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1.
《Journalism Practice》2013,7(4):414-428
This paper examines how journalists in India and Sri Lanka define social responsibility and whether they consider their news media to be socially responsible when covering terrorism. Interviews with 68 Indian and Sri Lankan journalists suggest that they do not consider their media to be socially responsible. They identify several problems including: government manipulation of news, pressures to pander to the marketplace, pressure to please a public indoctrinated with governmental and corporate definitions of “patriotism,” fear of physical reprisals, and lack of professional training as main reasons that journalists in these two countries cannot act in a socially responsible manner whenever they are writing and reporting about terrorism. 相似文献
2.
Muhammad Zubair Iqbal 《广播与电子媒介杂志》2017,61(2):449-466
The media-terrorism nexus needs further exploration. This article is a qualitative analysis of the coverage of London Attacks, 2005 by the British TV news channels. It aims to investigate and to empirically ascertain the veracity of the media-terrorism-symbiotic-relationship notion. The research draws a comparison with a similar study of the coverage of Mumbai attacks, 2008 and maintains that when the terrorist event happens on British soil, the symbiotic relationship theory is not verified completely. It concludes that British TV news channels, while reporting the home event of terrorism, do not overly focus on the theme of awe and terror. Instead, they are more responsible, careful, and nationalistic while covering the events of terrorism. 相似文献
3.
Due to the fact that mediated associations are a central aspect of many mass communication theories, their measurement is of central interest for communication research. Mediated associations are defined as the repeated pairing of an object (e.g., social group, political party) with specific attributes (e.g., crime, economy). In this article, we introduce a recently developed, automated text-analytic technique. We present an application of this method in the media stereotyping domain via the content analysis of German news coverage of Islam. As predicted, the analysis revealed substantial mediated associations between Islam-related concepts and violence (e.g., “Koran + violence”), terror (e.g., “Islam + terror”), dehumanization (e.g., “Muslims + animal-related terms”), and general negativity (valence). We discuss the promises and pitfalls of this method, make software suggestions, and provide application-related information for speedy dissemination in communication research. 相似文献
4.
Muhammad Zubair Iqbal 《亚洲交流杂志》2015,25(2):197-212
There has been a long-standing debate among scholars, policy-makers, politicians and journalists about the relationship between terrorism and the news media for whom terrorism is usually a newsworthy story. A primary focus of the debate is to investigate the media–terrorism symbiotic relationship. This paper explores this relationship through a qualitative, thematic analysis of how British TV news channels covered a major terrorist incident after the 9/11 – Mumbai attacks 2008. It examines the interpretive theme of ‘awe, terror and chaos’, and how it is selected, prioritized and developed in the presentation of the events which spread over a period of more than 72 hours. Additionally, it considers the kind of political and organizational factors that might shape or modify the editorial decision-making processes and ideological assumptions that may lie behind such coverage. Ultimately, the study maintains that British TV news outlets play an important role in mediating terrorist messages and focus primarily on images of terror and violence during the coverage of Mumbai attacks. While there are key differences between public and commercial TV news in the style and presentation of coverage, with the former being more careful in approach, the news channels concentrate on televising death and injury and the propagation of chaos and confusion in the affected city. 相似文献
5.
Anders Sundnes Løvlie Karoline Andrea Ihlebæk Anders Olof Larsson 《Journalism Practice》2018,12(3):362-381
This article investigates user experiences with editorial control in online newspaper comment fields following the public backlash against online comments after the 2011 terror attacks in Norway. We analyze data from a survey of online news consumers focusing on experiences and attitudes towards editorial control set against a spectrum between “interventionist” and “noninterventionist” positions. Results indicate that interventionist respondents rate the quality of online comments as poor, whereas noninterventionist respondents have most often experienced being the target of editorial control measures and feel that editorial control has intensified after the terror attacks. We conclude that newspapers should pay attention to the different needs of participants when devising strategies for editorial control. Media professionals should also consider changes to increase the transparency of moderation practices. 相似文献
6.
Armond R. Towns 《传播与批判/文化研究》2016,13(2):184-197
Studies of race in communication studies often critique and/or celebrate representations of people of color, but recently scholars have called for studies to “go beyond” representation. Building off the work of Sarah Sharma, Harold Innis, Marshall McLuhan, and Walter Ong, this article considers how forms of media, rather than solely content, have racial implications that exceed their representational capabilities. Through an analysis of slave narratives, this article argues that the Underground Railroad was a “media environment” that assisted slave emancipation. This environment celebrated oral forms of mediation and the bodies of certain black runaway slaves to mediate the lines between freedom and bondage. 相似文献
7.
