教师对创造力的理解,对创造性学生的态度及人格特征的认识,对创造力的培养等论述,以期有助于我国教师创造力内隐理论的研究。 相似文献
6.
Suzanna E. Henshon 《Roeper Review》2013,35(3):149-153
This article describes the CREST (Creative Resources Enriching Student Talents) program's creative arts model for gifted elementary school students. Using Type I, II, and III activities adapted from Renzulli's enrichment triad model, courses in the visual and performing arts using community resources and artists are scheduled to broaden and enhance each child's creativity. The process encompasses both the gifted and talented students for whom art studies are a growth experience. Identification, goals, planning, curriculum design, and management are explained, and evidence of successful Type III projects are documented. 相似文献
7.
Christine Marvin 《Roeper Review》2013,35(1):25-33
Numerous projects funded by the Jacob K. Javits Gifted and Talented Students Education Act in 1989 contributed to answering important questions in the field of gifted education. However, little evaluation has examined how their findings are used or linked to current educational practices. This pilot‐study followed up on 18 students, identified as potentially gifted during the 1992 Javits‐sponsored Nebraska Project which used a teacher observation protocol. This follow‐up study examined the students' current status in gifted education programs, academic performance, and social/behavioral attributes, and the stability of the attributes associated with able/creative students over the past five‐year period. Results indicate a continued use of traditional identification practices in the school districts studied, and a presence of underachieving behaviors in students believed to be gifted during the Nebraska Project but not recognized as such currently by their school districts. The attributes associated with able/creative students in 1992, however, were found to be stable over the five year period. Results are discussed in light of the paradigm shift in gifted education practices and possible suggestions for reducing perpetual research‐practice gaps. 相似文献
8.
Irina S. Averina 《High Ability Studies》1995,6(1):49-52
This study involved an adaptation and evaluation of the Munich differential diagnostic instrument for the identification of gifted and highly gifted schoolchildren (KFT). An analysis was carried out of the relationship between various forms of giftedness and actual performance. A two step procedure was applied to select gifted students using a Teachers' Checklist, the KFT and tests of creativity. About 70 gifted youngsters were selected from 600 students. The label “gifted” was used for the top 6%‐10%, “highly gifted” for the top 3%–5% and “extremely gifted” for the highest scoring members of the group. The control group (70 unselected students) was investigated with the same methods. There were clear differences between the gifted, highly gifted and extremely gifted students in every domain of giftedness. Different forms of giftedness developed in the students during the three year period. 相似文献
9.
Abstract Educational theorists and researchers have often overlooked potential links between successful teaching and a teachers personal qualities. This investigation explored associations among three psychological characteristics and classroom performance ratings of prospective teachers. Fifty‐three students enrolled in a teacher education program participated in the study. The students were assessed on personality style, creative thinking, motivation, and classroom performance competency during student teaching. Correlational statistical analysis found significant relationships among three creativity measures and ratings of preservice teachers’ classroom performance. Further, regression analysis revealed originality, one subscale of creativity, was a significant predictor of effective student teaching. Findings indicate that creative constructs may have potential value in assessing teacher education candidates. 相似文献
10.
This study investigates factors in the home environment and their influence on children’s analytical, creative, and practical skills. A sample of 294 gifted children (195 male) was recruited from grades 4–7 in Saudi Arabia, where the family context is highly influenced by the principles of Islam. Results did not confirm the effect of birth order, but showed that (1) mother’s education was an important factor for gifted children’s creativity; (2) the number of boys in the family was negatively associated with gifted boys’ creativity (r?=??.21); and (3) Quran-related learning experiences were positively related to gifted girls’ analytical (r?=?.46) and creative (r?=?.42) skills. Implications for understanding non-Western environments for gifted children are discussed. 相似文献
11.
