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1.
The aim of this article is to assess whether and how the CBC’s music radio programming reflects the corporation’s mandate of showcasing a diversity of music and culture. I argue that a program logic that privileges an international corporate music industry strategy persists (particularly during the peak morning and afternoon drive time programs) and limits the capacity for public radio to imagine and project alternative musical trajectories. My aspiration is to imagine CBC Music’s over-the-air radio as a residual broadcast service, one that presents novel opportunities at a time when digital and online streaming music is dominant.  相似文献   

2.
Notable radio scholars including Christine Ehrick, Phylis A. Johnson, and Caroline Mitchell have explored critical challenges of gender and sexuality radio research and its importance in relation to communities. A major issue faced in studying the early years of women’s history in broadcast is the ephemeral nature of the medium as many of the voices are lost in the ether, unrecorded or once deemed inessential to archive. Web-based radio and podcast archives provide renewed avenues for listening to lesbian and queer women’s radio across transnational borders yet many long running shows in Canada such as The Lesbian Show on Vancouver Co-Op Radio have only recently begun to surface as digital collections. As personal and institutional archives of lesbian and queer women radio begin to reach a public audience, analysis of radio works across decades of LGBTQ2+ activism and feminisms must be traced to understand the role of radio and digital radiogenic media in creating space and identity for queer activism. A turn to the past brings forward questions of analog and digital futures for radio and podcasting space as place to construct and shape queer and especially lesbian communities and identities in the North American broadcasting industry. Through research of notable live and pre-produced content including Dykes on Mykes on CKUT 90.3 FM, and The Lesbian Show on Vancouver Co-Op Radio, this work offers an exploration of radio and radiogenic media’s role in creating sonic space for queer and feminist subjectivities.  相似文献   

3.
Despite their low pay and clerical status, the women who staffed the National Broadcasting Company’s (NBC) Information Department played an integral role in shaping the national network’s program and public relations policies. As the network’s first line of contact with its audience, Information Department workers influenced public opinion by shaping the networks’ responses to individual audience members’ written complaints. They also processed and molded the information NBC executives used to sell programming to advertisers. Still, as women, they were routinely devalued and their labor dismissed as simultaneously rote, irrelevant, and hyperemotional. This paper brings together internal documents from across NBC’s corporate structure to recover the careers of Anita Barnard and Kathryn Cole, two women who managed the Information Department through the 1940s and 1950s. During this period, the network underwent enormous transitions, including the shift from radio to television and renewed threats of federal regulation. The Information Department’s status waxed and waned along with NBC’s need to appease its audience and recruit and retain sponsors. Barnard and Cole’s status rose when audience information was at a premium, but it fell as soon as network dominance over television was established and financial returns assured.  相似文献   

4.
Postwar religious broadcasting in Britain sought to accommodate diverging aims, with public radio as the established arena for Christian evangelism and yet also an emerging forum for dissenting viewpoints in an increasingly faith-averse age. A transitional figure within literary modernism, E. M. Forster embraced broadcast radio in the effort to disseminate ‘culture,’ even as he sought to make the ethical turn away from culture as religious. Since the 1930s, Forster had consistently supported the airing of such ‘minority’ viewpoints; after the war, his arguments for ethical alternatives to Christian broadcasting were bolstered by the rise of postwar ecumenism and the Beveridge reforms. Forster's defense of humanist broadcasts given by Margaret Knight in January 1955 effectively highlights the formated nature of on-air debates at the expense of unpopular viewpoints, even as BBC policy-makers were actively considering abandoning existing practices in favor of stand-alone ethical rebuttals to accepted Christian viewpoints.  相似文献   

5.
This article surveys efforts at preservation and diffusion of archival radio in Latin America. The region’s largest radio archives are housed within large sound libraries in Brazil and Mexico. Mexico’s Fonoteca Nacional, for example, houses the archives of XEW/Televisa Radio, the nation’s most important radio network. In countries like Argentina and Chile, radio preservation and diffusion has been a component of efforts to document and preserve the public memory of revolution and dictatorship during the Cold War era. While much remains to be done to secure the region’s radio patrimony, Latin American radio preservation has advanced significantly in recent years.  相似文献   

6.
With music being one of the key elements of radio, and plurality one of the most important principles of public service, this article’s central argument is that one of the missions of public radio is to foster musical elements produced in the country’s national language. Focusing on traditional musical genres of the Portuguese-speaking countries, we will analyze the role of music in public radio by selecting specific musical shows focused on the Lusophone world. In order to determine the presence and impact of Lusophony in national stations, music will be the common thread for a reflection on how multicultural their programming strategies are able to be.  相似文献   

