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1.
《Support for Learning》2004,19(2):71-76
In this lively account of a special school's involvement with the government‐funded Creative Partnership programme, Maria Balshaw provides a helpful overview of that programme and demonstrates the exciting potential for inclusive practice when schools work in partnership with creative professionals. 相似文献
2.
Although being rooted in the work of ancient Greek philosophers, contemporary research on wellbeing is a relatively new phenomenon. As a term in the literature, wellbeing is often used interchangeably with others, such as happiness, flourishing, enjoying a good life and life satisfaction. Furthermore, the wellbeing of school-aged children is only beginning to be explored with increasing recognition that research conducted on adults cannot be uncritically applied to children and young people. This paper aims to address some of the complexities in conceptualising, and hence assessing, children and young people’s wellbeing by drawing on a recently completed study examining the role of creative initiatives in fostering wellbeing. The new instrument that was developed to capture children and young people’s perceptions of their wellbeing in school is outlined. Data are presented from a survey of 5170 students from 20 primary and 20 secondary schools across England that identify four dimensions of wellbeing. Differences in self-reported wellbeing relating to age, gender and type of school attended (Creative Partnerships versus other schools) are explored. The implications of these findings, particularly differences related to type of school attended, given the focus of this special issue, are considered. 相似文献
3.
王里 《福建工程学院学报》2007,5(5):477-482
创造动机是支配创造者从事创造行为的内驱力.从创造动机的理论背景看,其研究领域较为复杂,通过了解不同学派和学者有关创造动机理论的研究,可以更加全面地探讨创造动机.从事创造活动的人所处环境不同,其创造动机也可能不同,不同类型的动机之间存在相互的联系和影响,使我们更加清楚地了解到只有对创造动机进行深入研究,才能使我们更明确地选择创造力的培养途径. 相似文献
4.
以过程哲学为基础的过程教育相信真正的善来自深度的互动,因此,它致力于在教师、学生和教育活动的相关性中进行创造性转化。创造性转化要求我们开放地倾听他人讲话,逐渐从中获得自己对他们的理念、观点和价值的意识。创造性转化的过程是螺旋式的,它包括了呈现、整合、扩展和深化。 相似文献
5.
The goal of this study was to describe the relationship between the creative abilities and the school grades of high school students in Poland. Almost six hundred (N = 589) students from 34 high schools from all over Poland participated in the study. Their creative abilities were measured by using the Test of Creative Thinking-Drawing Production (TCT-DP), and the school results were measured by GPA. Students’ intelligence level (as measured by the Raven's Progressive Matrices) and their gender were controlled. The analyses were based on OLS regressions as well as on multilevel models controlling for grouping students into classes. It was shown that creative abilities are not correlated with students’ GPA, yet the multilevel control of grouping students into classes demonstrated interesting and potentially important differences. In some schools, the relations were positive, strong and statistically significant, while in others they were non-existent or negative. The role of creative abilities for GPA was greater in larger schools and in schools located in big cities. We discuss the possible reasons for and consequences of our findings. 相似文献
6.
Creative thinking is the ability to produce responses that are both original and useful. Like other complex thinking processes, creative thinking draws on higher-order cognitive resources. The impacts of feedback, cognitive load, and self-efficacy on traditional complex thinking activities are well documented; however, little is known about how these factors influence creative thinking, which is unique in its requirement of originality. We investigated the impacts of social comparison performance feedback and creative self-efficacy on cognitive load during two creative thinking (divergent thinking) tasks. Higher creative self-efficacy was associated with lower cognitive load during creative thinking. Positive feedback was associated with lower cognitive load compared to negative feedback. Higher cognitive load negatively impacted creative thinking performance, and the impacts of creative self-efficacy and performance feedback on creative thinking were partially mediated by cognitive load. Implications for providing feedback to students during creative thinking tasks are discussed. 相似文献
7.
创造性思维是多种思维的综合表现。创造性思维的培养 ,主要是培养学生创造性思维品质和创造性思维方法。课堂教学的民主气氛是培养创造性思维的关键 ;发散思维的培养是重中之重 ;培养直觉思维 ,孕育灵感的萌芽 ;构建知识网络 ,重视横向思维 ;理论联系实际 ,积极开展第二课堂教学 相似文献
8.
The investigation of leisure time activities through lifespan analysis has revealed the importance of such activities in the prediction of later life achievements and creative products. They may be more reliable predictors of future performance than IQs, creativity test scores or school achievement. In the present paper creative leisure time activities are considered to be creative products. A total of 192 fifteen year old academic secondary school students were involved in the study: Creative leisure time inventories were filled out, Raven Advanced Progressive Matrices administered, and school grades recorded. Results indicated that differences in leisure time inventory scores between boys and girls with high intellectual potential were smaller than those of students with average potential. Girls were overrepresented in the “schoolhouse gifted” group, but in the “creative gifted” and “intellectually gifted” groups the ratio of girls and boys was balanced. 相似文献
9.
马海华 《山西广播电视大学学报》2007,12(4):59-60
素质教育的灵魂是创新教育,作为一名化学教育工作者,培养学生的创新能力是时代的要求。结合自己学科的特点,本文从激发兴趣、积极鼓励、设计探索实验、开展第二课堂四个方面阐述了对学生在学习化学中创新能力培养的要求。 相似文献
10.
