论新闻源与新闻的话语主体     

曾庆香  刘自雄 《国际新闻界》2006,(1)

本文从话语理论这一视角出发,考察新闻源对新闻话语的生成所产生的影响,认为在许多情况下,记者虽然是新闻话语的写作者,但他并非是话语的主体,他只不过是充当了编码者和代言者的角色,权威的新闻源才真正是新闻话语中说话的人。  相似文献   

评《解读河汾诸老》     

张晶 《晋图学刊》2006,(1):75-77

刘达科解读《河汾诸老》选取了一个与金元之际文坛有密切而广泛联系的作家群体进行研究,对其文化活动、创作成就和历史地位作了全方位的考察和阐述,在资料钩沉发微、史实考订索隐和作品研读诠释方面也颇有独见,并时已当代域外的研究方法和观点来阐述、解释中国文学史现象,反映了该学术领域的前沿水平。  相似文献   

图书馆服务质量测评的影响因素及控制研究   总被引：10，自引：0，他引：10  

钱佳平  刘兹恒 《中国图书馆学报》2006,32(1)

在图书馆服务质量测评中,指标体系与服务质量的相关度,调查对象的选取和抽样方式以及问卷设计和数据分析处理技术等问题,都有可能影响评估数据的可靠性和有效性。要使服务测评指标体系与服务质量高度相关,需从两个方面加以控制。首先,评价指标的建立和优化要符合以下原则:现实服务评估和前瞻性预测的有机结合;指标内涵的单义性和具体化;指标体系稳定性和动态优化的有机结合。此外,还要鼓励用户发表意见,作为补充的反馈优化机制。表3。参考文献9。  相似文献   

国际图联关于“世界知识产权组织未来发展日内瓦宣言”的立场(2004年9月28日)   总被引：2，自引：0，他引：2  

卢海燕  白云峰 《中国图书馆学报》2006,32(1)

国际图联(IFLA)对《世界知识产权组织未来日内瓦宣言》表示认可和欢迎。国际图联迫切要求世界知识产权组织对于知识产权法的不平衡、信息垄断、技术保护措施、数字鸿沟加大,以及自由贸易协定等问题予以陈述和表态,并力劝其针对世界范围的知识产权问题,考虑发达国家和发展中国家的不同需要,采取全新步骤。参考文献4。  相似文献   

“信息资源共享”课程的立体化建设   总被引：1，自引：0，他引：1  

潘燕桃 《中国图书馆学报》2006,32(3)

中山大学资讯管理系以纸本《信息资源共享》为核心内容,研制成“信息资源共享网络课程”,采用数字化网络平台进行网络教学,构建了课程的教学立体化体系,教学效果良好。图 4。参考文献7。  相似文献   

Who's next? Research predicts museum leadership gap     

Joan H. Baldwin  Anne W. Ackerson 《Museum Management and Curatorship》2006,21(4):349-352

A brief commentary from the Museum Association of New York (MANY) on the unprecedented gap posed by baby-boomer retirement. Based, in part, on MANY's white paper, “Who's Next? Questioning the Future of Museum Leadership in New York State,” this essay deals with questions of succession, leadership and general differences in New York's museum community.  相似文献   

Museums and the shaping of contemporary artworks     

Sherri Irvin Author Vitae 《Museum Management and Curatorship》2006,21(2):143-156

In the museum context, curators and conservators often play a role in shaping the nature of contemporary artworks. Before, during and after the acquisition of an art object, curators and conservators engage in dialogue with the artist about how the object should be exhibited and conserved. As a part of this dialogue, the artist may express specifications for the display and conservation of the object, thereby fixing characteristics of the artwork that were previously left open. This process can make a significant difference to the visual appearance of the work, the nature of the audience's experience, and how the work should be interpreted. I present several case studies in which the nature of the artwork has been shaped by such dialogues, and discuss principles for resolving cases in which there is a conflict between instructions specified by the artist and those adopted by the museum.  相似文献   

The Concept of Record in Interactive, Experiential and Dynamic Environments: the View of InterPARES*     

Luciana Duranti  Kenneth Thibodeau 《Archival Science》2006,6(1):13-68

This article presents the concept of electronic record as articulated by the first phase of the InterPARES (International research on Permanent Authentic Records in Electronic Systems) Project (1999–2001) and discusses it in light of the findings of the second phase of the Project (2002–2006). While InterPARES 1 focused on records produced and/or maintained in databases and document management systems, InterPARES 2 examined records produced and/or maintained in interactive, experiential and dynamic environments. The authors describe the characteristics of these environments and of the entities found in them in the course of case studies conducted on systems used for carrying out artistic, scientific and e-government activities, and propose the new concept of record that InterPARES 2 is eleborating, which expands on that formulated by InterPARES 1.The authors would like to thank InterPARES 2 research assistant Randy Preston for his careful editing and constructive criticisms. Some of his suggestions have been incorporated in the text of this article.  相似文献   

Passive keepers or active shapers: a comparative case study of four archival practitioners at the end of the nineteenth century     

Donna Holmes 《Archival Science》2006,6(3-4):285-298

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三线典藏制度与动态典藏管理模式   总被引：3，自引：0，他引：3  

刘金玲  叶艳鸣 《图书馆杂志》2004,23(11):35-37,39

本文探讨了三线典藏制度在实际工作中的应用，提出了全新的动态典藏管理模式，并指出动态典藏管理模式是新形势下三线典藏制度的机制保障。  相似文献