7.
ABSTRACT

This article details the various forces that shaped public radio station KEXP’s evolution from the 70s to today. It addresses the ways that Seattle’s specific cultural, economic, and technological advantages enabled it to take on its current form as a key presence in global pop music curation and discovery. It argues that the station’s progression thus represents a potential model for other legacy public radio stations in an era of diminishing public and institutional funding. However, this approach’s viability will depend upon how effectively stations are able to leverage their local communities to compete in the networked digital media paradigm.  相似文献   

8.
文章论述"十四五"时期公共文化服务高质量发展面临的挑战,包括:国家重大区域协调发展战略深入推进带来的新挑战,推动公共文化服务高质量发展面临的目标挑战,公共文化服务体系发展存在的挑战,公共文化形成软实力助力区域(城市)发展的挑战;分析"十四五"时期公共文化服务高质量发展面临的历史新机遇,包括:党中央把文化建设提升到了新的历史高度,各级党委政府大力抓文化建设已成为自觉行动,重大国家战略布局带来区域全方位发展新机遇,公共文化服务体系建设站上了历史发展新起点。面临新挑战,基于新机遇,"十四五"时期公共文化服务高质量发展可从7个方面着手,包括:提高运用习近平新时代中国特色社会主义思想指导公共文化实践的能力水平;抢抓历史机遇,建设升级版的公共文化设施网络;做强数字化,推动公共文化服务均等化、一体化发展;繁荣群众文艺创作,加强公共文化软实力建设;打好"组合拳",推进"社会化",激发基层公共文化服务活力;以推进民族民间文化创新发展为抓手,推进文广旅公共服务深度融合;向科学管理要效益,提升公共文化服务能力水平。  相似文献   

9.
The new competitive environment of radio broadcasting in the Nordic countries consists of three sectors: (1) public service radio channels, (2) commercial radio stations and networks, and (3) community radio. Commercial radio represents the latest phase in a long process of transformation that started with decentralization inside the national broadcasting corporations in the 1960s and continued with introduction of noncommercial forms of local and community radio since the late 1970s. In the 1990s, commercial radio represents a hegemonic cultural form whose values and meanings penetrate to all sectors of radio. As a response to commercialization, the public service broadcasting tradition is undergoing a serious rearticulation. In contrast with the radical liberalism of the 1980s, there seems to be a growing political will to safeguard a balanced dualism of noncommercial and commercial forms of broadcasting.  相似文献   

10.
This paper explores Judith Waller’s radio programming philosophy over her career that began in 1922 at WMAQ Chicago. In the 1940s, representing the interests of her employer NBC, Waller began to use the phrase “public service” as a way to break free of the “stigma” of educational radio. The concept of public service programming shifted during the 1930s and 1940s in the US, redefined and negotiated in response to assumptions about radio listeners, the financial motivations of commercial radio, and Federal Communications Commission rulings. This paper brings renewed attention to the past and present political economy of media in the US, providing a window into the historically complex relationship between commercial and noncommercial media that continues to this day.  相似文献   

11.
This introductory essay serves to frame this special public radio symposium that commemorates the 50th anniversary of the Public Broadcasting Act of 1967, on November 7, 2017. Drawing from his earlier writings on public broadcasting history, the author tells the story of how educational radio got its start and continued to struggle for survival until the fledgling enterprise could be reborn as public radio, a result of what may be the most significant piece of communications legislation of the second half of the 20th century. The author argues that despite the enterprise’s marginalized roots and repeated political attacks that span a half century, public radio, in one form or another, will survive well into the future.  相似文献   

12.
The physical remnants of long-lost radio programs are not the only sounds that broadcast historians must unearth to unravel the mysteries of radio production and reception. In this essay, I examine the audio tapes of a 1980 oral history interview of Isabel Baumann, a Wisconsin farm wife, rural activist, and radio personality who appeared for twenty years on a monthly local radio show called The We Say What We Think Club. I tell the story of how these recordings came to be archived at the State Historical Society of Wisconsin and the unique institutional context that preserved Baumann’s voice for future generations. The tapes of Baumann’s recollections of her farm life and radio career offer us not only one of the few examples of the sound of Baumann’s voice, but gives insight into how the very process of making oral histories helped her (and ultimately, us) understand the power of her radio work. Oral histories offer a space for women, so often marginalized in the industry and in historical narratives, to say what they think. Most importantly, the audio recovered from these academic projects allow historians to record with more fidelity what these women thought.  相似文献   