创新意识是创造性思维和活动的基本前提和条件.一个人如果没有创新欲望和动机,就不可能去进行创新性思维和创新活动.没有创新意识和创新热情,任何创造性活动都不能进行.因此,教师在教学活动中要有意识地培养学生的创新意识,激发学生的创新热情. 相似文献
11.
创新教育是语文素质教育的重要内容之一。必须转变教育观念,善于挖掘教育因素,构建充满活力的课堂,以激励学生参与创造,使语文学习和创造性思维训练结合起来。 相似文献
12.
创造力是一个人分析问题和解决问题的最高表现形式,属于能力的范畴。学生能力的培养可以在教育活动中完成。在目前的高职教育中,教师可通过对学生进行创造思维练习,培养学生的创造人格,加强对其创造力的培养,从而达到学生良好智能的开发和形成优秀个性品质的目的。 相似文献
13.
当代大学生创造性人格的心理分析与培养 总被引：1，自引：0，他引：1
创造性人格是人的创造性素质的一个重要方面,它启动、导向和维护着人们的创造性活动。分析了创造性人格品质的心理结构,归纳、总结了当代大学生创造性人格具体的外显特征,并从以学生为本,改革当前教学环境与方法,培养大学生创造的目的性、动机性和意志性品质,加强对大学生的心理健康教育等方面,对培养当代大学生创造性人格提出了建议。 相似文献
14.
创造教育已成为当前教育改革的主要潮流.小学阶段是实施创造教育的起始时期.但显然小学时期创造教育的重点不在创造技法,而在创新意识的培养上.为此,在小学阶段,教师必须(1)首先做出表率;(2)在班级中创设自由安全的气氛;(3)组织多种多样的创造实践活动. 相似文献
15.
This study examined relationships between five personal traits and adolescents’ creative activities and accomplishments in five domains—music, visual arts, creative writing, science, and technology. Participants were 439 tenth graders (220 males and 219 females) in China. The relationships were examined using confirmatory factor analysis. Openness to experience was related to activities in music, visual arts, and creative writing but not to science and technology. Creative self-efficacy was related to all but technology-related activities. Intrinsic motivation was related to visual arts and science creative activities. Conscientiousness and perceived intellectual ability were not associated with creative activities in any domain. Finally, none of the personality or motivational attributes were related to creative activities in the technology domain. Personal traits appear to introduce some variability in the developmental trajectory of potential talents in various domains. 相似文献
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17.
Winslow R. Hatch 《College Teaching》2013,61(2):51-54
Creative thinking skills are essential for today's workplace. Three faculty members from different professional schools (business, higher education administration, teacher education) examined student responses to the creative assignments in their courses. The assignments exemplify the following criteria: invited taking risks, encouraged innovative thinking, stressed connecting, demonstrated synthesis and transformation of course content. The study examined student responses to creative projects via a Likert-scale survey, open-ended narrative responses, and then scores on a rubric on creativity and integrative learning. Fifty-seven students were surveyed across all three courses. Overall, results indicate that students not only found these assignments worthwhile but also found that they furthered their learning of course content. Implications for practice are included. 相似文献
18.
创新教育是我国学术界与教育界极为关注的重大研究问题，而课堂教学又是实施创新教育的主阵地。因此，建立课堂创新教育的新模式非常必要。建立课堂创新教育模式应遵循这样两个原则即平台原则和爬坡原则。平台原则认为，培养学生创新能力的基础是必须建立一系列科学的创新平台；爬坡原则认为，提高学生创新能力的途径是必须建立一系列科学的扑坡途径，该途径是学生创新能力逐步提高的必以之路。根据这两个原则建立起来的课堂创新教育模式即平台爬坡模式，该模式包括创新平台的内部结构和不同爬坡途径。平台爬坡模式的建立，一方面有利于培养和造就高素质的创新型人才，对于培养和促进学生的发展具有重要作用；另一方面有利于创新教育的发展，对于全面推进素质教育具有重要作用。 相似文献
19.
胡敏中 《北京师范大学学报(社会科学版)》2005,(2):102-107
创造性认识是人类认识的一个本质的和内在的方面。从认识对象看,创造性认识 是以新的认识问题或认识矛盾为对象的;从认识主体看,只有具有创造力的人即创新主体才能从 事创造性认识活动;从认识过程看,创造性认识是探索人类未知领域的特殊认识活动;从认识特 征看,创造性认识的本质特征就是其创造性;从思维方法看,创造性认识的思维方法也具有探索 性和开创性,它不同于一般的、常规的认识方法和思维方法;从认识结果看,创造性认识是能获取 创造性认识成果的认识活动。 相似文献
20.
摆弄（tinkering）一词已从早期＂修补＂的本意拓展为一种重视探究和动手体验的工作风格和学习方式,它与规划相对,是一种自底向上的问题解决方法。已有一组计算性建造工具可用于发展学生的摆弄能力,如Scratch编程工具、Makey Makey电路板和Scratch传感器板等。创意教育工作坊是在创意计算中培育学生摆弄能力的一个案例,通过案例分析可知,应用计算性建造工具、经历创意计算作品创作过程和使用有意图摆弄的教学策略有助于培育学生的摆弄能力。随着计算性建造工具的普及,中小学信息技术课如何超越应用软件学习、如何在创意计算中培养学生的摆弄能力将成为中小学信息技术教育的研究热点,它将推动我们对技术高速发展形势下学生创新意识和实践能力的培养进行思考与探索。 相似文献