Deborah Douglas 《Roeper Review》2013,35(4):223-228
The intent of this study was to discover what relationship, if any, exists between creative personality characteristics and psychic overexcitabilities (OEs), as defined by Dabrowski's Theory of Emotional Development. Twenty‐one gifted seventh and eighth grade students were given the Something About Myself (SAM) portion of the Khatena‐Torrance Creative Perception Inventory and the Overexcitabilities Questionnaire. The seven subjects with the highest SAM scores were designated as the High Creative, the seven lowest as the Low Creative group. At test was performed on the group means of the two groups on the five dimensions of overexcitability. Differences between the High Creative and Low Creative groups were significant (p < .025] for imaginational and intellectual OE and (p < .05) for emotional OE. Differences Between the groups on psychomotor and sensual OE were nonsignificant. These findings have implications for parents, teachers, and counselors of creatively gifted students. 相似文献
12.
Donna Rae Clasen 《Roeper Review》2013,35(1):55-63
This current, longitudinal study addresses two critical issues related to underrepresented gifted: identification and programming. As a follow‐up of minority and low‐income students identified as gifted in middle school, the study provides insight into the potential predictive value of specific gifted attributes on later academic performance: high‐school graduation, matriculation in an institution of higher learning, and completion of a college degree. Findings support the value of multiple forms of identification, specifically in problem‐solving, teacher identification of leadership ability, and grade point average. The study also evaluates the impact on academic outcomes of a long‐term, university/school pre‐college partnership program for middle‐ and senior‐high‐school underrepresented gifted. Results show a significant relationship between the level of student involvement in program activities and successful achievement of academic outcomes. 相似文献
13.
Jane Parker 《The International Journal of Art & Design Education》2005,24(2):186-198
Creative intelligence is relevant to all aspects of the school curriculum, yet it is through art and design that pupils may come to experience the significance of creativity as a means of exploring innovative and original ideas which offer credence to the individual and affect approaches to learning. This article analyses creativity and the creative process and addresses the links between creativity and intelligence by examining the implications such factors may hold for the teacher when developing approaches to learning in art and design. It focuses in particular on the use of sketchbooks within the context of a number of Art and Design GCSE courses and explores how students have been provided with opportunities to develop creative responses to set tasks. In addition, it sets out to challenge the notion that the requirements of GCSE assessment criteria inevitably restrict creativity and lead to non‐creative formulaic practice. 相似文献
14.
Ronald Barnett 《Higher Education Quarterly》2020,74(1):5-18
The Creative University is susceptible to multiple interpretations which are moving in a fluid conceptual space. This conceptual openness can be adequately understood only as a set of discursive formations that reflect underlying societal changes. It is becoming a commonplace to suggest that creativity should no longer be seen as a matter of heroic individuals at work, for creativity is always a networked matter, but that reflection has to be widened to encompass a sense of underlying shifting societal forces, with the economy central stage and hence the emergence of the hybrid idea of the creative economy. Qua institution, the creative university sits uneasily between discourses of economicism and societal flourishing. The creative university, accordingly, has to be seen in this milieu, which is steering the university but which also is affording it new possibilities for creativity. Five levels of creativity are identified that serve as domains in which these forces and affordances coexist. One such level, university reflexive creativity, is singled out as the most significant of the five. The creative university, it follows, unfolds as sets of interactions between individuals, institutional structures and corporate agency. Even as the constraints multiply, so too ever‐wider possibilities for the creative university may be opening. 相似文献
15.
Teachers play a crucial role in the development of primary school students’ creative potential in either a positive or a negative way. This paper aims to draw attention to in-service and prospective teachers’ conceptions of creativity and answer three main research questions: “What are the teachers’ conceptions and implicit theories of creativity in general?”, “What are the teachers’ conceptions and implicit theories of creativity in the context of primary education?”, and “How well-trained and equipped do teachers feel to play their key role in the development of students’ creative potential?” A self-report questionnaire was used as an instrument to gather qualitative and quantitative data from 132 Greek in-service and prospective teachers. According to the selected quantitative data we present in this study, the majority of the participants reported that the facilitation of students’ creativity is included in the teachers’ role, but they (teachers themselves) do not feel well-trained and confident enough to realise this particular expectation. The authors conclude that further research is needed in order to: (i) reveal more on teachers’ conceptions on creativity and (ii) understand and classify teachers’ particular needs to facilitate the creative potential of primary school students. 相似文献
16.