13.
This study focuses on the 1950 introduction of the commercial radio station, Springbok Radio, into the South African Broadcasting Corporation, a Commonwealth inspired public service broadcaster (PSB) resulting from the Schoch Commission (1948). The paper argues that the introduction of Springbok Radio was prompted by the financial crisis faced by the Corporation; the broadcaster’s attempt to broaden its appeal beyond elite audiences serviced by PSB; and the national imperative to centralise and control the broadcast sector by dominating it completely. Thus, the study examines the motifs of PSB versus commercialisation; high culture versus popular culture; and nationalism versus internationalisation.  相似文献   

14.
Despite increasing emphasis in recent years on the importance of breastfeeding for public health, rates in the United States still fall short of goals set by health organizations. In particular, breastfeeding rates for working mothers are lower than for stay at home mothers, despite policy changes to facilitate breastfeeding and working. Based on interviews with 23 mothers who were participants in breastfeeding support groups, this study explores some of the factors contributing to women’s difficulty combining breastfeeding and working. Findings indicate that some women do not return to work because they believe working and breastfeeding are not compatible, while those who do work and breastfeed often lack support from coworkers and managers. In order to improve breastfeeding rates for working mothers, organizations should make their support for breastfeeding mothers explicit beyond formal policies such as lactation rooms.  相似文献   

15.
This article explores the British and West German public service radio’s abilities to reflect on and to address the specific needs and expectations of migrant groups in their programmes between the 1960s and 1980s. Mechanisms of social inclusion and exclusion alike can be investigated here. Empirically, it is based on comparisons of radio broadcasts on and for different immigrant communities, produced by BBC Radio Leicester on/for the post-war Asian migrants in England and by West German public service broadcasting on/for ‘Gastarbeiter’ (foreign workers) as well as for ‘Spätaussiedler’ (German repatriates from East Europe). Radio is studied as an agent of identity management and citizenship education. Not only did radio talk about migrants and migration to introduce these topics and the newcomers to the local population. It also offered airtime to selected migrant communities to cater for their needs and interests as well as to facilitate their difficulties of adjusting to an unfamiliar environment.  相似文献   

16.
实证表明新冠肺炎疫情下公众选择不同传播渠道产生的"自我卷入"程度不一:短视频、微博(或微信)、新闻类APP等移动新传播渠道给公众造成的恐惧感更为显著;电视(或广播)等传统渠道更能影响公众的应急反应,让公众主动采取防护措施,积极进行自我保护和积极应对;但公众在权威信息、疫情进展上对电视(或广播)等传统渠道的期望值更高。主流媒体应从把控信息源头、创新表达形式、布局好舆情监测机制、做好媒体议程设置等四个方面来提高自身公信力,提高公众对主流信息的"自我卷入"程度,以防范可能出现的"信息疫情",维护社会秩序健康稳定。  相似文献   

17.
The Public Broadcasting Act’s 50th anniversary provides an opportune moment to reassess justifications for creating a noncommercial media system. This commemorative occasion coincides with a particularly precarious moment for public radio and television’s future, adding some urgency to revisiting and reasserting its normative foundations. With this in mind, it is instructive to look back at public broadcasting’s long history to recover some of the original arguments for establishing an alternative to commercial news media. These earlier visions suggest a social democratic ideal for broadcast media, one clearly recognizing that a market-driven system cannot provide for all of democratic society’s communication needs.  相似文献   

18.
This essay explores the radio program Randy’s Vinyl Tap, which is hosted by Randy Bachman and airs on CBC Radio 1 (2005-present). I argue that the show’s complex reception can be explained, in part, by the fact that it transgresses dominant conceptions of authenticity in both rock music and public broadcasting discourses. Drawing on the work of Mikhail Bakhtin, I explore ways in which Bachman evokes a “carnivalesque” approach to public communication.  相似文献   

19.
This paper evaluates the evolution of community radio in postapartheid South Africa where a three-tier broadcasting system—public, commercial, and community—has replaced the monopoly of a state-run behemoth, the South African Broadcasting Corporation. The paper commences with an overview of South Africa's institutionalized culture of exclusion in the broadcasting sector and in other social spheres. A conceptual review of participatory communication precedes and provides foundation for the examination of the operations of two community radio stations located in two of South Africa's previously marginalized and disenfranchised communities. Although South Africa's adoption of community radio answers perpetual questions about the sustenance of community radio, the ongoing experience poses a few challenges.  相似文献   

20.
公共图书馆推动城市文化建设是图书馆的职责和城市发展的内在需求。文章通过阐述公共图书馆与城市文化的关系,以及对佛山图书馆案例进行分析,指出公共图书馆在城市的学习、文化氛围的营造、公民权益的保障以及促进社会和谐等方面的价值和作用,并对公共图书馆在城市文化建设中大有可为做了思考。  相似文献   

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