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1.
Digital radio policy in Canada has moved from a position of seeking to migrate all radio broadcasting onto a single digital transmission system (Eureka-147) to a multi-platform, cross-media and multimedia approach. The most recent digital radio policy of 2006 suggests a range of new possibilities for radio broadcasting, including multimedia broadcasting, but as a result has compromised the early adoption of the Eureka-147 standard. This paper contrasts the different policy contexts of 1995 and 2006 and argues that the competing technological options for digital audio delivery now pose significant dilemmas for broadcasters and policy makers.  相似文献   

2.
An introduction     
The future of radio is now much less obvious and clear than it appeared 10 years ago. Instead of a transition from analog to digital audio broadcasting (DAB), there is a selection of alternative technological options for digital audio delivery.

This article studies how 43 people in key positions related to the radio industry in four European countries and Canada view the future of radio and which delivery technologies they consider will be most successful. In addition, it analyzes the motives and reasons why certain technologies are seen as more promising. Finally, it presents different future scenarios for radio media.  相似文献   

3.
Canadian historical literature of early radio broadcasting focuses largely on policy and formation of two successive public networks: the Canadian Radio Broadcasting Commission (CRBC) and the Canadian Broadcasting Corporation (CBC). This literature rests fundamentally on the assumption that the CRBC and CBC were formed to counter the threat of American cultural domination. This study is based on a stratified random sample of radio schedules selected from Vancouver, Montreal, and Halifax newspapers. This content analysis of radio schedules demonstrates an overall trend of greater U.S. programming within Canadian radio station schedules coinciding with the introduction of programs produced in the United States by the CBC.  相似文献   

4.
The new competitive environment of radio broadcasting in the Nordic countries consists of three sectors: (1) public service radio channels, (2) commercial radio stations and networks, and (3) community radio. Commercial radio represents the latest phase in a long process of transformation that started with decentralization inside the national broadcasting corporations in the 1960s and continued with introduction of noncommercial forms of local and community radio since the late 1970s. In the 1990s, commercial radio represents a hegemonic cultural form whose values and meanings penetrate to all sectors of radio. As a response to commercialization, the public service broadcasting tradition is undergoing a serious rearticulation. In contrast with the radical liberalism of the 1980s, there seems to be a growing political will to safeguard a balanced dualism of noncommercial and commercial forms of broadcasting.  相似文献   

5.
Government and radio broadcasting stations have been debating the model of digital transmission to be adopted in Brazil, without having come to a consensus. The impasse is related to the technological characteristics of the available systems (IBOC, DRM, and DAB) that are not integrally adaptable to the model of radio broadcasting, to the regulatory laws, and to the rules of the radio market in the country. Tests done with IBOC reveal that the digital system does not provide the same coverage as a quality analogical AM radio. Other aspects are the technical conditions of the Brazilian broadcasting stations and their adaptability to a digital system: 37% of them still function with valve transmitters, most of them being between AM commercial and public radio stations. As they are broadcasting stations with few resources for investment in transistorized equipment, it will be necessary to create public policies of incentive for digitalization, which would collaborate toward the sustainability of the sector. The present study presents data from a sample of 750 stations, which corresponds to 96.45% of the profile of the Brazilian radio market, and integrates the data with national research.  相似文献   

6.
Nadine Kozak 《Media History》2013,19(2):163-182
Early Canadian radio broadcasting policy privileged private, commercial broadcasting enterprises above alternative broadcasting formats, including amateur and community radio. One station, 10AB, operated by the Moose Jaw Radio Association (MJRA) and owned by community members took exception to this policy and engaged in a decade-long dispute with radio authorities, first the Radio Branch of the Department of Marine and Fisheries and later the Canadian Radio Broadcasting Commission (CRBC). The MJRA ignored regulations with which it disagreed and challenged the radio authorities whilst requesting a private commercial broadcasting license. Absorbed by perceived discrimination, the MJRA failed to understand the complex situation the CRBC faced. I argue that considering transnational radio history can deepen our understanding of the dispute between the local station and national regulators in Canada.  相似文献   

7.
This paper evaluates the evolution of community radio in postapartheid South Africa where a three-tier broadcasting system—public, commercial, and community—has replaced the monopoly of a state-run behemoth, the South African Broadcasting Corporation. The paper commences with an overview of South Africa's institutionalized culture of exclusion in the broadcasting sector and in other social spheres. A conceptual review of participatory communication precedes and provides foundation for the examination of the operations of two community radio stations located in two of South Africa's previously marginalized and disenfranchised communities. Although South Africa's adoption of community radio answers perpetual questions about the sustenance of community radio, the ongoing experience poses a few challenges.  相似文献   

8.
During the past several years the academic community has written an obituary for radio, particularly AM radio. The broadcast curricula usually lack “real world”; orientation. Programming, sales, and management classes often reflect materials designed more appropriately for large metro radio stations. Little research has been published on AM or FM radio. The lack of academic journals devoted exclusively to radio broadcasting (exception is the new Journal of Radio Studies) testifies to the importance the academic community places on radio broadcast research and theoretical concepts. The author suggests a rapprochement of broadcasting curricula, including programming—a critical element in any future success of radio, and AM in particular.  相似文献   

9.
The aim of this article is to assess whether and how the CBC’s music radio programming reflects the corporation’s mandate of showcasing a diversity of music and culture. I argue that a program logic that privileges an international corporate music industry strategy persists (particularly during the peak morning and afternoon drive time programs) and limits the capacity for public radio to imagine and project alternative musical trajectories. My aspiration is to imagine CBC Music’s over-the-air radio as a residual broadcast service, one that presents novel opportunities at a time when digital and online streaming music is dominant.  相似文献   

10.