《Communication monographs》2012,79(3):204-216
The cognitive-functional model of discrete negative emotions and attitude change (CFM; Nabi, 1999) attempts to bridge the theoretical gap between “emotional” and “rational” approaches to persuasion by focusing on how emotions motivate attention to and processing of persuasive messages. As a first test of the CFM, this study explored the effects of 2 emotions, anger and fear, and 2 levels of expectation of message reassurance, certainty and uncertainty, on attitudes toward domestic terrorism legislation. Results supported a main effect for emotion type, suggesting that anger promotes deeper information processing than fear, and a main effect for reassurance certainty level, with uncertainty promoting deeper information processing. The expected interaction between emotion type and reassurance expectation level was not found. Implications of these findings for the model and persuasion research generally are discussed. 相似文献
8.
Andrew Calabrese 《The Communication Review》2017,20(2):98-121
This article extends reasoning about social policy, as a response to basic human need, to the treatment of communication policy. The idea of communication as a basic human need is of vital importance in a contemporary world in which so much social interaction of a private and public nature occurs through technological mediation. Through an examination of arguments in social and political theory about human needs, this article emphasizes how “needs talk” is used to justify “rights talk,” with particular attention given to how assumptions about communication needs—what they are, how they can or should be satisfied, and the politics of need recognition—are or can be used to justify communication rights. 相似文献
9.
推动社区阅读空间转型对吸引社区居民走进阅读空间、培养居民阅读兴趣、提升居民综合素质,进而实现物质文明和精神文明协同发展意义重大。新时代为社区阅读空间转型提供了新动力的同时也探索出其转型的三维实践机制:“连锁委托”“馆店融合”“管办分离”的建设、运营及管理机制。以当前社区阅读空间的发展状况来窥视今后的发展方向,提出社区阅读空间转型应实现“质”“量”协同、“效”“能”并重、“人”“物”一体的目标。 相似文献
10.
《Journalism Practice》2013,7(4):450-464
This article looks at the commonly understood rules and guidelines, which are set out and regularly modified in the Associated Press Stylebook, for how news about the Middle East “ought” to look and sound for US readers. By examining official news language longitudinally across a period from before the Iranian revolution to the second decade of the “war on terror,” it finds patterns that shed light not only on the normal evolution of news language but on the particularly Orientalized features of news about the Middle Eastern “other.” These findings are especially relevant in an era of shrinking newsroom resources in which centrally determined features of language are, increasingly, national decisions. 相似文献
11.
Avery E. Holton 《Journalism Practice》2016,10(7):917-927
As newspapers continue to wrestle with diminishing resources, they have, in part, turned to freelance journalists to help fill holes in content production. In light of this amplified reliance on freelancers, some media scholars have examined the ways in which they fit into the news process, arguing that they have the potential to override traditional journalistic norms in ways that can enhance news work and audience engagement while possibly breathing new life into news organization business models. Semi-structured interviews with 19 freelance journalists and nine newspaper editors in the United States help reveal that freelancers are harnessing social media to engage with and build audiences and individual brands. Freelancers frequently immerse themselves in social media experimentation that editors monitor and often incorporate into organizational strategies that may help inform newsroom practices and audience engagement. This hints at a shift for freelance journalists from the timeworn role of newsroom outsider to one of “intrapreneurial informant.” 相似文献
12.
“反恐战”新世纪,成为最重要的国际议题之一。恐怖主义与媒介的共生论认为媒体对于恐怖舆论难辞其咎。其实,媒体并不是导致恐怖主义的罪魁祸首。在某种意义上,恐怖主义是经过中介的暴力;而更重要的是,媒体同时又是发动反恐舆论战的载体。当今国际许多媒体在报道恐怖事件中杂有很多毒素,进行反恐舆论战需要去除这些毒素。我们有必要借鉴国际传媒的经验教训,更好地打好反恐舆论战。 相似文献
13.
Vince Dziekan 《Curator: The Museum Journal》2016,59(2):177-193
Drawing inspiration from New Materialist philosopher Karen Barad's challenge to read “diffractively” by experimenting with different patterns of relationality, this article sets out a course of speculative inquiry inspired by the contemporary fascination with digital light‐based installations. Taking the UN's designation of 2015 as the “International Year of Light and Light‐based Technologies” as its point of departure, a subset of mediated environments are identified that transcend the distinction between physical and digital; materiality and immateriality; invisibility and presence. Employing new technologies to create deeply sensorial and highly participatory forms of aesthetic engagement, the selected examples offer a compelling indication of the post‐digital aesthetics that arise from the interrelationship of art, design and computation. Its investigation is structured as a montage of two parts: following an introduction that surveys an illustrative sub‐set of contemporary digital light‐based art works drawn from the 2014 INST‐INT conference, the second half of this text will speculate upon the “dynamic‐constructive” relationship between digital media and the form‐making processes associated with “practices of light” (Cubitt 2014 ). The implications of “post‐screen media” for curatorial practice is explored in relation to the mediating function played by modes of exhibition and other program architectures. 相似文献
14.