Rocky Jones: Case study of a high‐achieving black male's motivation to participate in gifted classes
Tarek C. Grantham 《Roeper Review》2013,35(4):208-215
An increased body of research on the recruitment and retention of Black students in gifted programs provides guidance for educators to understand factors that impact Black male under representation in gifted programs. A common concern among high school educators is that schools cannot keep Black males interested in gifted programs. Even in culturally diverse high schools, gifted Black males often do not want to take advanced level classes because they are accused by peers of “acting White”. This case study reveals that while rare, it is not impossible. This article uses a Participation Motivation Expectancy‐Value Model (PMEVM) to explain the motivation of Rocky Jones, a gifted Black male, and his choice to participate in his school's gifted program. Findings from interview and archival data are reported that inform Rocky's participation choice, and implications are drawn to enhance teachers’ efforts to increase Black males’ motivation and representation in gifted education. 相似文献
17.
This study was to determine whether cooperative small groups would stimulate creativity of fith and sixth grade students more than an individualized learning environment. Student aptitudes for creative and academic work were assessed on the Torrance Tests of Creative Thinking (Verbal Form A), analysis of student created electrical circuit diagrams, and a batteries and bulbs prediction test. A measure of student perceptions was also used to indicate any changes in attitudes toward the science activity and learning environment. A posttest control group design was used with 11 I fifth and sixth grade students. Half of the population worked by themselves, while the other half (experimental) worked in a student-structured environment on the same science activity which involved creating as many different types of electrical circuits from a given set of batteries and bulbs as possible. An overall conclusion is that fifth and sixth grade students working within small cooperative groups can be more creative as measured by a figural creativity test with electrical circuits than students working alone. The implication of this study is that small cooperative groups as well as individualized groups should be used in elementary science classes when creativity is one of the instructional objectives. 相似文献
18.
While a high number of studies have focused on the nature of creativity and on approaches to identify and to promote creativity there is a lack of studies analysing people's implicit theories of creativity. The present study investigates implicit theories of individuals who are assumed to influence other's views on creativity. We collected data from politicians, scientists, artists and school teachers. Subjects were asked to write down what they spontaneously associate to the term “creativity”. Answers were analysed using quantitative and qualitative content analysis. Out of the 560 subjects asked, only 145 participated in the study. Answers were compared with regard to profession, gender, and country (Austria versus Germany). In general, results show extremely high answer variability. Differences in the number of associations produced and the most frequent words associated with creativity are higher across profession groups than between females and males and between respondents from Austria and from Germany. Artists seem to form an outstanding group. They show the highest participation rate of all subgroups, produced the highest number of associations, comprised the highest rate of subjects expressing ego‐involvement in their answers, and used the widest‐ranging approaches to creativity. 相似文献
19.
创新教育是素质教育的重要方面之一,开展创新教育的根本目的在于培养学生的创新意识和创新思维。创造性思维是指用新异和创造性的方法和程序解决问题的思维活动,培养学生创造性思维的方法很多,如颠倒法、添加法、联想法等等,这些方法可以通过教会学生发散性思维、丰富学生想象力、培养学生的独创性思维等具体途径实现。 相似文献
20.
Alexey Matyushkin 《High Ability Studies》1991,1(1):72-75
The intensive restructuring of Soviet society has led to the decision to establish the National Centre on Creative Giftedness to lead theoretical and applied research on the nature of giftedness both in children and adults. The development of a gifted person is viewed as an ideal model of normal development. The psychology of giftedness includes investigations into the nature of creativity and creative personality growth; the structure and dynamics of general ability and special capacities; the psychophysiology of individual differences; psychogenetic studies. Applied research involves educational practices based on creative problem discovery and problem solving. General giftedness is viewed as primarily expressing itself in problem sensitivity and sensitivity to nonstandard ways of solving them. It also involves a high ability to anticipate and forecast the future. The integral components of giftedness are considered in terms of an evaluation function based on the individual's perspective, intellectual and emotional ‘standards’. Special abilities are viewed as emerging against the framework of general giftedness. 相似文献