With the domination of broadcasting by television in the 1950s and since, academics of both teaching and research persuasions have tended to ignore the older and larger (in number of stations) medium of radio. Courses in radio announcing and production, usually the oldest in most schools’ curricula, were summarily suspended or simply faded away for lack of student and faculty interest. Meanwhile, of course, radio continued to grow, and with the resurgence of FM and interest in high‐fidelity sound in the mid‐sixties, students in both film and broadcasting courses began to request more audio training and practice. In the following article, the author surveys current practices in radio production based on returns to a nationwide request for data. Throughout, comparison is made with the APBE composite course outline for such a course, published in 1970. Dr. Martin is associate professor in the department of radio‐TV at California State College—Long Beach.  相似文献   

11.
As digital radio broadcasting enters its third decade of operation, few would argue that it has met all expectations expressed at the time of its launch in the mid-1990s. Observers are now more circumspect, with views divided on the pace of transition to an all-digital future. In exploring this mismatch between expectation and actuality, this article considers the introduction of FM radio in the 1950s. It too was expected to replace its forebear (AM) but, like digital radio, its adoption by listeners was slower than anticipated. An examination of published literature, in particular engineering and technical documents, reveals a number of similarities in the development of digital radio and FM. Assumptions about listeners’ needs and preferences appear to have been based on little actual audience research and, with continual reference in the literature to the supposed deficiencies of the predecessor technology, suggest an emphasis in decision making on the technical qualities of radio broadcasting over an appreciation of actual audience preferences.  相似文献   

12.
This essay explores the radio program Randy’s Vinyl Tap, which is hosted by Randy Bachman and airs on CBC Radio 1 (2005-present). I argue that the show’s complex reception can be explained, in part, by the fact that it transgresses dominant conceptions of authenticity in both rock music and public broadcasting discourses. Drawing on the work of Mikhail Bakhtin, I explore ways in which Bachman evokes a “carnivalesque” approach to public communication.  相似文献   

13.
Community radio is a form of noncommercial broadcasting designed to serve audiences in a specific geographic area. In recent years, community radio has become a viable alternative to both commercial and public radio, which produce nationally oriented programming designed to attract mass audiences. The value and impact of community radio can be seen through the work of Allegheny Mountain Radio, a three-station network serving a rural and geographically isolated region of southern West Virginia and Virginia.  相似文献   

14.
本文以全球化、数字化、产业化的新语境分析我国广播业的发展趋势：加强各地广播电台间的合作与联盟,加强广播与电视、报刊、互联网等媒体的合作,加强传媒业与其他行业的合作发展及广播载体的多样化发展。  相似文献   

15.
This article aims to rediscover the tactile aspects of radio listening, which until now have been underestimated by radio scholars, and to describe how haptic radio listening has evolved, from the beginning of broadcasting to the arrival of digital media. This article will first perform an overview of the studies that have dealt with the haptic dimension of media, then focus on what we call “haptically mediated” radio listening, a specific form of listening made possible by the interaction with radio content through mobile digital devices, and conclude with a critical depiction of the implications of haptically mediated listening for audience commodification.  相似文献   

16.
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17.
This article explores how Ireland’s first LGBT radio station, Open FM, attempted to offer LGBT radio in a heteronormative media landscape. It uses semi-structured interviews with two of the stations founders as well as posts from online LGBT message bulletin boards to argue how Open FM ultimately became ambivalent about its LGBT status and adopted a dualcasting strategy. Despite its ambitions to be a community-led radio station for Ireland's LGBT community, the dualcasting strategy of the station framed many of its endeavors between the mainstream standards of radio broadcasting and the community of interest that their licence claimed to serve.  相似文献   

18.
本文旨在阐明音频工作站作为一种新兴的数字化音频设备,在使用中的主要特性、在广播剧制作中所起到的作用以及和 模拟制作方式相比所具有的优势;并简要介绍在使用音频工作站时存在的一些误区。  相似文献   

19.
A nationwide sample of 300 AM station General Managers found less than universal compliance with NRSC‐1 and NRSC‐2 standards, more AM stereo transmission than previously estimated, continued widespread use of music formats, misleading reports in the trade press, and positive attitudes about the prospects of digital audio broadcasting (DAB).  相似文献   

20.
This case study examines the local storytelling practices of two radio stations in Los Angeles: one a commercial hip-hop station, the other a public radio station managed by Minnesota Public Radio with a news-talk format. Interviews with station staff and direct observation of station practices provide data that reveal specific practices showing how stations can apply communication infrastructure theory in attempts to forge the connections between the media, community residents, and the local organizations that bind neighborhoods. Obstacles to sustaining these practices are noted, including commercial pressures and journalistic principles that may hinder advocacy.  相似文献   

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