Thirty years after the fact, the Vietnam War continues to haunt the collective memory of the United States. One of the primary embodiments of that haunting is the image of a naked girl running down a road toward the camera, screaming in pain and terror from the napalm burns on her back and arms. The photograph, often dubbed “accidental napalm,” provides a complex construction of viewer response that was uniquely suited to the conditions of representation in the Vietnam era, while it reflects a continuing struggle within public culture since that time. In this essay, we offer a close reading of the photograph as a performance of public judgment, and we explore its subsequent history of appropriation. We argue that the photograph functions as a powerful emotional and inventional resource for animating moral deliberation and democratic dissent as it mediates the “stranger relationality” central to public engagement. At the same time, the image also motivates dominant narrative responses that reinscribe liberal ideology to inhibit collective memory and public accountability. This ambivalence in the circulation of the iconic image is grounded in fundamental affinities between photographic representation, public culture, and mass media. 相似文献
15.
ABSTRACTThe #MeToo movement, which engulfed much of India's news and entertainment industry in October 2018, was projected by many as a watershed moment for Indian journalism. Driven largely through social media activism, it created significant public discourse and outcry, leading to the “outing” and resignation of many journalists. This paper explores the perception of #MeTooIndia in regional and national newsrooms. Drawing on Manuel Castells's ideas of networked social movement, we consider the origins of #MeTooIndia, including its mediation on private and social networks. We then draw on 257 semi-structured interviews with journalists working in 14 languages across India to explore the “cause” of the campaign—the prevalence of sexual harassment and sexual violence in workspaces—before turning our attention to the impact, or potential for impact, that journalists saw in it. We find most journalists felt the movement was “good”, but did not think it influenced their environment or newswork in any meaningful manner. Regional journalists expressed more pessimism about the #MeTooIndia, men more so than women. 相似文献
16.
以“一键借阅·满城书香”行动为例,介绍了杭州图书馆提升公共图书馆服务效能的实践探索。服务效能提升行动立足“惠民”,从提升读者满意度、获得感角度出发,通过简化在线借还图书操作等五方面的措施,为读者打造了“快捷”“温馨”和“丰富”的阅读体验,从而激发读者的阅读兴趣,营造城市的阅读氛围。行动取得了良好的成效,其探索的经验对其他公共图书馆具有一定的启发和借鉴意义。 相似文献
17.
Kimberly Anderson 《Archival Science》2013,13(4):349-371
This paper provides an analysis of the archival concepts of “record” and “evidence” as socio-cultural constructs arising out of a particular view of time. Archival records are usually characterized as having certain relationships to evidence in its temporal aspects—specifically, the requirement for a temporal disconnect between creation and use. This disconnect also necessitates a break between knowledge and the knower in which the record must be externalized and set aside from its creator in order to have “recordness”. This paper explores how Western concepts of time impact concepts of records and archival evidences and proposes an alternative framing. Since records have such power in our lives and societies, practitioners must begin to work with an expanded concept of record and sensitivity to differing time frames and worldviews. The paper proposes a new definition of “record” as an intentional, stable, semantic structure, which is used to identify three broad categories of record types, based on event-orientation or object-orientation, that are flexible enough to account for differing cultural and spiritual understandings of time. 相似文献
18.
S. Katherine Cooper 《The Communication Review》2019,22(2):91-116
In this paper, I discuss audience reactions to stand-up clips by Amy Schumer, Wanda Sykes, and Margaret Cho. Women’s comedy is arguably at the height of its popularity, but there is a seeming lack of research on audience interpretations of humor produced by women. This research builds on and extends current notions of “referential viewing” in audience research. Utilizing focus group analysis, I elaborate audience decoding practices and the role of identity in layers of referential viewing. Audiences in this research centered their discussions on identification of the comedians, identification of the targets of jokes, and identification of whom they perceive to be the intended audience. Discussed are implications for how audiences understand various power dynamics through humor and distinctions created between comedy that “laughs with” or that “laughs at.” 相似文献
19.
Jan Packer 《Curator: The Museum Journal》2008,51(1):33-54
Abstract This paper explores the beneficial outcomes that visitors seek and obtain from a museum visit, in terms that are not related to learning outcomes. It uses a deductive qualitative approach to investigate the meaning and value of a museum visit from the visitors' perspective. Three different levels of the meaning of the experience are considered: the attributes of the setting that visitors value; the experiences they engage in; and the benefits they derive. The findings confirm the importance of the “satisfying experiences” framework for understanding visitor experiences in museums, and extend this understanding in relation to the beneficial outcomes these experiences produce. The study also highlights the importance of “restoration” as an outcome of a museum visit. It is argued that the concept of the museum as a restorative environment, which enables visitors to relax and recover from the stresses of life, is worthy of further research attention. These insights will enable museum practitioners to better understand and meet their visitors' multiple needs and expectations. 相似文献